Women and motorbikes - 6 Minute English

67,167 views ・ 2019-06-06

BBC Learning English


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00:06
Neil: Hello and welcome to 6 Minute
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English. I'm Neil.
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Sam: And I'm Sam.
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Neil: And if I say to you, Sam, motorbike,
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what do you think of?
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Sam: Oh, I think of the film Easy Rider
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with Jack Nicholson and
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Peter Fonda cruising the
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wide open spaces on powerful machines.
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How about you, Neil?
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Neil: Oh, well, I think of the young man on
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a moped who delivers my pizzas.
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Sam: Not quite the same image,
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is it, really?
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Neil: No, but in both cases we were
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associating motorbikes with
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male figures. Today we are
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looking at women and bikes,
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but before that, a quiz. In which decade
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was the first mass-produced
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motorcycle released? Was it:
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a) the 1880s, b) the 1890s,
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or c) the 1900s?
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What do you think, Sam?
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Sam: Tricky question! The 1880s
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may be too early - so I think I'll play
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it safe and go
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for the middle option, the 1890s.
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Neil: Well, we'll see if you're right
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later in the programme.
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Esperanza Miyake is the
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author of a new study of
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the 'gendered motorcycle' in film,
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advertising and TV. She was interviewed
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on BBC radio's Thinking Allowed
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programme about the topic. First
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she was asked about
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the experience of travelling at
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over 110 kph on a motorbike.
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What world does she say you
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are part of?
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Esperanza Miyake: I think it
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dissolves gender, race, all these
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things stop mattering. It's
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all about experience so car drivers, there's
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a lot about enjoying the internal space of
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the car, on the bike obviously
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there's no interiority. You're
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completely part of the exterior world.
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Neil: So what world are you in
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when travelling at speed on a motorbike?
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Sam: The external world. Because
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you are not inside a car your
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experience is completely different.
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On a bike you have no interiority.
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That's the experience of being inside - but
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I do have to say, although that is
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a real word, it's not one I've ever
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heard or used before!
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Neil: No. Me neither. What she also says
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is that travelling at speed
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dissolves gender and race. It makes them
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less important. When you dissolve
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something you make it less strong.
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Sam: In fact she says that at speed these
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things stop mattering.
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They stop having any
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importance. If something doesn't matter,
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it's not important at all.
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Neil: Before that we said we usually
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connect motorbikes with men.
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Think bike, think bloke.
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But what about women and bikes?
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Esperanza Miyake goes on to talk
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about the way women bikers
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are usually shown in the media. How
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many different types does she mention?
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Esperanza Miyake: Generally there's
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three types. So the first type
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would be your typical
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empowered female who's on
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the motorbike. You do have that image
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but having said that I
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would also add that those images
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appear typically very sexualised,
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very stylised. So yes she's
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empowered but she's in
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a skintight catsuit. You also get another
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type which is the female rider but
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who's been masculinised.
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She's kind of embodying a very masculine
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kind of style.
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And I think the third type is kind of silly,
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giggly female on a scooter.
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Neil: So she talked about three types of
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representations, particularly
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in movies. Sam, tell us more.
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Sam: Yes, she first talked about
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the empowered woman. This is a
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character who has authority,
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who has the power to drive the plot
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and action and is not dependent
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on a man to make decisions for her.
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Neil: It seems like a positive image
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but she does say that these
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characters are often sexualised,
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that is, presented in a way that might be
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sexually appealing for a male audience.
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Sam: The next character type
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she mentions is a woman who is very
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masculine. They embody
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male characteristics, which means
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they have and demonstrate many
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typically male personality features.
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Neil: And the final type she talked about
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was showing women on bikes
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as silly and giggly
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riding scooters. So there don't seem to be
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many really completely positive images of
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women and motorcycles, at least not
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in the popular media. Time to look
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again at today's
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vocabulary, but first, let's have the answer
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to the quiz question. In which decade was
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the first mass-produced motorcycle
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released? Was it: a) the 1880s,
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b) the1890s, or c) the 1900s?
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What did you think, Sam?
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Sam: I took a guess at the 1890s.
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Neil: Well done, it was a good guess.
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It was indeed the 1890s and
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a bonus point if you knew that
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it was 1894. OK, let's have
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a quick reminder of today's words.
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We started with the verb dissolves.
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If something dissolves it gets
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less strong, less immediate.
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Sam: Then we had another verb,
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to matter, something that matters
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is important to someone.
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Neil: What's the next word?
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Sam: It was a rather uncommon word
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to describe the experience
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of being inside - interiority
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Neil: Let's rush by that one and move on
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to the next word, empowered.
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Someone who is empowered
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is in control of their own life.
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When we talk about empowered women
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we are talking about
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women who are not dependent on men
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or anyone else for the direction
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of their lives, they
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make their own choices.
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Sam: Our next word was sexualised.
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This is when something is given
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a clearly sexual styling.
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In the programme we heard that
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women on motorcycles are often shown
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in a sexualised way, dressed
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in clothing, for example, that
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makes them sexually attractive.
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Neil: And finally there was to embody.
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This means to be a clear
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and obvious example of
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something. So in movies
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female bikers often embody male
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characteristics, which means they
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might dress or behave in a way
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we would usually associate with men.
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Well, it's time for us to say goodbye.
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See you next time and until then you can
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find us online and on our app.
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Just search for BBC Learning English.
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Bye for now!
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Sam: Bye!
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