Connected speech in English - why do we need it?

106,000 views ใƒป 2022-12-06

Accent's Way English with Hadar


์•„๋ž˜ ์˜๋ฌธ์ž๋ง‰์„ ๋”๋ธ”ํด๋ฆญํ•˜์‹œ๋ฉด ์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋ฒˆ์—ญ๋œ ์ž๋ง‰์€ ๊ธฐ๊ณ„ ๋ฒˆ์—ญ๋ฉ๋‹ˆ๋‹ค.

00:00
Hey everyone, it's Hadar.
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์—ฌ๋Ÿฌ๋ถ„ ํ•˜๋‹ค๋ฅด์ž…๋‹ˆ๋‹ค. ์ €์™€
00:01
Thank you so much for joining me.
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ํ•จ๊ป˜ ํ•ด์ฃผ์…”์„œ ๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค.
00:03
Today, I'm going to talk about a topic that I absolutely love, and I
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์˜ค๋Š˜ ์ €๋Š” ์ œ๊ฐ€ ์ •๋ง ์ข‹์•„ํ•˜๋Š” ์ฃผ์ œ์— ๋Œ€ํ•ด ์ด์•ผ๊ธฐํ•˜๋ ค๊ณ  ํ•ฉ๋‹ˆ๋‹ค.
00:07
think it is so useful and helpful.
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๋งค์šฐ ์œ ์šฉํ•˜๊ณ  ๋„์›€์ด ๋œ๋‹ค๊ณ  ์ƒ๊ฐํ•ฉ๋‹ˆ๋‹ค.
00:09
And that is connected speech.
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๊ทธ๋ฆฌ๊ณ  ๊ทธ๊ฒƒ์€ ์—ฐ๊ฒฐ๋œ ์—ฐ์„ค์ž…๋‹ˆ๋‹ค.
00:12
Connected speech is the idea of connecting words together within the same thought
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์—ฐ๊ฒฐ๋œ ๋ง์€ ๊ฐ™์€ ์‚ฌ๊ณ 
00:18
group or unit inside the sentence.
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๊ทธ๋ฃน ๋˜๋Š” ๋ฌธ์žฅ ๋‚ด์˜ ๋‹จ์œ„ ๋‚ด์—์„œ ๋‹จ์–ด๋ฅผ ํ•จ๊ป˜ ์—ฐ๊ฒฐํ•˜๋Š” ์•„์ด๋””์–ด์ž…๋‹ˆ๋‹ค.
00:21
Let's take, for example, the sentence 'You already know what I think about it'.
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์˜ˆ๋ฅผ ๋“ค์–ด '๋‹น์‹ ์€ ์ด๋ฏธ ๋‚ด๊ฐ€ ๊ทธ๊ฒƒ์— ๋Œ€ํ•ด ์–ด๋–ป๊ฒŒ ์ƒ๊ฐํ•˜๋Š”์ง€ ์•Œ๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค'๋ผ๋Š” ๋ฌธ์žฅ์„ ๋ด…์‹œ๋‹ค.
00:25
So, without connected speech, meaning if I separate the words intentionally,
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๋”ฐ๋ผ์„œ ์—ฐ๊ฒฐ๋œ ๋ง ์—†์ด, โ€‹โ€‹์ฆ‰ ๋‚ด๊ฐ€ ์˜๋„์ ์œผ๋กœ
00:30
or unintentionally, sometimes, this is what you're going to hear.
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๋˜๋Š” ์˜๋„ํ•˜์ง€ ์•Š๊ฒŒ ๋‹จ์–ด๋ฅผ ๋ถ„๋ฆฌํ•˜๋ฉด ๋•Œ๋•Œ๋กœ ์ด๊ฒƒ์ด ์—ฌ๋Ÿฌ๋ถ„์ด ๋“ฃ๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค.
00:35
"You already know what I think about it".
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"๋‹น์‹ ์€ ์ด๋ฏธ ๋‚ด๊ฐ€ ๊ทธ๊ฒƒ์— ๋Œ€ํ•ด ์–ด๋–ป๊ฒŒ ์ƒ๊ฐํ•˜๋Š”์ง€ ์•Œ๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค."
00:39
And when I connect the words together, this is how it sounds: 'You_already_
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๊ทธ๋ฆฌ๊ณ  ๋‹จ์–ด๋“ค์„ ํ•จ๊ป˜ ์—ฐ๊ฒฐํ•˜๋ฉด 'You_already_
00:43
know_what_I_think_about_it'.
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know_what_I_think_about_it'๊ณผ ๊ฐ™์ด ๋“ค๋ฆฝ๋‹ˆ๋‹ค.
00:45
So, this idea of connected speech is not only to help me sound more
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๊ทธ๋ž˜์„œ ์—ฐ๊ฒฐ๋œ ๋ง์— ๋Œ€ํ•œ ์ด ์•„์ด๋””์–ด๋Š” ์ œ๊ฐ€ ์ข€ ๋” ๋ฏธ๊ตญ์ ์œผ๋กœ ๋“ค๋ฆฌ๋„๋ก ๋„์™€์ค„ ๋ฟ๋งŒ
00:50
American, right, it will eventually cuz this is how it's spoken.
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์•„๋‹ˆ๋ผ ๊ฒฐ๊ตญ์—๋Š” ์ด๋ ‡๊ฒŒ ๋งํ•˜๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค.
00:54
But that is not the purpose.
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๊ทธ๋Ÿฌ๋‚˜ ๊ทธ๊ฒƒ์€ ๋ชฉ์ ์ด ์•„๋‹™๋‹ˆ๋‹ค.
00:57
The purpose is that when I connect words together, it is a message that I send
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๊ทธ ๋ชฉ์ ์€ ๋‚ด๊ฐ€ ๋‹จ์–ด๋“ค์„ ํ•จ๊ป˜ ์—ฐ๊ฒฐํ•  ๋•Œ ,
01:03
that this is a unit within the phrase.
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์ด๊ฒƒ์ด ๋ฌธ๊ตฌ ๋‚ด ๋‹จ์œ„๋ผ๋Š” ๋ฉ”์‹œ์ง€๋ฅผ ๋ณด๋‚ด๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
01:06
And why do we need that?
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๊ทธ๊ฒŒ ์™œ ํ•„์š”ํ•œ๊ฐ€์š”?
01:08
Think of writing an email, sending an email to someone that you care about.
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์ด๋ฉ”์ผ์„ ์ž‘์„ฑํ•˜๊ณ  ๊ด€์‹ฌ ์žˆ๋Š” ์‚ฌ๋žŒ์—๊ฒŒ ์ด๋ฉ”์ผ์„ ๋ณด๋‚ด๋Š” ๊ฒƒ์„ ์ƒ๊ฐํ•ด ๋ณด์‹ญ์‹œ์˜ค.
01:12
And think of you typing out the entire email without breaks,
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์ „์ฒด ์ด๋ฉ”์ผ์„ ์‰ฌ์ง€ ์•Š๊ณ ,
01:15
without stops, without spaces โ€“ it would be very overwhelming, right?
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์ค‘๋‹จ ์—†์ด, ๋„์–ด์“ฐ๊ธฐ ์—†์ด ์ž…๋ ฅํ•œ๋‹ค๊ณ  ์ƒ๊ฐํ•ด ๋ณด์„ธ์š”.
01:21
And think as if maybe every word would be underlined.
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๊ทธ๋ฆฌ๊ณ  ๋ชจ๋“  ๋‹จ์–ด์— ๋ฐ‘์ค„์ด ๊ทธ์–ด์ง„ ๊ฒƒ์ฒ˜๋Ÿผ ์ƒ๊ฐํ•˜์‹ญ์‹œ์˜ค .
01:25
It would be really hard to understand what this email is about: what the
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์ด ์ด๋ฉ”์ผ์ด ๋ฌด์—‡์— ๊ด€ํ•œ ๋‚ด์šฉ์ธ์ง€ ์ดํ•ดํ•˜๊ธฐ ์ •๋ง ์–ด๋ ค์šธ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
01:30
message is, what is the important part, how to organize the thoughts.
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๋ฉ”์‹œ์ง€๊ฐ€ ๋ฌด์—‡์ธ์ง€, ์ค‘์š”ํ•œ ๋ถ€๋ถ„์ด ๋ฌด์—‡์ธ์ง€ , ์ƒ๊ฐ์„ ์–ด๋–ป๊ฒŒ ์ •๋ฆฌํ•ด์•ผ ํ•˜๋Š”์ง€.
01:34
Now, it will be clear eventually, but the person reading would have
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์ด์ œ ๊ทธ๊ฒƒ์€ ๊ฒฐ๊ตญ ๋ช…ํ™•ํ•ด์ง€๊ฒ ์ง€๋งŒ, ์ฝ๋Š” ์‚ฌ๋žŒ์€
01:38
to work a little harder to get that.
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๊ทธ๊ฒƒ์„ ์–ป๊ธฐ ์œ„ํ•ด ์กฐ๊ธˆ ๋” ์—ด์‹ฌํžˆ ๋…ธ๋ ฅํ•ด์•ผ ํ•  ๊ฒƒ์ž…๋‹ˆ๋‹ค.
01:41
And this is exactly the same with connected speech.
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๊ทธ๋ฆฌ๊ณ  ์ด๊ฒƒ์€ ์—ฐ๊ฒฐ๋œ ์Œ์„ฑ๊ณผ ์ •ํ™•ํžˆ ๋™์ผํ•ฉ๋‹ˆ๋‹ค.
01:44
Because connected speech on one hand and pauses and breaks on the
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ํ•œ ์†์— ์—ฐ๊ฒฐ๋œ ์Œ์„ฑ๊ณผ ๋‹ค๋ฅธ ์†์— ์ผ์‹œ ์ค‘์ง€ ๋ฐ ์ค‘๋‹จ์€ ๋งํ•˜๋Š” ๋‚ด์šฉ์„
01:49
other is a way for you to organize what it is that you're saying.
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๊ตฌ์„ฑํ•˜๋Š” ๋ฐฉ๋ฒ•์ด๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค .
01:54
And if you separate the words when you speak, it feels like
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๊ทธ๋ฆฌ๊ณ  ๋ง์„ ํ•  ๋•Œ ๋‹จ์–ด๋ฅผ ๋ถ„๋ฆฌํ•˜๋ฉด
01:59
every word is emphasized and the speech is not organized, and it's
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๋ชจ๋“  ๋‹จ์–ด๊ฐ€ ๊ฐ•์กฐ๋˜๊ณ  ๋ง์ด ์ •๋ฆฌ๋˜์ง€ ์•Š์€ ๊ฒƒ์ฒ˜๋Ÿผ ๋Š๊ปด์ง€๊ณ 
02:04
harder to receive the message.
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๋ฉ”์‹œ์ง€๋ฅผ ๋ฐ›๊ธฐ๊ฐ€ ๋” ์–ด๋ ต์Šต๋‹ˆ๋‹ค.
02:07
So, when you work on connected speech, understand that it's not
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๋”ฐ๋ผ์„œ ์—ฐ๊ฒฐ ์Œ์„ฑ ์ž‘์—…์„ ํ•  ๋•Œ
02:11
an accent thing, it's a delivery thing, it's a communication thing.
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์–ต์–‘์ด ์•„๋‹ˆ๋ผ ์ „๋‹ฌ, ์˜์‚ฌ ์†Œํ†ต์ด๋ผ๋Š” ๊ฒƒ์„ ์ดํ•ดํ•˜์‹ญ์‹œ์˜ค.
02:16
And it will help you organize your thoughts better when you
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๊ทธ๋ฆฌ๊ณ 
02:21
think of connected speech, one.
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์—ฐ๊ฒฐ๋œ ๋ง, ํ•˜๋‚˜๋ฅผ ์ƒ๊ฐํ•  ๋•Œ ์ƒ๊ฐ์„ ๋” ์ž˜ ์ •๋ฆฌํ•˜๋Š” ๋ฐ ๋„์›€์ด ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค.
02:24
And two, it would help you get to the next stage of what words you wanna
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๋‘˜์งธ, ๊ฐ•์กฐํ•˜๊ณ  ์‹ถ์€ ๋‹จ์–ด
02:28
stress and what words you want to reduce.
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์™€ ์ค„์ด๊ณ  ์‹ถ์€ ๋‹จ์–ด์˜ ๋‹ค์Œ ๋‹จ๊ณ„๋กœ ๋„˜์–ด๊ฐ€๋Š” ๋ฐ ๋„์›€์ด ๋ฉ๋‹ˆ๋‹ค.
02:30
Now, I have a lot of videos that explain that aspect of stress and reductions
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์ด์ œ ์ €๋Š” ์ŠคํŠธ๋ ˆ์Šค์™€ ๊ฐ์†Œ์˜ ์ธก๋ฉด
02:35
and all of that, so I'm gonna link to all of those in the description below.
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๊ณผ ๊ทธ ๋ชจ๋“  ๊ฒƒ์„ ์„ค๋ช…ํ•˜๋Š” ๋งŽ์€ ๋น„๋””์˜ค๋ฅผ ๊ฐ€์ง€๊ณ  ์žˆ์œผ๋ฏ€๋กœ ์•„๋ž˜ ์„ค๋ช…์—์„œ ๋ชจ๋“  ๋น„๋””์˜ค๋ฅผ ๋งํฌํ•˜๊ฒ ์Šต๋‹ˆ๋‹ค.
02:39
Because that's not what we're talking about today.
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๊ทธ๊ฒƒ์ด ์˜ค๋Š˜ ์šฐ๋ฆฌ๊ฐ€ ๋งํ•˜๋Š” ๊ฒƒ์ด ์•„๋‹ˆ๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค.
02:41
We're talking about how to connect the words together.
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์šฐ๋ฆฌ๋Š” ๋‹จ์–ด๋ฅผ ํ•จ๊ป˜ ์—ฐ๊ฒฐํ•˜๋Š” ๋ฐฉ๋ฒ•์— ๋Œ€ํ•ด ์ด์•ผ๊ธฐํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
02:44
Now what we're gonna do is we're gonna look at a bunch of examples and see what
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์ด์ œ ์šฐ๋ฆฌ๊ฐ€ ํ•  ์ผ์€ ๋งŽ์€ ์˜ˆ๋ฅผ ์‚ดํŽด๋ณด๊ณ 
02:47
people do when they speak, and we're gonna analyze it and practice it together.
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์‚ฌ๋žŒ๋“ค์ด ๋งํ•  ๋•Œ ์–ด๋–ป๊ฒŒ ํ•˜๋Š”์ง€ ์‚ดํŽด๋ณด๊ณ  ๋ถ„์„ํ•˜๊ณ  ํ•จ๊ป˜ ์—ฐ์Šตํ•˜๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
02:51
Now, as we go into this exercise, I want you to think of connected
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์ด์ œ ์šฐ๋ฆฌ๊ฐ€ ์ด ์—ฐ์Šต์„ ์‹œ์ž‘ํ•˜๋ฉด์„œ ์—ฐ๊ฒฐ๋œ
02:55
speech as if it's a unit within the sentence, like I said, where
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๋ง์„ ์ œ๊ฐ€ ๋งํ–ˆ๋“ฏ์ด
02:59
one word is connected to another.
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ํ•œ ๋‹จ์–ด๊ฐ€ ๋‹ค๋ฅธ ๋‹จ์–ด์™€ ์—ฐ๊ฒฐ๋˜๋Š” ๋ฌธ์žฅ ๋‚ด์˜ ๋‹จ์œ„์ธ ๊ฒƒ์ฒ˜๋Ÿผ ์ƒ๊ฐํ•˜์‹œ๊ธฐ ๋ฐ”๋ž๋‹ˆ๋‹ค.
03:01
Now, there is a technical aspect on how to do it, and I'm gonna cover it today, but
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์ž, ๊ทธ๊ฒƒ์„ ํ•˜๋Š” ๋ฐฉ๋ฒ•์— ๋Œ€ํ•œ ๊ธฐ์ˆ ์ ์ธ ์ธก๋ฉด์ด ์žˆ๊ณ  , ์˜ค๋Š˜ ๊ทธ๊ฒƒ์„ ๋‹ค๋ฃฐ ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜
03:05
this is how I want you to think about it.
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์ด๊ฒƒ์ด ์—ฌ๋Ÿฌ๋ถ„์ด ๊ทธ๊ฒƒ์— ๋Œ€ํ•ด ์ƒ๊ฐํ•˜๊ธฐ๋ฅผ ๋ฐ”๋ผ๋Š” ๋ฐฉ๋ฒ•์ž…๋‹ˆ๋‹ค.
03:07
I want you to think about saying this sentence or phrase
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๋‚˜๋Š” ๋‹น์‹ ์ด ๋ชฉ์†Œ๋ฆฌ๋ฅผ ๋ฉˆ์ถ”์ง€ ์•Š๊ณ  ์ด ๋ฌธ์žฅ์ด๋‚˜ ๋ฌธ๊ตฌ๋ฅผ ๋งํ•˜๋Š” ๊ฒƒ์— ๋Œ€ํ•ด ์ƒ๊ฐํ•˜๊ธฐ๋ฅผ ๋ฐ”๋ž๋‹ˆ๋‹ค
03:11
without stopping your voice.
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.
03:14
Because when you don't stop your voice and you keep your voice going, that's
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๋ชฉ์†Œ๋ฆฌ๋ฅผ ๋ฉˆ์ถ”์ง€ ์•Š๊ณ  ๊ณ„์†ํ•  ๋•Œ, ๊ทธ๊ฒƒ์ด
03:19
what connects the words together.
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๋‹จ์–ด๋ฅผ ์—ฐ๊ฒฐํ•˜๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
03:21
Let's take the phrase 'you missed your train'.
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'๋‹น์‹ ์€ ๊ธฐ์ฐจ๋ฅผ ๋†“์ณค์Šต๋‹ˆ๋‹ค'๋ผ๋Š” ๋ฌธ๊ตฌ๋ฅผ ๋ณด์ž.
03:24
'You missed your train'.
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'๋‹น์‹ ์€ ๊ธฐ์ฐจ๋ฅผ ๋†“์ณค๋‹ค'.
03:26
If I try to emphasize every word individually, then I won't connect
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๋ชจ๋“  ๋‹จ์–ด๋ฅผ ๊ฐœ๋ณ„์ ์œผ๋กœ ๊ฐ•์กฐํ•˜๋ ค๊ณ  ํ•˜๋ฉด
03:31
them: 'you' 'missed' 'your' 'train'.
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'you' 'missed' 'your' 'train'๊ณผ ๊ฐ™์ด ์—ฐ๊ฒฐํ•˜์ง€ ์•Š์„ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
03:34
But when you try to say it while connecting the words, without stopping
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ํ•˜์ง€๋งŒ ๋‹จ์–ด ์‚ฌ์ด์— ๋ชฉ์†Œ๋ฆฌ๋‚˜ ํ˜ธํก์„ ๋ฉˆ์ถ”์ง€ ์•Š๊ณ  ๋‹จ์–ด๋ฅผ ์—ฐ๊ฒฐํ•˜๋ฉด์„œ ๋งํ•˜๋ ค๊ณ  ํ•˜๋ฉด
03:38
your voice or breath between those words, that's where the magic happens.
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๋งˆ๋ฒ•์ด ์ผ์–ด๋‚ฉ๋‹ˆ๋‹ค.
03:44
Listen: 'you_missed_your_train'.
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๋“ฃ๊ธฐ: 'you_missed_your_train'.
03:51
'you_missed_your_train'.
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'you_missed_your_train'.
03:53
Right?
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์˜ค๋ฅธ์ชฝ?
03:54
I didn't do anything special here.
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๋‚˜๋Š” ์—ฌ๊ธฐ์„œ ํŠน๋ณ„ํ•œ ์ผ์„ ํ•˜์ง€ ์•Š์•˜๋‹ค.
03:55
I just didn't pause between each word.
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๋‚˜๋Š” ๊ฐ ๋‹จ์–ด ์‚ฌ์ด์— ๋ฉˆ์ถ”์ง€ ์•Š์•˜์Šต๋‹ˆ๋‹ค.
03:59
And here's the thing, a lot of times people separate the words to be clearer,
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๊ทธ๋ฆฌ๊ณ  ์—ฌ๊ธฐ์— ๋ฌธ์ œ๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค. ๋งŽ์€ ๊ฒฝ์šฐ ์‚ฌ๋žŒ๋“ค์€ ๋‹จ์–ด๋ฅผ ๋” ๋ช…ํ™•ํ•˜๊ฒŒ ๊ตฌ๋ถ„ํ•˜์—ฌ
04:06
right, so that they're more understood.
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๋” ์ž˜ ์ดํ•ดํ•  ์ˆ˜ ์žˆ๋„๋ก ํ•ฉ๋‹ˆ๋‹ค.
04:09
Where in fact, what that causes is for people to be less clear.
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์‚ฌ์‹ค, ๊ทธ ์›์ธ์€ ์‚ฌ๋žŒ๋“ค์ด ๋œ ๋ช…ํ™•ํ•˜๋‹ค๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
04:14
Cuz then the speech sounds like staccato, you know, instead of legato, which
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์™œ๋ƒ๋ฉด ์Šคํ”ผ์น˜๋Š”
04:19
is what English requires, in a way.
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์˜์–ด๊ฐ€ ์š”๊ตฌํ•˜๋Š” ๋ ˆ๊ฐ€ํ†  ๋Œ€์‹  ์Šคํƒ€์นดํ† ์ฒ˜๋Ÿผ ๋“ค๋ฆฌ๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค.
04:21
Now, here is the technical aspect of connecting.
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์ด์ œ ์—ฐ๊ฒฐ์˜ ๊ธฐ์ˆ ์  ์ธก๋ฉด์ด ์žˆ์Šต๋‹ˆ๋‹ค.
04:24
When you connect two words, you have a few options.
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๋‘ ๋‹จ์–ด๋ฅผ ์—ฐ๊ฒฐํ•˜๋ฉด ๋ช‡ ๊ฐ€์ง€ ์˜ต์…˜์ด ์žˆ์Šต๋‹ˆ๋‹ค.
04:26
Vowel to vowel โ€“ you_already_know, and then we just connect one vowel to another.
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๋ชจ์Œ ๋Œ€ ๋ชจ์Œ โ€“ you_already_know, ๊ทธ๋Ÿฐ ๋‹ค์Œ ํ•œ ๋ชจ์Œ์„ ๋‹ค๋ฅธ ๋ชจ์Œ์— ์—ฐ๊ฒฐํ•ฉ๋‹ˆ๋‹ค.
04:33
And sometimes we get intrusive sounds, like in this example right here
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๊ทธ๋ฆฌ๊ณ  ๋•Œ๋•Œ๋กœ ์šฐ๋ฆฌ๋Š” ์—ฌ๊ธฐ ์ด ์˜ˆ์—์„œ์™€ ๊ฐ™์ด ๊ฑฐ์Šฌ๋ฆฌ๋Š” ์†Œ๋ฆฌ๋ฅผ ๋“ฃ์Šต๋‹ˆ๋‹ค.
04:37
โ€“ you(w)already_know, you know, the W sneaks in to help me connect the 'u' sound
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๋‹น์‹ ์€ ์ด๋ฏธ ์•Œ๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. W๋Š” ๋‚ด๊ฐ€ 'u' ์†Œ๋ฆฌ๋ฅผ
04:43
with the 'a' sound โ€“ you(w)already_know.
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'a' ์†Œ๋ฆฌ์™€ ์—ฐ๊ฒฐํ•˜๋Š” ๊ฒƒ์„ ๋•๊ธฐ ์œ„ํ•ด ๋ชฐ๋ž˜ ๋“ค์–ด์™”์Šต๋‹ˆ๋‹ค โ€“ ๋‹น์‹ ์€ ์ด๋ฏธ ์•Œ๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
04:46
Or 'he is the best'.
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๋˜๋Š” '๊ทธ๊ฐ€ ์ตœ๊ณ ๋‹ค'.
04:49
'he_is', right, if I connect those two vowels - he(y)is - you
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'he_is', ๋งž์•„์š”, ์ œ๊ฐ€ ์ด ๋‘ ๋ชจ์Œ์„ ์—ฐ๊ฒฐํ•˜๋ฉด - he(y)is -
04:55
hear a small 'y' sound there.
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๊ฑฐ๊ธฐ์—์„œ ์ž‘์€ 'y' ์†Œ๋ฆฌ๊ฐ€ ๋“ค๋ฆฝ๋‹ˆ๋‹ค.
04:57
So that's what happens when you connect two vowels together.
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๋‘ ๊ฐœ์˜ ๋ชจ์Œ์„ ํ•จ๊ป˜ ์—ฐ๊ฒฐํ•˜๋ฉด ์ด๋Ÿฐ ์ผ์ด ๋ฐœ์ƒํ•ฉ๋‹ˆ๋‹ค.
05:00
And sometimes when we connect two words, it could be a consonant that connects
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๊ทธ๋ฆฌ๊ณ  ๋•Œ๋กœ๋Š” ๋‘ ๋‹จ์–ด๋ฅผ ์—ฐ๊ฒฐํ•  ๋•Œ ์ž์Œ๊ณผ ์—ฐ๊ฒฐ๋˜๋Š” ์ž์Œ์ผ ์ˆ˜๋„ ์žˆ์Šต๋‹ˆ๋‹ค
05:03
with a consonant: good_thing, nice_hat.
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: good_thing, nice_hat.
05:08
And then we just wanna glue those consonants together
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๊ทธ๋Ÿฐ ๋‹ค์Œ
05:11
without adding vowels in between.
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์‚ฌ์ด์— ๋ชจ์Œ์„ ์ถ”๊ฐ€ํ•˜์ง€ ์•Š๊ณ  ํ•ด๋‹น ์ž์Œ์„ ํ•จ๊ป˜ ๋ถ™์ด๊ณ  ์‹ถ์Šต๋‹ˆ๋‹ค.
05:13
Sometimes, and that's the easiest case when you have a vowel and
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๋•Œ๋กœ๋Š” ๋ชจ์Œ๊ณผ ์ž์Œ์ด ์žˆ๋Š” ๊ฐ€์žฅ ์‰ฌ์šด ๊ฒฝ์šฐ์ž…๋‹ˆ๋‹ค.
05:17
then a consonant: play_with_me, say_something โ€“ that's pretty easy.
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play_with_me, say_something โ€“ ๊ฝค ์‰ฝ์Šต๋‹ˆ๋‹ค.
05:24
And then, and that is my favorite part, sometimes you have a word
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๊ทธ๋ฆฌ๊ณ  ๊ทธ๊ฒƒ์€ ์ œ๊ฐ€ ๊ฐ€์žฅ ์ข‹์•„ํ•˜๋Š” ๋ถ€๋ถ„์ž…๋‹ˆ๋‹ค. ๋•Œ๋•Œ๋กœ
05:28
that ends with a consonant, and then another word that starts with a vowel.
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์ž์Œ์œผ๋กœ ๋๋‚˜๋Š” ๋‹จ์–ด์™€ ๋ชจ์Œ์œผ๋กœ ์‹œ์ž‘ํ•˜๋Š” ๋˜ ๋‹ค๋ฅธ ๋‹จ์–ด๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค.
05:33
And what happens here is really interesting because what happens is that
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์—ฌ๊ธฐ์„œ ์ผ์–ด๋‚˜๋Š” ์ผ์€ ์ •๋ง ํฅ๋ฏธ๋กญ์Šต๋‹ˆ๋‹ค. ์ผ์–ด๋‚˜๋Š” ์ผ์€
05:36
the consonant of the first word becomes the beginning of the next word, right, it
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์ฒซ ๋ฒˆ์งธ ๋‹จ์–ด์˜ ์ž์Œ์ด ๋‹ค์Œ ๋‹จ์–ด์˜ ์‹œ์ž‘์ด ๋˜๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค. ๋งž์Šต๋‹ˆ๋‹ค.
05:42
connects to the vowel in the next word.
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๋‹ค์Œ ๋‹จ์–ด์˜ ๋ชจ์Œ๊ณผ ์—ฐ๊ฒฐ๋ฉ๋‹ˆ๋‹ค.
05:44
For example: all_over, all_over.
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์˜ˆ: all_over, all_over.
05:50
So, I could say 'all over' and then kinda like stop my breath in between.
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๊ทธ๋ž˜์„œ ๋‚˜๋Š” 'all over'๋ผ๊ณ  ๋งํ•  ์ˆ˜ ์žˆ์—ˆ๊ณ  ๊ทธ ์‚ฌ์ด์— ์ˆจ์„ ๋ฉˆ์ถ”๋Š” ๊ฒƒ๊ณผ ๊ฐ™์•˜์Šต๋‹ˆ๋‹ค.
05:56
But 'all_over' makes it smoother, makes it sound like it's one word,
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ํ•˜์ง€๋งŒ 'all_over'๋Š” ๋” ๋งค๋„๋Ÿฝ๊ฒŒ ๋งŒ๋“ค๊ณ  ํ•œ ๋‹จ์–ด์ฒ˜๋Ÿผ ๋“ค๋ฆฌ๊ฒŒ ํ•ฉ๋‹ˆ๋‹ค.
06:01
which is what we want, really.
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์ด๊ฒƒ์ด ์šฐ๋ฆฌ๊ฐ€ ์ •๋ง๋กœ ์›ํ•˜๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
06:03
she's_all_over.
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๊ทธ๋…€๋Š” ์™„์ „ํžˆ ๋๋‚ฌ์Šต๋‹ˆ๋‹ค.
06:05
she's_all, s_all, right, the Z of 'is' becomes the beginning of 'all', and the L
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she's_all, s_all, ๊ทธ๋ž˜ 'is'์˜ Z๋Š” 'all'์˜ ์‹œ์ž‘์ด ๋˜๊ณ  '
06:14
of 'all' becomes the beginning of 'over'.
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all'์˜ L์€ 'over'์˜ ์‹œ์ž‘์ด ๋ฉ๋‹ˆ๋‹ค.
06:15
she's_all_over.
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๊ทธ๋…€๋Š” ์™„์ „ํžˆ ๋๋‚ฌ์Šต๋‹ˆ๋‹ค.
06:18
So this is the technical aspect of what's happening, but remember that
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๊ทธ๋ž˜์„œ ์ด๊ฒƒ์€ ์ผ์–ด๋‚˜๊ณ  ์žˆ๋Š” ์ผ์˜ ๊ธฐ์ˆ ์ ์ธ ์ธก๋ฉด์ด์ง€๋งŒ ,
06:22
the whole idea is to just keep your voice going as you are saying a
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์ „์ฒด ์•„์ด๋””์–ด๋Š” ๋‹น์‹ ์ด
06:26
certain phrase or part of the sentence.
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ํŠน์ • ๋ฌธ๊ตฌ๋‚˜ ๋ฌธ์žฅ์˜ ์ผ๋ถ€๋ฅผ ๋งํ•  ๋•Œ ๋‹น์‹ ์˜ ๋ชฉ์†Œ๋ฆฌ๋ฅผ ๊ณ„์† ์œ ์ง€ํ•˜๋Š” ๊ฒƒ์ด๋ผ๋Š” ๊ฒƒ์„ ๊ธฐ์–ตํ•˜์„ธ์š”.
06:29
Now let's look at a few examples and see what that sounds like.
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์ด์ œ ๋ช‡ ๊ฐ€์ง€ ์˜ˆ๋ฅผ ์‚ดํŽด๋ณด๊ณ  ์–ด๋–ป๊ฒŒ ๋“ค๋ฆฌ๋Š”์ง€ ์‚ดํŽด๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค.
06:32
"Rach, come on, I'm not gonna wear any of this!"
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"Rach, ์–ด์„œ, ๋‚˜๋Š” ์ด๊ฒƒ์„ ์ž…์ง€ ์•Š์„๊ฑฐ์•ผ!"
06:36
Let's listen to it again.
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๋‹ค์‹œ ๋“ค์–ด๋ด…์‹œ๋‹ค.
06:37
"Rach, come on, I'm not gonna wear any of this!".
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"Rach, ์–ด์„œ, ๋‚˜๋Š” ์ด๊ฒƒ์„ ์ž…์ง€ ์•Š์„๊ฑฐ์•ผ!".
06:40
Good.
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์ข‹์€.
06:41
So we have "Rach,", so there is a break, he's not connecting
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๊ทธ๋ž˜์„œ ์šฐ๋ฆฌ๋Š” "Rach"๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค. ๊ทธ๋ž˜์„œ ํœด์‹์ด ์žˆ์Šต๋‹ˆ๋‹ค. ๊ทธ๋Š”
06:45
'Rach' to anything else.
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'Rach'๋ฅผ ๋‹ค๋ฅธ ๊ฒƒ๊ณผ ์—ฐ๊ฒฐํ•˜์ง€ ์•Š์Šต๋‹ˆ๋‹ค.
06:47
'Come on', 'come on' โ€“ this is a phrasal verb, and here
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'์–ด์„œ', '์–ด์„œ' - ์ด๊ฒƒ์€ ๊ตฌ๋™์‚ฌ์ด๊ณ , ์—ฌ๊ธฐ์„œ๋Š”
06:52
it's a unit that is connected.
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์—ฐ๊ฒฐ๋˜๋Š” ๋‹จ์œ„์ž…๋‹ˆ๋‹ค.
06:54
The stress is on the second part of the phrasal verb.
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๊ฐ•์„ธ๋Š” ๊ตฌ๋™์‚ฌ์˜ ๋‘ ๋ฒˆ์งธ ๋ถ€๋ถ„์— ์žˆ์Šต๋‹ˆ๋‹ค .
06:58
And in this case, the M of 'come' becomes the beginning of the next word: come_on.
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๊ทธ๋ฆฌ๊ณ  ์ด ๊ฒฝ์šฐ 'come'์˜ M์€ ๋‹ค์Œ ๋‹จ์–ด์ธ come_on์˜ ์‹œ์ž‘์ด ๋ฉ๋‹ˆ๋‹ค.
07:05
And then he says, "I'm not gonna wear".
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๊ทธ๋Ÿฌ๋ฉด์„œ "์•ˆ ์ž…๊ฒ ๋‹ค"๊ณ  ๋งํ–ˆ๋‹ค.
07:07
I'm_not_gonna_wear.
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I'mnot_gonna_wear.
07:11
Right?
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07:11
So not only that he connects everything together in this phrase, he's also
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์˜ค๋ฅธ์ชฝ?
๊ทธ๋ž˜์„œ ๊ทธ๋Š” ์ด ๊ตฌ์ ˆ์—์„œ ๋ชจ๋“  ๊ฒƒ์„ ํ•จ๊ป˜ ์—ฐ๊ฒฐํ•  ๋ฟ๋งŒ ์•„๋‹ˆ๋ผ
07:16
reducing a lot of things, right?
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๋งŽ์€ ๊ฒƒ์„ ์ค„์ด๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
07:18
I am - I'm, not going to - not gonna, wear.
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๋‚œ - ๋‚œ, ์•ˆ ํ• ๊ฑฐ์•ผ - ์•ˆ ์ž…์„๊ฑฐ์•ผ.
07:24
I'm_not_gonna_wear.
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I'mnot_gonna_wear.
07:28
And then we have 'any of this', 'any_of_this'.
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๊ทธ๋ฆฌ๊ณ  'any of this', 'any_of_this'๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค.
07:32
So, 'any of this', this is the proper phrase, but the 'of'
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๋”ฐ๋ผ์„œ 'any of this', ์ด๊ฒƒ์ด ์ ์ ˆํ•œ ํ‘œํ˜„์ด์ง€๋งŒ 'of'๋Š”
07:38
is reduced to a schwa - uh.
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์Šˆ์™€ - ์–ด๋กœ ์ถ•์†Œ๋ฉ๋‹ˆ๋‹ค.
07:41
He connects the 'any' with a schwa: any_uh - that's the intrusive sound - 'yuh'.
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๊ทธ๋Š” 'any'๋ฅผ ์Šˆ์™€(schwa)๋กœ ์—ฐ๊ฒฐํ•ฉ๋‹ˆ๋‹ค. any_uh - ๊ฑฐ์Šฌ๋ฆฌ๋Š” ์†Œ๋ฆฌ์ž…๋‹ˆ๋‹ค - 'yuh'.
07:48
any_uh.
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any_uh.
07:49
And then 'this'.
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๊ทธ๋ฆฌ๊ณ  '์ด๊ฒƒ'.
07:51
'any_uh_this'.
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'any_uh_this'.
07:54
Let's do it together.
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ํ•จ๊ป˜ ํ•ฉ์‹œ๋‹ค.
07:55
"Rach, come on, I'm not gonna wear any of this!".
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"Rach, ์–ด์„œ, ๋‚˜๋Š” ์ด๊ฒƒ์„ ์ž…์ง€ ์•Š์„๊ฑฐ์•ผ!".
07:59
Let's look at another example.
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๋‹ค๋ฅธ ์˜ˆ๋ฅผ ์‚ดํŽด๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค.
08:01
"I just don't wanna take a photo".
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"๊ทธ๋ƒฅ ์‚ฌ์ง„ ์ฐ๊ณ  ์‹ถ์ง€ ์•Š์•„." ์—ฌ๊ธฐ์—
08:03
A lot of reductions and a lot of connections here.
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๋งŽ์€ ๊ฐ์†Œ์™€ ๋งŽ์€ ์—ฐ๊ฒฐ์ด ์žˆ์Šต๋‹ˆ๋‹ค.
08:06
So, the phrase is "I just don't want to take a photo".
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๊ทธ๋ž˜์„œ "๋‚˜๋Š” ์‚ฌ์ง„์„ ์ฐ๊ณ  ์‹ถ์ง€ ์•Š๋‹ค"๋Š” ํ‘œํ˜„์ž…๋‹ˆ๋‹ค.
08:14
So, "I just", I j's, I j's.
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๊ทธ๋ž˜์„œ "I just", I j's, I j's.
08:18
She's not pronouncing the T in the word 'just', and that is okay, especially
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๊ทธ๋…€๋Š” 'just'๋ผ๋Š” ๋‹จ์–ด์—์„œ T๋ฅผ ๋ฐœ์Œํ•˜์ง€ ์•Š์Šต๋‹ˆ๋‹ค . ํŠนํžˆ ์ž์Œ์œผ๋กœ ์‹œ์ž‘ํ•˜๋Š”
08:21
when you connect it to another word that starts with a consonant.
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๋‹ค๋ฅธ ๋‹จ์–ด์™€ ์—ฐ๊ฒฐํ•  ๋•Œ๋Š” ๊ดœ์ฐฎ์Šต๋‹ˆ๋‹ค .
08:25
You will notice that often people drop the T.
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๋‹น์‹ ์€ ์ข…์ข… ์‚ฌ๋žŒ๋“ค์ด T๋ฅผ ๋–จ์–ด๋œจ๋ฆฌ๋Š” ๊ฒƒ์„ ์•Œ๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค.
08:28
Instead of "I just don't" โ€“ I j's don't.
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"I just don't" ๋Œ€์‹ ์— I j's don't.
08:31
Let's listen to it again in a slower speed.
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๋Š๋ฆฐ ์†๋„๋กœ ๋‹ค์‹œ ๋“ค์–ด๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค.
08:33
"I just don't wanna take a photo".
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"๊ทธ๋ƒฅ ์‚ฌ์ง„ ์ฐ๊ณ  ์‹ถ์ง€ ์•Š์•„."
08:36
'I just don't wanna', 'don_wanna', 'don_wanna', 'don_wanna'.
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'๋‚œ ๊ทธ๋ƒฅ ํ•˜๊ณ  ์‹ถ์ง€ ์•Š์•„', 'don_wanna', 'don_wanna', 'don_wanna'.
08:41
So we connect everything together.
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๊ทธ๋ž˜์„œ ์šฐ๋ฆฌ๋Š” ๋ชจ๋“  ๊ฒƒ์„ ํ•จ๊ป˜ ์—ฐ๊ฒฐํ•ฉ๋‹ˆ๋‹ค.
08:42
The T's also dropped between the 'don't' and the 'want', right?
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'ํ•˜์ง€๋งˆ'์™€ '์›ํ•˜๋‹ค' ์‚ฌ์ด์—๋„ T๊ฐ€ ๋–จ์–ด์กŒ์ฃ ?
08:47
The T after an N, when it's unstressed in this case, and a
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N ๋’ค์˜ T๋Š” ์ด ๊ฒฝ์šฐ ๊ฐ•์„ธ๋ฅผ ๋ฐ›์ง€ ์•Š๊ณ 
08:51
function word, is often dropped.
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๊ธฐ๋Šฅ์–ด์ผ ๋•Œ ์ข…์ข… ์ƒ๋žต๋ฉ๋‹ˆ๋‹ค.
08:54
I_j's_don_wanna, I_j's_don_wanna, I_j's_don_wanna, take a photo, right?
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ใ…ˆใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡ใ…‡
09:02
So here we see what happens when the K sound becomes the
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๊ทธ๋ž˜์„œ ์—ฌ๊ธฐ์„œ ์šฐ๋ฆฌ๋Š” K ์‚ฌ์šด๋“œ๊ฐ€
09:05
beginning of the next part.
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๋‹ค์Œ ๋ถ€๋ถ„์˜ ์‹œ์ž‘์ด ๋  ๋•Œ ์–ด๋–ค ์ผ์ด ์ผ์–ด๋‚˜๋Š”์ง€ ๋ด…๋‹ˆ๋‹ค.
09:08
take_a_photo.
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์‚ฌ์ง„์„ ์ฐ๋‹ค.
09:09
I_j's_don_wanna_take_a_photo.
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I_j's_don_wanna_take_a_photo.
09:11
I_j's_don_wanna_take_a_photo.
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I_j's_don_wanna_take_a_photo.
09:14
Now, here is something important.
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์ž, ์—ฌ๊ธฐ์„œ ์ค‘์š”ํ•œ ๊ฒƒ์ด ์žˆ์Šต๋‹ˆ๋‹ค.
09:15
Even though the example I used has a lot of reductions and she speaks
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๋‚ด๊ฐ€ ์‚ฌ์šฉํ•œ ์˜ˆ์—๋Š” ์ถ•์•ฝ์ด ๋งŽ๊ณ  ๊ทธ๋…€๊ฐ€
09:20
really fast, connecting words together doesn't necessarily mean
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์ •๋ง ๋นจ๋ฆฌ ๋งํ•˜์ง€๋งŒ ๋‹จ์–ด๋ฅผ ํ•จ๊ป˜ ์—ฐ๊ฒฐํ•œ๋‹ค๊ณ  ํ•ด์„œ ๋ฐ˜๋“œ์‹œ
09:24
that you have to go faster, right?
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๋” ๋นจ๋ฆฌ ๊ฐ€์•ผ ํ•œ๋‹ค๋Š” ์˜๋ฏธ๋Š” ์•„๋‹™๋‹ˆ๋‹ค.
09:27
So that is an important part.
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๊ทธ๋ž˜์„œ ์ค‘์š”ํ•œ ๋ถ€๋ถ„์ž…๋‹ˆ๋‹ค.
09:29
It just means that you don't stop your breath and voice between words.
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๋ง ์‚ฌ์ด์— ์ˆจ๊ณผ ๋ชฉ์†Œ๋ฆฌ๋ฅผ ๋ฉˆ์ถ”์ง€ ์•Š๋Š”๋‹ค๋Š” ๋œป์ผ ๋ฟ์ž…๋‹ˆ๋‹ค.
09:34
Let's look at another example.
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๋‹ค๋ฅธ ์˜ˆ๋ฅผ ์‚ดํŽด๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค.
09:36
"What are the odds?"
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"๊ทธ๋Ÿด ๊ฐ€๋Šฅ์„ฑ์€ ์–ผ๋งˆ๋‚˜ ๋ ๊นŒ?"
09:38
'What are the odds?' What_are_the_odds?
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'๊ทธ๋Ÿด ๊ฐ€๋Šฅ์„ฑ์€ ์–ผ๋งˆ๋‚˜ ๋ ๊นŒ?' ๊ทธ๋Ÿด ๊ฐ€๋Šฅ์„ฑ์€ ์–ผ๋งˆ๋‚˜ ๋ ๊นŒ?
09:43
So here we have another reduction of the R - wa-da.
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๊ทธ๋ž˜์„œ ์—ฌ๊ธฐ์— R - wa-da์˜ ๋˜ ๋‹ค๋ฅธ ๊ฐ์†Œ๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค.
09:50
So we connect the 'what' with a schwa sound, that is the reduction of R.
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๊ทธ๋ž˜์„œ ์šฐ๋ฆฌ๋Š” 'what'์„ ์Šˆ์™€ ์†Œ๋ฆฌ, ์ฆ‰ R.
09:55
wa-da.
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wa-da์˜ ์ถ•์•ฝ์Œ๊ณผ ์—ฐ๊ฒฐํ•ฉ๋‹ˆ๋‹ค.
09:56
And then going into 'thee-aadz', connecting the word 'the' with 'odds'.
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๊ทธ๋Ÿฐ ๋‹ค์Œ 'thee-aadz'๋กœ ๋“ค์–ด๊ฐ€ ' the'๋ผ๋Š” ๋‹จ์–ด๋ฅผ 'odds'์™€ ์—ฐ๊ฒฐํ•ฉ๋‹ˆ๋‹ค.
10:02
wa-da-thee_aadz?
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wa-da-thee_aadz?
10:07
'What are the odds?'
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'๊ทธ๋Ÿด ๊ฐ€๋Šฅ์„ฑ์€ ์–ผ๋งˆ๋‚˜ ๋ ๊นŒ?'
10:09
All right, let's look at a slightly longer example, a longer sentence where
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์ข‹์•„์š”, ์•ฝ๊ฐ„ ๋” ๊ธด ์˜ˆ๋ฅผ ๋ด…์‹œ๋‹ค.
10:13
everything is pretty much connected.
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๋ชจ๋“  ๊ฒƒ์ด ๊ฑฐ์˜ ์—ฐ๊ฒฐ๋˜์–ด ์žˆ๋Š” ๋” ๊ธด ๋ฌธ์žฅ์ž…๋‹ˆ๋‹ค.
10:15
Let's listen.
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๋“ค์–ด ๋ณด์ž.
10:17
"I picked up a lot about dramatic structure from doing
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"
10:19
my scenes in acting class."
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์—ฐ๊ธฐ ์ˆ˜์—…์—์„œ ์‹ ์„ ์ฐ์œผ๋ฉด์„œ ๋“œ๋ผ๋งˆํ‹ฑํ•œ ๊ตฌ์กฐ์— ๋Œ€ํ•ด ๋งŽ์ด ๋ฐฐ์› ์–ด์š”."
10:21
'I picked up a lot about dramatic structure by doing
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'
10:25
my scenes in acting class'.
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์—ฐ๊ธฐ ์ˆ˜์—… ์‹œ๊ฐ„์— ์‹ ์„ ํ•˜๋ฉด์„œ ๊ทน์  ๊ตฌ์กฐ์— ๋Œ€ํ•ด ๋งŽ์ด ๋ฐฐ์› ๋‹ค'.
10:27
So we have a few units here, and within each unit all the words are connected.
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์—ฌ๊ธฐ ๋ช‡ ๊ฐœ์˜ ๋‹จ์œ„๊ฐ€ ์žˆ๊ณ  ๊ฐ ๋‹จ์œ„ ๋‚ด์—์„œ ๋ชจ๋“  ๋‹จ์–ด๊ฐ€ ์—ฐ๊ฒฐ๋ฉ๋‹ˆ๋‹ค.
10:32
So the first unit is 'I picked up a lot about dramatic structure'.
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๊ทธ๋ž˜์„œ ์ฒซ ๋ฒˆ์งธ ๋‹จ์›์€ ' ๊ทน์  ๊ตฌ์„ฑ์— ๋Œ€ํ•ด ๋งŽ์ด ๋ฐฐ์› ๋‹ค'์ž…๋‹ˆ๋‹ค.
10:36
Everything is connected.
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๋ชจ๋“  ๊ฒƒ์ด ์—ฐ๊ฒฐ๋˜์–ด ์žˆ์Šต๋‹ˆ๋‹ค.
10:37
'I-pik-tuh' - the T of 'picked', I-pik-tuh-p, and yeah, the
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'I-pik-tuh' - 'picked'์˜ T, I-pik-tuh-p, ๋„ค,
10:45
D is pronounced as a T.
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D๋Š” T๋กœ ๋ฐœ์Œ๋ฉ๋‹ˆ๋‹ค.
10:46
I-pik-tuh-puh.
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I-pik-tuh-puh.
10:49
So the P becomes the beginning of the next word 'a lot'.
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๋”ฐ๋ผ์„œ P๋Š” ๋‹ค์Œ ๋‹จ์–ด 'a lot'์˜ ์‹œ์ž‘์ด ๋ฉ๋‹ˆ๋‹ค.
10:54
I-pik-tuh-puh-laa-duh โ€“ the T becomes at the beginning of the next word.
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I-pik-tuh-puh-laa-duh โ€“ T๋Š” ๋‹ค์Œ ๋‹จ์–ด์˜ ์‹œ์ž‘ ๋ถ€๋ถ„์ด ๋ฉ๋‹ˆ๋‹ค.
11:00
I-pik-tuh-puh-laa-duh-bawt druh-ma-dik.
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I-pik-tuh-puh-laa-duh-bawt druh-ma-dik.
11:05
So the T connects with the D, no breaks there.
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๋”ฐ๋ผ์„œ T๋Š” D์™€ ์—ฐ๊ฒฐ๋˜๋ฉฐ ๋Š๊น€์ด ์—†์Šต๋‹ˆ๋‹ค.
11:08
uh-bawt-druh-ma-dik-struhk-ch'r, right?
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uh-bawt-druh-ma-dik-struhk-ch'r, ๋งž์ฃ ?
11:12
The K sound connects to the S, no breaks there.
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K ์‚ฌ์šด๋“œ๋Š” S์— ์—ฐ๊ฒฐ๋˜๋ฉฐ ๋Š๊น€์ด ์—†์Šต๋‹ˆ๋‹ค.
11:16
This is how it would sound if I did pronounce every word separately.
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๋ชจ๋“  ๋‹จ์–ด๋ฅผ ๊ฐœ๋ณ„์ ์œผ๋กœ ๋ฐœ์Œํ•˜๋ฉด ์ด๋ ‡๊ฒŒ ๋“ค๋ฆฝ๋‹ˆ๋‹ค.
11:22
'I picked up a lot about dramatic structure'.
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'๊ทน์  ๊ตฌ์กฐ์— ๋Œ€ํ•ด ๋งŽ์ด ๋ฐฐ์› ๋‹ค '.
11:27
And quickly: I picked up a lot about dramatic structure.
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๊ทธ๋ฆฌ๊ณ  ๋น ๋ฅด๊ฒŒ: ๊ทน์ ์ธ ๊ตฌ์กฐ์— ๋Œ€ํ•ด ๋งŽ์€ ๊ฒƒ์„ ๋ฐฐ์› ์Šต๋‹ˆ๋‹ค.
11:31
Feels very staccato, right?
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๊ต‰์žฅํžˆ ์Šคํƒ€์นดํ†  ๋Š๋‚Œ์ด ๋‚˜์ฃ ?
11:33
Feels like, you know, like every word is stressed.
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๋ชจ๋“  ๋‹จ์–ด๊ฐ€ ๊ฐ•์กฐ๋˜๋Š” ๊ฒƒ์ฒ˜๋Ÿผ ๋Š๊ปด์ง‘๋‹ˆ๋‹ค.
11:36
Versus: I_picked_up_a_lot_about_dramatic_structure.
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๋Œ€: I_picked_up_a_lot_about_dramatic_structure.
11:41
So notice that I don't have to go faster to connect the words together.
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๋”ฐ๋ผ์„œ ๋‹จ์–ด๋ฅผ ํ•จ๊ป˜ ์—ฐ๊ฒฐํ•˜๊ธฐ ์œ„ํ•ด ๋” ๋นจ๋ฆฌ ๊ฐˆ ํ•„์š”๊ฐ€ ์—†๋‹ค๋Š” ์ ์— ์œ ์˜ํ•˜์‹ญ์‹œ์˜ค.
11:46
It's just about this idea of one word going into another.
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ํ•œ ๋‹จ์–ด๊ฐ€ ๋‹ค๋ฅธ ๋‹จ์–ด๋กœ ๋“ค์–ด๊ฐ€๋Š” ์•„์ด๋””์–ด์— ๊ด€ํ•œ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
11:51
I_picked_up_a_lot_about_dramatic_structure.
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I_picked_up_a_lot_about_dramatic_structure.
11:55
And then the next part is: "from doing my scenes in acting class."
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๊ทธ๋ฆฌ๊ณ  ๋‹ค์Œ ๋ถ€๋ถ„์€ " ์—ฐ๊ธฐ ์ˆ˜์—…์—์„œ ๋‚ด ์žฅ๋ฉด์„ ํ•˜๋Š” ๊ฒƒ๋ถ€ํ„ฐ"์ž…๋‹ˆ๋‹ค.
11:59
'From doing my scenes', 'from doing my scenes', from_doing_my_scenes.
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'๋‚ด ์žฅ๋ฉด์—์„œ', ' ๋‚ด ์žฅ๋ฉด์—์„œ', from_doing_my_scenes.
12:09
Almost all connections here are consonant to consonant, right?
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์—ฌ๊ธฐ ๊ฑฐ์˜ ๋ชจ๋“  ์—ฐ๊ฒฐ์€ ์ž์Œ์— ์ž์Œ์ž…๋‹ˆ๋‹ค. ๋งž์Šต๋‹ˆ๊นŒ?
12:13
from_doing_my_scenes.
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from_doing_my_scenes.
12:14
So when you practice it, just make sure that you're not separating the words.
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๋”ฐ๋ผ์„œ ์—ฐ์Šตํ•  ๋•Œ ๋‹จ์–ด๋ฅผ ๋ถ„๋ฆฌํ•˜์ง€ ์•Š๋„๋ก ํ•˜์„ธ์š”.
12:18
It's not 'from' 'doing' 'my' 'scenes', but from_doing_my_scenes.
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'from' 'doing' 'my' 'scenes'๊ฐ€ ์•„๋‹ˆ๋ผ from_doing_my_scenes์ž…๋‹ˆ๋‹ค.
12:24
And then: i_nacting_class, i-nak-ting, i-nak-ting โ€“ the N becomes the
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๊ทธ๋Ÿฐ ๋‹ค์Œ i_nacting_class, i-nak-ting, i-nak-ting โ€“ N์ด
12:32
beginning of the next word.
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๋‹ค์Œ ๋‹จ์–ด์˜ ์‹œ์ž‘์ด ๋ฉ๋‹ˆ๋‹ค.
12:34
i-nak-ting.
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์•„์ด๋‚™ํŒ….
12:36
It's almost like we're creating new words that are comprised
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๊ทธ๊ฒƒ์€ ์šฐ๋ฆฌ๊ฐ€
12:39
of a bunch of other words.
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๋งŽ์€ ๋‹ค๋ฅธ ๋‹จ์–ด๋“ค๋กœ ๊ตฌ์„ฑ๋œ ์ƒˆ๋กœ์šด ๋‹จ์–ด๋ฅผ ๋งŒ๋“œ๋Š” ๊ฒƒ๊ณผ ๊ฑฐ์˜ ๊ฐ™์Šต๋‹ˆ๋‹ค.
12:40
i-nak-ting-klas.
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i-nak-ting-klas.
12:42
Let's do this one together: 'I picked up a lot about dramatic structure
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ํ•จ๊ป˜ ํ•ด๋ณด์ž: '
12:48
from doing my scenes in acting class'.
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์—ฐ๊ธฐ ์ˆ˜์—…์—์„œ ๋‚ด ์žฅ๋ฉด์„ ํ•˜๋ฉด์„œ ๊ทน์  ๊ตฌ์กฐ์— ๋Œ€ํ•ด ๋งŽ์ด ๋ฐฐ์› ์–ด.'
12:51
And one last one.
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๊ทธ๋ฆฌ๊ณ  ๋งˆ์ง€๋ง‰ ํ•˜๋‚˜.
12:53
"I just said hi".
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"๋ฐฉ๊ธˆ ์ธ์‚ฌํ–ˆ์–ด์š”."
12:55
'I just said hi'.
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'์•ˆ๋…•ํ•˜์„ธ์š”'๋ผ๊ณ ๋งŒ ๋งํ–ˆ์Šต๋‹ˆ๋‹ค.
12:57
Again, another example of 'just' that is reduced.
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๋‹ค์‹œ ๋งํ•˜์ง€๋งŒ, ์ถ•์†Œ๋œ '๊ทธ๋ƒฅ'์˜ ๋˜ ๋‹ค๋ฅธ ์˜ˆ์ž…๋‹ˆ๋‹ค.
13:00
The T is dropped and it's connected to the next word: ai-j's-said-hi,
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T๋Š” ์ƒ๋žต๋˜๊ณ  ๋‹ค์Œ ๋‹จ์–ด์— ์—ฐ๊ฒฐ๋ฉ๋‹ˆ๋‹ค: ai-j's-said-hi,
13:09
everything's connected.
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๋ชจ๋“  ๊ฒƒ์ด ์—ฐ๊ฒฐ๋ฉ๋‹ˆ๋‹ค.
13:11
ai-j's-said-hi.
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ai-j's-said-hi.
13:14
I just said connected speech.
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๋‚˜๋Š” ๋ฐฉ๊ธˆ ์—ฐ๊ฒฐ๋œ ์—ฐ์„ค์„ ๋งํ–ˆ์Šต๋‹ˆ๋‹ค.
13:18
All right.
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13:18
Now I wanna hear from you, on a scale of 1 to 10, how hard is it for you to connect
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๊ดœ์ฐฎ์€.
์ด์ œ 1์—์„œ 10๊นŒ์ง€์˜ ์ฒ™๋„๋กœ
13:24
words together or even to think about it?
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๋‹จ์–ด๋ฅผ ์—ฐ๊ฒฐํ•˜๊ฑฐ๋‚˜ ์ƒ๊ฐํ•˜๋Š” ๊ฒƒ์กฐ์ฐจ ์–ผ๋งˆ๋‚˜ ์–ด๋ ค์šด์ง€ ๋“ฃ๊ณ  ์‹ถ์Šต๋‹ˆ๋‹ค.
13:26
1 - being very, very, very hard, "I never connect my words together
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1 - ๋งค์šฐ, ๋งค์šฐ, ๋งค์šฐ ์–ด๋ ต์Šต๋‹ˆ๋‹ค. "๋‚ด ๋ง์„ ์—ฐ๊ฒฐํ•˜์ง€ ์•Š๊ณ 
13:31
and I don't know how to do it."
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์–ด๋–ป๊ฒŒ ํ•ด์•ผํ• ์ง€ ๋ชจ๋ฅด๊ฒ ์Šต๋‹ˆ๋‹ค."
13:33
To 10 - "Oh, I always connect my speech", whether you practiced
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10- "์˜ค, ๋‚˜๋Š” ํ•ญ์ƒ ๋‚ด ์—ฐ์„ค์„ ์—ฐ๊ฒฐํ•ฉ๋‹ˆ๋‹ค. "
13:38
it or it comes organically to you.
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13:40
Now, I do want you to remember that in your native language, you are very
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์ž, ์ €๋Š” ์—ฌ๋Ÿฌ๋ถ„์ด ์—ฌ๋Ÿฌ๋ถ„์˜ ๋ชจ๊ตญ์–ด๋กœ ์ƒ๊ฐ์กฐ์ฐจ ํ•˜์ง€ ์•Š๊ณ 
13:45
likely connecting the words together without even thinking about it,
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๋‹จ์–ด๋“ค์„ ํ•จ๊ป˜ ์—ฐ๊ฒฐํ•  ๊ฐ€๋Šฅ์„ฑ์ด ๋งค์šฐ ๋†’๋‹ค๋Š” ๊ฒƒ์„ ๊ธฐ์–ตํ•˜๊ธฐ๋ฅผ ๋ฐ”๋ž๋‹ˆ๋‹ค.
13:49
because that happens in any language.
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์™œ๋ƒํ•˜๋ฉด ๊ทธ๋Ÿฐ ์ผ์€ ๋ชจ๋“  ์–ธ์–ด์—์„œ ์ผ์–ด๋‚˜๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค.
13:52
But sometimes when we learn a new language, we try to be clear or we
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๊ทธ๋Ÿฌ๋‚˜ ๋•Œ๋•Œ๋กœ ์šฐ๋ฆฌ๋Š” ์ƒˆ๋กœ์šด ์–ธ์–ด๋ฅผ ๋ฐฐ์šธ ๋•Œ ๋ช…ํ™•ํ•˜๊ฒŒ ํ•˜๋ ค๊ณ  ํ•˜๊ฑฐ๋‚˜
13:57
don't know exactly how to do it or we structure the sentence differently,
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์ •ํ™•ํžˆ ์–ด๋–ป๊ฒŒ ํ•ด์•ผ ํ•˜๋Š”์ง€ ๋ชจ๋ฅด๊ฑฐ๋‚˜ ๋ฌธ์žฅ์„ ๋‹ค๋ฅด๊ฒŒ ๊ตฌ์„ฑํ•˜์—ฌ ๊ฒฐ๊ตญ
14:01
and we end up separating the words.
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๋‹จ์–ด๋ฅผ ๋ถ„๋ฆฌํ•˜๊ฒŒ ๋ฉ๋‹ˆ๋‹ค.
14:03
And like I showed you, sometimes it's not helpful to do that, on the contrary.
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์ œ๊ฐ€ ๋ณด์—ฌ๋“œ๋ฆฐ ๊ฒƒ์ฒ˜๋Ÿผ ๋•Œ๋กœ๋Š” ๊ทธ๋ ‡๊ฒŒ ํ•˜๋Š” ๊ฒƒ์ด ๋„์›€์ด ๋˜์ง€ ์•Š์„ ์ˆ˜๋„ ์žˆ์Šต๋‹ˆ๋‹ค.
14:11
So, in the upcoming week, I want you to think about this idea of connected speech.
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๊ทธ๋ž˜์„œ, ๋‹ค์Œ ์ฃผ์— ์ €๋Š” ์—ฌ๋Ÿฌ๋ถ„์ด ์—ฐ๊ฒฐ๋œ ์—ฐ์„ค์ด๋ผ๋Š” ์•„์ด๋””์–ด์— ๋Œ€ํ•ด ์ƒ๊ฐํ•˜๊ธฐ๋ฅผ ๋ฐ”๋ž๋‹ˆ๋‹ค.
14:15
I want you to think about this idea of keeping your voice going as you're
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๋‚˜๋Š” ๋‹น์‹ ์ด
14:19
speaking, especially when you say small parts inside the sentence.
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๋งํ•˜๋Š” ๋™์•ˆ, ํŠนํžˆ ๋‹น์‹ ์ด ๋ฌธ์žฅ ์•ˆ์—์„œ ์ž‘์€ ๋ถ€๋ถ„์„ ๋งํ•  ๋•Œ ๋‹น์‹ ์˜ ๋ชฉ์†Œ๋ฆฌ๋ฅผ ์œ ์ง€ํ•˜๋Š” ์ด ์•„์ด๋””์–ด์— ๋Œ€ํ•ด ์ƒ๊ฐํ•˜๊ธฐ๋ฅผ ๋ฐ”๋ž๋‹ˆ๋‹ค.
14:24
And of course, practice with this video a few times until you start feeling
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๊ทธ๋ฆฌ๊ณ  ๋ฌผ๋ก  ์ด ๋น„๋””์˜ค๋ฅผ ๋ช‡ ๋ฒˆ ์—ฐ์Šตํ•ด์„œ ๋‹น์‹ ์ด ๊ทธ๊ฒƒ์„ ๋Š๋ผ๊ณ  ์ ์  ๋” ์ฆ๊ธฐ๊ธฐ ์‹œ์ž‘ํ•  ๋•Œ๊นŒ์ง€ ํ•˜์„ธ์š”
14:29
it and enjoying it more and more.
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.
14:31
Thank you so much for being here.
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์—ฌ๊ธฐ ์™€์ฃผ์…”์„œ ์ •๋ง ๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค.
14:33
If you don't follow me on my other social channels, then
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๋‚ด ๋‹ค๋ฅธ ์†Œ์…œ ์ฑ„๋„์—์„œ ๋‚˜๋ฅผ ํŒ”๋กœ์šฐํ•˜์ง€ ์•Š๋Š”๋‹ค๋ฉด
14:37
I'm inviting you to do that.
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๊ทธ๋ ‡๊ฒŒ ํ•˜๋„๋ก ์ดˆ๋Œ€ํ•ฉ๋‹ˆ๋‹ค.
14:38
We have my podcast - the InFluency podcast, you can listen to it on
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์ œ ํŒŸ์บ์ŠคํŠธ๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค. InFluency ํŒŸ์บ์ŠคํŠธ์ž…๋‹ˆ๋‹ค.
14:42
your favorite podcast platform, I release there two episodes a week.
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์ข‹์•„ํ•˜๋Š” ํŒŸ์บ์ŠคํŠธ ํ”Œ๋žซํผ์—์„œ ๋“ค์„ ์ˆ˜ ์žˆ๊ณ  ์ผ์ฃผ์ผ์— ๋‘ ๊ฐœ์˜ ์—ํ”ผ์†Œ๋“œ๋ฅผ ๊ณต๊ฐœํ•ฉ๋‹ˆ๋‹ค.
14:46
You can also sign up for my newsletter to get my weekly lesson to your inbox
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๋˜ํ•œ ๋‚ด ๋‰ด์Šค๋ ˆํ„ฐ์— ๊ฐ€์ž…ํ•˜์—ฌ ์ปค๋ฎค๋‹ˆํ‹ฐ ๋‚ด์—์„œ ์ผ์–ด๋‚˜๊ณ  ์žˆ๋Š” ํŠน๋ณ„ํ•œ ์ผ์ด๋‚˜ ์ด๋ฒคํŠธ์™€ ํ•จ๊ป˜ ๋‚ด ์ฃผ๊ฐ„ ๊ฐ•์˜๋ฅผ ๋งค์ผ ๋ฐ›์€ ํŽธ์ง€ํ•จ์œผ๋กœ ๋ฐ›์„ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค
14:51
every single day, along with special things that are happening or events that
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14:55
are happening inside of our community.
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.
14:57
And you can connect with me on Instagram at @hadar.accentsway, or
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๊ทธ๋ฆฌ๊ณ  Instagram(@hadar.accentsway) ๋˜๋Š”
15:01
TikTok - @hadarshemeshenglish, where I share daily, fun and helpful content.
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TikTok(@hadarshemeshenglish)์—์„œ ์ €์™€ ์—ฐ๊ฒฐํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. ์—ฌ๊ธฐ์„œ ์ œ๊ฐ€ ๋งค์ผ ์žฌ๋ฏธ์žˆ๊ณ  ์œ ์šฉํ•œ ์ฝ˜ํ…์ธ ๋ฅผ ๊ณต์œ ํ•ฉ๋‹ˆ๋‹ค.
15:09
Have a beautiful, beautiful rest of the day.
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์•„๋ฆ„๋‹ต๊ณ  ์•„๋ฆ„๋‹ค์šด ๋‚จ์€ ํ•˜๋ฃจ ๋˜์„ธ์š”.
15:11
And I will see you next week in the next video.
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๊ทธ๋ฆฌ๊ณ  ๋‹ค์Œ์ฃผ ๋‹ค์Œ ์˜์ƒ์—์„œ ๋ต™๊ฒ ์Šต๋‹ˆ๋‹ค.
์ด ์›น์‚ฌ์ดํŠธ ์ •๋ณด

์ด ์‚ฌ์ดํŠธ๋Š” ์˜์–ด ํ•™์Šต์— ์œ ์šฉํ•œ YouTube ๋™์˜์ƒ์„ ์†Œ๊ฐœํ•ฉ๋‹ˆ๋‹ค. ์ „ ์„ธ๊ณ„ ์ตœ๊ณ ์˜ ์„ ์ƒ๋‹˜๋“ค์ด ๊ฐ€๋ฅด์น˜๋Š” ์˜์–ด ์ˆ˜์—…์„ ๋ณด๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ฐ ๋™์˜์ƒ ํŽ˜์ด์ง€์— ํ‘œ์‹œ๋˜๋Š” ์˜์–ด ์ž๋ง‰์„ ๋”๋ธ” ํด๋ฆญํ•˜๋ฉด ๊ทธ๊ณณ์—์„œ ๋™์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋น„๋””์˜ค ์žฌ์ƒ์— ๋งž์ถฐ ์ž๋ง‰์ด ์Šคํฌ๋กค๋ฉ๋‹ˆ๋‹ค. ์˜๊ฒฌ์ด๋‚˜ ์š”์ฒญ์ด ์žˆ๋Š” ๊ฒฝ์šฐ ์ด ๋ฌธ์˜ ์–‘์‹์„ ์‚ฌ์šฉํ•˜์—ฌ ๋ฌธ์˜ํ•˜์‹ญ์‹œ์˜ค.

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