Learn English Intonation & rhythm with Bill Murray

24,558 views ใƒป 2019-12-24

Accent's Way English with Hadar


์•„๋ž˜ ์˜๋ฌธ์ž๋ง‰์„ ๋”๋ธ”ํด๋ฆญํ•˜์‹œ๋ฉด ์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋ฒˆ์—ญ๋œ ์ž๋ง‰์€ ๊ธฐ๊ณ„ ๋ฒˆ์—ญ๋ฉ๋‹ˆ๋‹ค.

00:00
Hey, everyone! It's Hadar, it's Christmas Eve,
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์•ˆ๋…• ๋ชจ๋‘๋“ค! ํ•˜๋‹ค๋ฅด, ํฌ๋ฆฌ์Šค๋งˆ์Šค ์ด๋ธŒ์ž…๋‹ˆ๋‹ค.
00:03
and whether you celebrate Christmas or not you are going to love this video.
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ํฌ๋ฆฌ์Šค๋งˆ์Šค๋ฅผ ์ถ•ํ•˜ํ•˜๋“  ์•ˆ ํ•˜๋“  ์ด ๋น„๋””์˜ค๋ฅผ ์ข‹์•„ํ•˜๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค.
00:08
Because today we are going to talk about intonation and analyze a speech by Bill Murray
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์˜ค๋Š˜ ์šฐ๋ฆฌ๋Š” ์–ต์–‘์— ๋Œ€ํ•ด ์ด์•ผ๊ธฐํ•˜๊ณ  ์˜ํ™” Scrooged์—์„œ Bill Murray์˜ ์—ฐ์„ค์„ ๋ถ„์„ํ•  ๊ฒƒ์ด๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค
00:15
in the movie Scrooged.
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.
00:19
Scrooged. Scrooged. Scrooged.
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์Šคํฌ๋ฃจ์ง€. ์Šคํฌ๋ฃจ์ง€. ์Šคํฌ๋ฃจ์ง€.
00:23
It's kind of hard to say it, but it's not a 'how to pronounce' video. It's an intonation video.
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๋ง์ด ์ข€ ์–ด๋ ค์šด๋ฐ '๋ฐœ์Œํ•˜๋Š” ๋ฐฉ๋ฒ•' ์˜์ƒ์€ ์•„๋‹™๋‹ˆ๋‹ค. ์ธํ† ๋„ค์ด์…˜ ์˜์ƒ์ž…๋‹ˆ๋‹ค.
00:28
So, let's begin. If you have seen my previous videos about intonation you know that there
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์ž, ์‹œ์ž‘ํ•˜๊ฒ ์Šต๋‹ˆ๋‹ค. ์–ต์–‘์— ๋Œ€ํ•œ ์ œ ์ด์ „ ๋น„๋””์˜ค๋ฅผ ๋ณด์…จ๋‹ค๋ฉด
00:36
is a difference between stressed words and unstressed words, important words
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๊ฐ•์„ธ๊ฐ€ ์žˆ๋Š” ๋‹จ์–ด์™€ ๊ฐ•์„ธ๊ฐ€ ์—†๋Š” ๋‹จ์–ด, ์ค‘์š”ํ•œ ๋‹จ์–ด
00:40
and less important words.
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์™€ ๋œ ์ค‘์š”ํ•œ ๋‹จ์–ด ์‚ฌ์ด์— ์ฐจ์ด๊ฐ€ ์žˆ๋‹ค๋Š” ๊ฒƒ์„ ์•„์‹ค ๊ฒƒ์ž…๋‹ˆ๋‹ค.
00:42
And Americans just love to tell you what are the important words in a sentence,
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๊ทธ๋ฆฌ๊ณ  ๋ฏธ๊ตญ์ธ๋“ค์€ ๋ฌธ์žฅ์—์„œ ์ค‘์š”ํ•œ ๋‹จ์–ด๊ฐ€ ๋ฌด์—‡์ธ์ง€,
00:48
and the way they do it they are so committed to it that they do it with their whole body,
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๊ทธ๋ฆฌ๊ณ  ๊ทธ๋“ค์ด ๊ทธ๊ฒƒ์„ ํ•˜๋Š” ๋ฐฉ์‹์„ ๋งํ•˜๋Š” ๊ฒƒ์„ ์ข‹์•„ํ•ฉ๋‹ˆ๋‹ค. ๊ทธ๋“ค์€ ์˜จ ๋ชธ๊ณผ
00:55
their whole heart, their whole voice.
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๋งˆ์Œ๊ณผ ๋ชฉ์†Œ๋ฆฌ๋ฅผ ๋‹คํ•ด ๊ทธ๊ฒƒ์„ ํ•ฉ๋‹ˆ๋‹ค.
00:57
Stressed words are longer, louder, higher in pitch. Unstressed words are reduced, short,
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๊ฐ•์„ธ๊ฐ€ ์žˆ๋Š” ๋‹จ์–ด๋Š” ๋” ๊ธธ๊ณ , ๋” ํฌ๊ณ , ๋” ๋†’์Šต๋‹ˆ๋‹ค . ๊ฐ•์„ธ๊ฐ€ ์—†๋Š” ๋‹จ์–ด๋Š” ์ค„๊ณ , ์งง๊ณ ,
01:06
soft, inexistent almost.
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๋ถ€๋“œ๋Ÿฝ๊ณ , ๊ฑฐ์˜ ์กด์žฌํ•˜์ง€ ์•Š์Šต๋‹ˆ๋‹ค.
01:10
And the message is delivered clearly through those stressed words because they move the idea forward.
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๊ทธ๋ฆฌ๊ณ  ๊ฐ•์กฐ๋œ ๋‹จ์–ด๋ฅผ ํ†ตํ•ด ๋ฉ”์‹œ์ง€๊ฐ€ ๋ช…ํ™•ํ•˜๊ฒŒ ์ „๋‹ฌ๋ฉ๋‹ˆ๋‹ค. ์•„์ด๋””์–ด๋ฅผ ์ง„ํ–‰์‹œํ‚ค๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค.
01:18
Words like 'on' and 'in' and 'could' and 'should' and 'has' and had' are important but they
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'on', 'in', 'could', 'should', ' has' and had'์™€ ๊ฐ™์€ ๋‹จ์–ด๋Š” ์ค‘์š”ํ•˜์ง€๋งŒ
01:24
don't drive the message forward, okay?
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๋ฉ”์‹œ์ง€๋ฅผ ์ „๋‹ฌํ•˜์ง€๋Š” ์•Š์Šต๋‹ˆ๋‹ค.
01:28
Now, this speech from the movie 'Scrooged' - Scrooged - is a perfect example.
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์ž, ์˜ํ™” '์Šคํฌ๋ฃจ์ง€๋“œ'์˜ ์ด ๋Œ€์‚ฌ - ์Šคํฌ๋ฃจ์ง€๋“œ -๋Š” ์™„๋ฒฝํ•œ ์˜ˆ์ž…๋‹ˆ๋‹ค.
01:37
In the speech he's really passionate, and you can see how expressive he is when he stresses words,
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์—ฐ์„ค์—์„œ ๊ทธ๋Š” ์ •๋ง ์—ด์ •์ ์ด์—ˆ๊ณ  ๊ทธ๊ฐ€ ๋‹จ์–ด๋ฅผ ๊ฐ•์กฐํ•  ๋•Œ ์–ผ๋งˆ๋‚˜ ํ‘œํ˜„๋ ฅ์ด ํ’๋ถ€ํ•œ์ง€, ๋œ ์ค‘์š”ํ•œ ๋ถ€๋ถ„์— ๋„๋‹ฌํ• 
01:45
and how he basically slurs words when he gets to the less important parts.
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๋•Œ ๊ทธ๊ฐ€ ๊ธฐ๋ณธ์ ์œผ๋กœ ๋‹จ์–ด๋ฅผ ๋น„๋ฐฉํ•˜๋Š” ๋ฐฉ๋ฒ•์„ ๋ณผ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค .
01:51
Oh, by the way, I've also prepared for you a script, if you want to practice with a script
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์•„ ๊ทธ๋‚˜์ €๋‚˜ ๋Œ€๋ณธ๋„ ์ค€๋น„ํ–ˆ๋Š”๋ฐ
01:55
where you can see the reduced words, where the stress words are bigger and in bold, and
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์ค„์ธ ๋‹จ์–ด๋ฅผ ๋ณผ ์ˆ˜ ์žˆ๊ณ  ๊ฐ•์„ธ ๋‹จ์–ด๊ฐ€ ๋” ํฌ๊ณ  ๊ตต๊ฒŒ ํ‘œ์‹œ๋˜๋ฉฐ
02:01
the sizes of the words are different according to how the words are stressed.
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๋‹จ์–ด์˜ ํฌ๊ธฐ๊ฐ€ ๋‹ค๋ฅธ ์Šคํฌ๋ฆฝํŠธ๋กœ ์—ฐ์Šตํ•˜๊ณ  ์‹ถ๋‹ค๋ฉด ๋‹จ์–ด๊ฐ€ ๊ฐ•์กฐ๋˜๋Š” ๋ฐฉ๋ฒ•์— ๋”ฐ๋ผ.
02:06
So, it's a lot of fun. It's a visual representation of what we're doing here.
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์ •๋ง ์žฌ๋ฏธ์žˆ์Šต๋‹ˆ๋‹ค. ์ด๊ฒƒ์€ ์šฐ๋ฆฌ๊ฐ€ ์—ฌ๊ธฐ์„œ ํ•˜๊ณ  ์žˆ๋Š” ์ผ์„ ์‹œ๊ฐ์ ์œผ๋กœ ํ‘œํ˜„ํ•œ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
02:11
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02:23
I'm not crazy. It's Christmas Eve. It's the one night of the year when we all act a little nicer.
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๋‚˜๋Š” ๋ฏธ์ณค๋‹ค. ํฌ๋ฆฌ์Šค๋งˆ์Šค ์ด๋ธŒ์ž…๋‹ˆ๋‹ค. ์šฐ๋ฆฌ ๋ชจ๋‘ ์กฐ๊ธˆ ๋” ์นœ์ ˆํ•˜๊ฒŒ ํ–‰๋™ํ•˜๋Š” ์ผ ๋…„ ์ค‘ ํ•˜๋ฃป๋ฐค์ž…๋‹ˆ๋‹ค.
02:30
We, we, we smile a little easier, we, we, we we cheer a little more for a couple of hours
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์šฐ๋ฆฌ, ์šฐ๋ฆฌ, ์šฐ๋ฆฌ๋Š” ์กฐ๊ธˆ ๋” ์‰ฝ๊ฒŒ ์›ƒ๊ณ , ์šฐ๋ฆฌ, ์šฐ๋ฆฌ, ์šฐ๋ฆฌ๋Š” 1๋…„ ์ค‘ ๋ช‡ ์‹œ๊ฐ„ ๋™์•ˆ ์กฐ๊ธˆ ๋” ์‘์›ํ•ฉ๋‹ˆ๋‹ค
02:37
out of the whole year.
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.
02:39
We are the people that we always hoped we would be.
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์šฐ๋ฆฌ๋Š” ํ•ญ์ƒ ์šฐ๋ฆฌ๊ฐ€ ๋˜๊ธฐ๋ฅผ ๋ฐ”๋ž๋˜ ์‚ฌ๋žŒ๋“ค์ž…๋‹ˆ๋‹ค.
02:45
It's a miracle. It's really a sort of a miracle, because it happens every Christmas Eve.
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๊ธฐ์ ์ž…๋‹ˆ๋‹ค. ๊ทธ๊ฒƒ์€ ์ •๋ง ์ผ์ข…์˜ ๊ธฐ์ ์ž…๋‹ˆ๋‹ค. ํฌ๋ฆฌ์Šค๋งˆ์Šค ์ด๋ธŒ๋งˆ๋‹ค ์ด๋Ÿฐ ์ผ์ด ์ผ์–ด๋‚˜๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค.
02:50
And if you waste that miracle you're gonna burn. I now what I'm talking about.
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๊ทธ๋ฆฌ๊ณ  ๋งŒ์•ฝ ๋‹น์‹ ์ด ๊ทธ ๊ธฐ์ ์„ ๋‚ญ๋น„ํ•œ๋‹ค๋ฉด ๋‹น์‹ ์€ ๋ถˆํƒ€๋ฒ„๋ฆด ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๋‚˜๋Š” ์ง€๊ธˆ ๋‚ด๊ฐ€ ๋งํ•˜๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
02:55
Okay. Getting you into that Christmas spirit? I hope so! Let's begin.
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์ข‹์•„์š”. ๊ทธ ํฌ๋ฆฌ์Šค๋งˆ์Šค ์ •์‹ ์— ๋น ์ ธ๋“ค๊ฒŒ ํ•˜์‹œ๊ฒ ์Šต๋‹ˆ๊นŒ? ๋‚˜๋Š” ํฌ๋งํ•œ๋‹ค! ์˜ ์‹œ์ž‘ํ•˜์ž.
03:02
It's Christmas Eve, so he kinda like stresses everything except for 'it'.
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ํฌ๋ฆฌ์Šค๋งˆ์Šค ์ด๋ธŒ๋ผ '๊ทธ๊ฒƒ' ๋นผ๊ณ  ๋‹ค ๊ฐ•์กฐํ•˜๋Š” ๊ฑธ ์ข‹์•„ํ•œ๋‹ค.
03:07
It's Christmas Eve! So the 'it's' is really reduced.
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ํฌ๋ฆฌ์Šค๋งˆ์Šค ์ด๋ธŒ์ž…๋‹ˆ๋‹ค! ๊ทธ๋ž˜์„œ '๊ทธ๊ฒƒ'์ด ์ •๋ง ์ค„์—ˆ์Šต๋‹ˆ๋‹ค.
03:11
It's, it's, it's Christmas Eve. Christmas Eve, so he's connecting them together.
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๋ฐ”๋กœ, ํฌ๋ฆฌ์Šค๋งˆ์Šค ์ด๋ธŒ์ž…๋‹ˆ๋‹ค. ํฌ๋ฆฌ์Šค๋งˆ์Šค ์ด๋ธŒ, ๊ทธ๋ž˜์„œ ๊ทธ๋Š” ๊ทธ๋“ค์„ ํ•จ๊ป˜ ์—ฐ๊ฒฐํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
03:17
Christmas. Notice the pronunciation of the word 'Christmas'.
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ํฌ๋ฆฌ์Šค๋งˆ์Šค. 'ํฌ๋ฆฌ์Šค๋งˆ์Šค'๋ผ๋Š” ๋‹จ์–ด์˜ ๋ฐœ์Œ์— ์ฃผ๋ชฉํ•˜์„ธ์š”.
03:20
It's a relaxed 'i'. Chris, Chris, and then it's a schwa. Christmas - it's not the same sound.
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ํŽธ์•ˆํ•œ 'i'์ž…๋‹ˆ๋‹ค. ํฌ๋ฆฌ์Šค, ํฌ๋ฆฌ์Šค, ๊ทธ๋ฆฌ๊ณ  ์Šˆ์™€์ž…๋‹ˆ๋‹ค. ํฌ๋ฆฌ์Šค๋งˆ์Šค - ๊ฐ™์€ ์†Œ๋ฆฌ๊ฐ€ ์•„๋‹™๋‹ˆ๋‹ค.
03:27
'Christma sEve'. When he connects it to the next word it feels like the 'S' begins the next word.
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'ํฌ๋ฆฌ์Šค๋งˆ์Šค์ด๋ธŒ'. ๊ทธ๊ฐ€ ๊ทธ๊ฒƒ์„ ๋‹ค์Œ ๋‹จ์–ด์— ์—ฐ๊ฒฐํ•˜๋ฉด 'S'๊ฐ€ ๋‹ค์Œ ๋‹จ์–ด๋ฅผ ์‹œ์ž‘ํ•˜๋Š” ๊ฒƒ์ฒ˜๋Ÿผ ๋Š๊ปด์ง‘๋‹ˆ๋‹ค.
03:33
So as if it's 'Christma sEve'.
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๋งˆ์น˜ 'ํฌ๋ฆฌ์Šค๋งˆ์Šค ์ด๋ธŒ'์ฒ˜๋Ÿผ.
03:36
'seeve'. This is a high 'E'. So it's not the same sound: 'Chris' - 'ee'. Christmas Eve.
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'๋ด'. ์ด๊ฒƒ์€ ๋†’์€ 'E'์ž…๋‹ˆ๋‹ค. ๊ทธ๋ž˜์„œ ๊ฐ™์€ ์†Œ๋ฆฌ๊ฐ€ ์•„๋‹™๋‹ˆ๋‹ค: 'Chris' - 'ee'. ํฌ๋ฆฌ์Šค๋งˆ์Šค ์ด๋ธŒ.
03:45
It's Christmas Eve.
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ํฌ๋ฆฌ์Šค๋งˆ์Šค ์ด๋ธŒ์ž…๋‹ˆ๋‹ค.
03:48
Now he goes really high in pitch for that because he's stressing those both words almost the same.
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์ด์ œ ๊ทธ๋Š” ๋‘ ๋‹จ์–ด๋ฅผ ๊ฑฐ์˜ ๋™์ผํ•˜๊ฒŒ ๊ฐ•์กฐํ•˜๊ธฐ ๋•Œ๋ฌธ์— ๊ทธ๊ฒƒ์„ ์œ„ํ•ด ์ •๋ง ๋†’์€ ์Œ์กฐ๋ฅผ ์‚ฌ์šฉํ•ฉ๋‹ˆ๋‹ค.
03:53
It's Christmas Eve. It's a one night of the year where we all...
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ํฌ๋ฆฌ์Šค๋งˆ์Šค ์ด๋ธŒ์ž…๋‹ˆ๋‹ค. ์šฐ๋ฆฌ ๋ชจ๋‘๊ฐ€... ์ผ๋…„ ์ค‘ ํ•˜๋ฃป๋ฐค...
03:57
It's a one night of the year where we all...
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์šฐ๋ฆฌ ๋ชจ๋‘๊ฐ€...
04:00
So, 'it's the'. He's not even pronouncing the 'th'. This is how he reduces it.
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๊ทธ๋ž˜์„œ '๊ทธ๊ฒƒ'์ž…๋‹ˆ๋‹ค. ๊ทธ๋Š” 'th'๋ฅผ ๋ฐœ์Œํ•˜์ง€๋„ ์•Š์Šต๋‹ˆ๋‹ค. ์ด๊ฒƒ์ด ๊ทธ๊ฐ€ ๊ทธ๊ฒƒ์„ ์ค„์ด๋Š” ๋ฐฉ๋ฒ•์ž…๋‹ˆ๋‹ค.
04:04
It's a, it's a, it's a, it's a.
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๊ทธ๊ฒƒ์€, ๊ทธ๊ฒƒ์€, ๊ทธ๊ฒƒ์€, ๊ทธ๊ฒƒ์€.
04:08
It's a one night of the year.
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์ผ๋…„ ์ค‘ ํ•˜๋ฃป๋ฐค์ž…๋‹ˆ๋‹ค.
04:11
'One night' - stressed - stressed. Pushed up 'one night', 'of the' - so he goes down.
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'ํ•˜๋ฃป๋ฐค'-์ŠคํŠธ๋ ˆ์Šค-์ŠคํŠธ๋ ˆ์Šค. 'ํ•˜๋ฃป๋ฐค', '์˜'๋ฅผ ๋ฐ€๊ณ  - ๊ทธ๋ž˜์„œ ๊ทธ๋Š” ๋‚ด๋ ค๊ฐ‘๋‹ˆ๋‹ค. 1
04:19
One night of the year - so he goes a little lower for 'of the'.
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๋…„ ์ค‘ ์–ด๋Š ๋‚  ๋ฐค - ๊ทธ๋ž˜์„œ ๊ทธ๋Š” 'of the'์— ๋Œ€ํ•ด ์กฐ๊ธˆ ๋” ๋‚ฎ์ถฅ๋‹ˆ๋‹ค.
04:23
He's not saying the 'V' sound of the 'of' - 'ov the year', 'ov the year'. Is a one night of the year.
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๊ทธ๋Š” 'of' - 'ov the year', 'ov the year'์˜ 'V' ์†Œ๋ฆฌ๋ฅผ ๋งํ•˜๋Š” ๊ฒƒ์ด ์•„๋‹™๋‹ˆ๋‹ค. ์ผ๋…„ ์ค‘ ํ•˜๋ฃป๋ฐค์ž…๋‹ˆ๋‹ค.
04:32
We all, we all, we all. Listen to how he reduces it. But at the same time 'all' is dragged and stressed.
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์šฐ๋ฆฌ ๋ชจ๋‘, ์šฐ๋ฆฌ ๋ชจ๋‘, ์šฐ๋ฆฌ ๋ชจ๋‘. ๊ทธ๊ฐ€ ๊ทธ๊ฒƒ์„ ์ค„์ด๋Š” ๋ฐฉ๋ฒ•์„ ๋“ค์–ด๋ณด์‹ญ์‹œ์˜ค. ๊ทธ๋Ÿฌ๋‚˜ ๋™์‹œ์— '๋ชจ๋‘'๊ฐ€ ๋Œ๋ ค ์ŠคํŠธ๋ ˆ์Šค๋ฅผ ๋ฐ›๋Š”๋‹ค.
04:41
Is a one night of the year when we all act a little nicer... we
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์šฐ๋ฆฌ ๋ชจ๋‘ ์กฐ๊ธˆ ๋” ์นœ์ ˆํ•˜๊ฒŒ ํ–‰๋™ํ•˜๋Š” ์ผ๋…„ ์ค‘ ํ•˜๋ฃป๋ฐค์ž…๋‹ˆ๋‹ค... ์šฐ๋ฆฌ๋Š”
04:45
Act a little nicer. So 'act' has the A as in cat. Drop your jaw, pull the lips to the
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์กฐ๊ธˆ ๋” ์นœ์ ˆํ•˜๊ฒŒ ํ–‰๋™ํ•ฉ๋‹ˆ๋‹ค. ๊ทธ๋ž˜์„œ 'act'๋Š” cat์—์„œ์™€ ๊ฐ™์ด A๋ฅผ ๊ฐ€์ง‘๋‹ˆ๋‹ค . ํ„ฑ์„ ๋–จ์–ด๋œจ๋ฆฌ๊ณ  ์ž…์ˆ ์„
04:50
sides a bit: 'act a little' - lower in pitch, 'nicer' - it goes up in pitch that means something
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์˜†์œผ๋กœ ์•ฝ๊ฐ„ ๋‹น๊น๋‹ˆ๋‹ค. '์กฐ๊ธˆ๋งŒ ํ–‰๋™ํ•˜์„ธ์š”' - ์Œ์กฐ๋ฅผ ๋‚ฎ์ถ”๊ณ  ' ์ข‹๊ฒŒ' - ์Œ์กฐ๋ฅผ ๋†’์ด๋ฉด ๋‹ค๋ฅธ ๊ฒƒ์ด ์˜ฌ๋ผ์˜ค๊ณ  ์žˆ์Œ์„ ์˜๋ฏธํ•ฉ๋‹ˆ๋‹ค
04:58
else is coming up. It's like a comma, right.
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. ์‰ผํ‘œ ๊ฐ™์€ ๊ฑฐ์ฃ .
05:01
When there is this rising rising intonation. Sounds like a question but it also indicates
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์ด ์ƒ์Šนํ•˜๋Š” ์ƒ์Šน ์–ต์–‘์ด ์žˆ์„ ๋•Œ. ์งˆ๋ฌธ์ฒ˜๋Ÿผ ๋“ค๋ฆฌ์ง€๋งŒ
05:05
that something else is coming up really really soon, so wait.
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๋‹ค๋ฅธ ๊ฒƒ์ด ์ •๋ง ๊ณง ๋‚˜์˜ฌ ๊ฒƒ์ž„์„ ๋‚˜ํƒ€๋‚ด๊ธฐ๋„ ํ•ฉ๋‹ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‹ˆ ๊ธฐ๋‹ค๋ฆฌ์„ธ์š”.
05:09
We smile a little easier.
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์šฐ๋ฆฌ๋Š” ์กฐ๊ธˆ ๋” ์‰ฝ๊ฒŒ ์›ƒ์Šต๋‹ˆ๋‹ค.
05:12
We smile a little easier. So he goes really fast in 'little', 'little'. '
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์šฐ๋ฆฌ๋Š” ์กฐ๊ธˆ ๋” ์‰ฝ๊ฒŒ ์›ƒ์Šต๋‹ˆ๋‹ค. ๊ทธ๋ž˜์„œ ๊ทธ๋Š” '์กฐ๊ธˆ', '์กฐ๊ธˆ'์—์„œ ์ •๋ง ๋นจ๋ฆฌ๊ฐ‘๋‹ˆ๋‹ค. '
05:17
Little' is a content word, but it's not that important because he uses it as the filler word here.
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Little'์€ ๋‚ด์šฉ์–ด์ด์ง€๋งŒ ์—ฌ๊ธฐ์„œ๋Š” ํ•„๋Ÿฌ์–ด๋กœ ์‚ฌ์šฉํ•˜๊ธฐ ๋•Œ๋ฌธ์— ๊ทธ๋‹ค์ง€ ์ค‘์š”ํ•˜์ง€ ์•Š์Šต๋‹ˆ๋‹ค.
05:26
We smile a little easier. A lot of 'L's here. Let's practice it.
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์šฐ๋ฆฌ๋Š” ์กฐ๊ธˆ ๋” ์‰ฝ๊ฒŒ ์›ƒ์Šต๋‹ˆ๋‹ค. ์—ฌ๊ธฐ์— ๋งŽ์€ 'L'์ด ์žˆ์Šต๋‹ˆ๋‹ค. ๊ทธ๊ฒƒ์„ ์—ฐ์Šตํ•˜์ž.
05:32
We smile a little. We smile a little. We smile a little.
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์šฐ๋ฆฌ๋Š” ์กฐ๊ธˆ ์›ƒ์Šต๋‹ˆ๋‹ค. ์šฐ๋ฆฌ๋Š” ์กฐ๊ธˆ ์›ƒ์Šต๋‹ˆ๋‹ค. ์šฐ๋ฆฌ๋Š” ์กฐ๊ธˆ ์›ƒ์Šต๋‹ˆ๋‹ค .
05:37
Now, you have to cut yourself some slack here because it's a tricky phrase. So my recommendation
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์ด์ œ ๊นŒ๋‹ค๋กœ์šด ๋ฌธ๊ตฌ์ด๊ธฐ ๋•Œ๋ฌธ์— ์—ฌ๊ธฐ์„œ ์—ฌ์œ ๋ฅผ ์ข€ ์ค„์—ฌ์•ผ ํ•ฉ๋‹ˆ๋‹ค. ๊ทธ๋ž˜์„œ ๋‚ด ์ถ”์ฒœ์€
05:43
is you can just like reduces it, and and invest very little energy in those sounds.
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๋‹น์‹ ์ด ๊ทธ๊ฒƒ์„ ์ค„์ด๋Š” ๊ฒƒ๊ณผ ๊ฐ™์ด ๊ทธ ์†Œ๋ฆฌ์— ์•„์ฃผ ์ ์€ ์—๋„ˆ์ง€๋ฅผ ํˆฌ์žํ•  ์ˆ˜ ์žˆ๋‹ค๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
05:51
And it's okay if it's not perfect.
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๊ทธ๋ฆฌ๊ณ  ์™„๋ฒฝํ•˜์ง€ ์•Š์•„๋„ ๊ดœ์ฐฎ์Šต๋‹ˆ๋‹ค.
05:54
Smile a little easier.
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์กฐ๊ธˆ ๋” ์‰ฝ๊ฒŒ ์›ƒ์œผ์„ธ์š”.
05:56
We smile a little easier. We share a little more
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์šฐ๋ฆฌ๋Š” ์กฐ๊ธˆ ๋” ์‰ฝ๊ฒŒ ์›ƒ์Šต๋‹ˆ๋‹ค. ์šฐ๋ฆฌ๋Š”
06:02
We-we-we, like he's thinking what would the next verb is - we-we-we we share a little more,
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We-we-we๋ฅผ ์กฐ๊ธˆ ๋” ๊ณต์œ ํ•ฉ๋‹ˆ๋‹ค. ๊ทธ๊ฐ€ ๋‹ค์Œ ๋™์‚ฌ๊ฐ€ ๋ฌด์—‡์ธ์ง€ ์ƒ๊ฐํ•˜๋Š” ๊ฒƒ์ฒ˜๋Ÿผ We-we-we ์šฐ๋ฆฌ๋Š” ์กฐ๊ธˆ ๋” ๊ณต์œ ํ•ฉ๋‹ˆ๋‹ค.
06:10
so he remembers it. So it's again higher in pitch, longer - ta TA da ta ta ta.
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๊ทธ๋ž˜์„œ ๊ทธ๋Š” ๊ทธ๊ฒƒ์„ ๊ธฐ์–ตํ•ฉ๋‹ˆ๋‹ค. ๊ทธ๋ž˜์„œ ๋‹ค์‹œ ์Œ๋†’์ด๋ฅผ ๋†’์ด๊ณ  ๋” ๊ธธ๊ฒŒ - ta ta data ta ta ta.
06:16
It's the one out of the year where we all act a little nicer. We-we we smile a little easier,
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์˜ฌํ•ด๋Š” ์šฐ๋ฆฌ ๋ชจ๋‘๊ฐ€ ์ข€ ๋” ์นœ์ ˆํ•˜๊ฒŒ ํ–‰๋™ํ•˜๋Š” ํ•ด์ž…๋‹ˆ๋‹ค. ์šฐ๋ฆฌ-์šฐ๋ฆฌ๋Š” ์กฐ๊ธˆ ๋” ์‰ฝ๊ฒŒ ์›ƒ๊ณ 
06:23
we-we we share a little more.
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์šฐ๋ฆฌ-์šฐ๋ฆฌ๋Š” ์กฐ๊ธˆ ๋” ๋งŽ์ด ๋‚˜๋ˆ•๋‹ˆ๋‹ค.
06:26
We share a little more, right. ta TA da ta, ta Ta da ta.
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์šฐ๋ฆฌ๋Š” ์กฐ๊ธˆ ๋” ๊ณต์œ ํ•ฉ๋‹ˆ๋‹ค. ๋”ฐ๋”ฐ๋”ฐ๋”ฐ๋”ฐ๋”ฐ๋”ฐ๋”ฐ๋”ฐ .
06:32
And every time he stresses a word there is escalation, so not all words are stressed the same.
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๊ทธ๋ฆฌ๊ณ  ๊ทธ๊ฐ€ ๋‹จ์–ด๋ฅผ ๊ฐ•์กฐํ•  ๋•Œ๋งˆ๋‹ค ์—์Šค์ปฌ๋ ˆ์ด์…˜์ด ์žˆ์œผ๋ฏ€๋กœ ๋ชจ๋“  ๋‹จ์–ด๊ฐ€ ๋™์ผํ•˜๊ฒŒ ๊ฐ•์กฐ๋˜์ง€๋Š” ์•Š์Šต๋‹ˆ๋‹ค.
06:39
He's not saying 'act a little nicer, smile a little easier, share a little more', no.
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๊ทธ๋Š” '์กฐ๊ธˆ ๋” ์นœ์ ˆํ•˜๊ฒŒ ํ–‰๋™ํ•˜๊ณ , ์กฐ๊ธˆ ๋” ์‰ฝ๊ฒŒ ์›ƒ๊ณ , ์กฐ๊ธˆ ๋” ๊ณต์œ ํ•˜๋ผ'๊ณ  ๋งํ•˜๋Š” ๊ฒƒ์ด ์•„๋‹™๋‹ˆ๋‹ค.
06:44
There's escalation, otherwise it would be repetitive, and boring.
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์—์Šค์ปฌ๋ ˆ์ด์…˜์ด ์žˆ์Šต๋‹ˆ๋‹ค. ๊ทธ๋ ‡์ง€ ์•Š์œผ๋ฉด ๋ฐ˜๋ณต์ ์ด๊ณ  ์ง€๋ฃจํ•  ๊ฒƒ์ž…๋‹ˆ๋‹ค.
06:49
Smile a little nicer. We share a little more.
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์กฐ๊ธˆ ๋” ์˜ˆ์˜๊ฒŒ ์›ƒ์œผ์„ธ์š”. ์กฐ๊ธˆ ๋” ๊ณต์œ ํ•ฉ๋‹ˆ๋‹ค.
06:53
For a couple of hours out the whole year we are the people that we always hoped we would be.
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์ผ๋…„ ๋‚ด๋‚ด ๋ช‡ ์‹œ๊ฐ„ ๋™์•ˆ ์šฐ๋ฆฌ๋Š” ํ•ญ์ƒ ์šฐ๋ฆฌ๊ฐ€ ๋˜๊ธฐ๋ฅผ ๋ฐ”๋ž๋˜ ์‚ฌ๋žŒ๋“ค์ž…๋‹ˆ๋‹ค.
07:00
Oh, this is a good one.
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์˜ค, ์ด๊ฒƒ์€ ์ข‹์€ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
07:01
For a couple of hours out of the whole year... Out of the. Out-of-the. Out-of-the.
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1๋…„ ์ค‘ ๋ช‡ ์‹œ๊ฐ„ ๋™์•ˆ... ๋ฐ–์—. ๋ฐ–. ๋ฐ–.
07:07
See how quick it is, barely noticeable. Out-of-the. Out-of-the whole year. For a couple of hours
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๊ทธ๊ฒƒ์ด ์–ผ๋งˆ๋‚˜ ๋น ๋ฅธ์ง€, ๊ฐ„์‹ ํžˆ ๋ˆˆ์— ๋•๋‹ˆ๋‹ค. ๋ฐ–. ์ผ๋…„ ๋‚ด๋‚ด.
07:15
out of the whole year.
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์ผ๋…„ ์ค‘ ๋ช‡ ์‹œ๊ฐ„ ๋™์•ˆ.
07:17
And he slows down on those stressed words.
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๊ทธ๋ฆฌ๊ณ  ๊ทธ๋Š” ๊ทธ ๊ฐ•์กฐ๋œ ๋‹จ์–ด์— ๋Œ€ํ•ด ์†๋„๋ฅผ ๋Šฆ์ถฅ๋‹ˆ๋‹ค.
07:20
Couple hours. Whole year.
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๋ช‡ ์‹œ๊ฐ„. ์ผ๋…„ ๋‚ด๋‚ด.
07:23
We are the people that we always hoped we would be.
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์šฐ๋ฆฌ๋Š” ํ•ญ์ƒ ์šฐ๋ฆฌ๊ฐ€ ๋˜๊ธฐ๋ฅผ ๋ฐ”๋ž๋˜ ์‚ฌ๋žŒ๋“ค์ž…๋‹ˆ๋‹ค.
07:27
And now it's his main point. And notice how he slows down here. Even on the function words.
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๊ทธ๋ฆฌ๊ณ  ์ด์ œ ๊ทธ์˜ ์š”์ ์ž…๋‹ˆ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ๊ทธ๊ฐ€ ์—ฌ๊ธฐ์—์„œ ์–ด๋–ป๊ฒŒ ์†๋„๋ฅผ ๋Šฆ์ถ”๋Š”์ง€ ์ฃผ๋ชฉํ•˜์‹ญ์‹œ์˜ค. ๊ธฐ๋Šฅ ๋‹จ์–ด์—์„œ๋„.
07:34
We are the people that we always hoped we would be.
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์šฐ๋ฆฌ๋Š” ํ•ญ์ƒ ์šฐ๋ฆฌ๊ฐ€ ๋˜๊ธฐ๋ฅผ ๋ฐ”๋ž๋˜ ์‚ฌ๋žŒ๋“ค์ž…๋‹ˆ๋‹ค.
07:38
There is weight on every single word here, so there are less reductions.
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์—ฌ๊ธฐ์—๋Š” ๋ชจ๋“  ๋‹จ์ผ ๋‹จ์–ด์— ๊ฐ€์ค‘์น˜๊ฐ€ ์žˆ์œผ๋ฏ€๋กœ ๊ฐ์†Œ๊ฐ€ ์ ์Šต๋‹ˆ๋‹ค.
07:44
Because every word is important, and it also helps me as a listener
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๋ชจ๋“  ๋‹จ์–ด๊ฐ€ ์ค‘์š”ํ•˜๊ณ  ๋“ฃ๋Š” ์‚ฌ๋žŒ์œผ๋กœ์„œ ์ดํ•ดํ•˜๋Š” ๋ฐ ๋„์›€์ด ๋˜๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค.
07:50
understand that oh! - there's an important part here.
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์˜ค! - ์—ฌ๊ธฐ์„œ ์ค‘์š”ํ•œ ๋ถ€๋ถ„์ด ์žˆ์Šต๋‹ˆ๋‹ค.
07:52
He changes the rhythm, and that's a tactic of speakers.
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๊ทธ๋Š” ๋ฆฌ๋“ฌ์„ ๋ฐ”๊พผ๋‹ค. ๊ทธ๊ฒƒ์€ ํ™”์ž์˜ ์ „์ˆ ์ด๋‹ค.
07:56
They would start creating a pattern and a certain rhythm.
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๊ทธ๋“ค์€ ํŒจํ„ด๊ณผ ํŠน์ • ๋ฆฌ๋“ฌ์„ ๋งŒ๋“ค๊ธฐ ์‹œ์ž‘ํ–ˆ์Šต๋‹ˆ๋‹ค .
07:59
Dada Dada... pause. And then they speak really slow. So if you zoned out as they were speaking
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๋‹ค๋‹ค๋‹ค๋‹ค... ์ž ๊น. ๊ทธ๋ฆฌ๊ณ  ๊ทธ๋“ค์€ ์ •๋ง ๋Š๋ฆฌ๊ฒŒ ๋งํ•ฉ๋‹ˆ๋‹ค. ๋”ฐ๋ผ์„œ ๊ทธ๋“ค์ด ๋งํ•˜๋Š” ๋™์•ˆ ๋ฉํ•˜๋‹ˆ ์žˆ์œผ๋ฉด ๋ฌด์–ธ๊ฐ€๊ฐ€ ๋ณ€๊ฒฝ๋˜์—ˆ์Œ์„
08:12
you will come back to them because I'll recognize that something has changed. The rhythm.
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์ธ์‹ํ•˜๊ธฐ ๋•Œ๋ฌธ์— ๋‹ค์‹œ ๋Œ์•„์˜ฌ ๊ฒƒ์ž…๋‹ˆ๋‹ค . ๋ฆฌ๋“ฌ.
08:20
But you won't be able to tell why that happened, you'll just come back and listen to them.
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ํ•˜์ง€๋งŒ ์™œ ๊ทธ๋Ÿฐ ์ผ์ด ์ผ์–ด๋‚ฌ๋Š”์ง€ ๋งํ•  ์ˆ˜ ์—†์„ ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ทธ๋ƒฅ ๋Œ์•„์™€์„œ ๊ทธ๋“ค์˜ ๋ง์„ ๋“ค์„ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
08:25
And that is the important point.
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๊ทธ๋ฆฌ๊ณ  ๊ทธ๊ฒƒ์ด ์ค‘์š”ํ•œ ํฌ์ธํŠธ์ž…๋‹ˆ๋‹ค.
08:26
So, here's again how he says it: we are the people that we always hoped we would be.
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๊ทธ๋ž˜์„œ, ์—ฌ๊ธฐ ๋‹ค์‹œ ๊ทธ๊ฐ€ ๋งํ•˜๋Š” ๋ฐฉ์‹์ด ์žˆ์Šต๋‹ˆ๋‹ค: ์šฐ๋ฆฌ๋Š” ์šฐ๋ฆฌ๊ฐ€ ํ•ญ์ƒ ์šฐ๋ฆฌ๊ฐ€ ๋˜๊ธฐ๋ฅผ ๋ฐ”๋ž๋˜ ์‚ฌ๋žŒ๋“ค์ž…๋‹ˆ๋‹ค.
08:35
It's a miracle. It's really a sort of a miracle.
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๊ธฐ์ ์ž…๋‹ˆ๋‹ค. ์ •๋ง ์ผ์ข…์˜ ๊ธฐ์ ์ž…๋‹ˆ๋‹ค.
08:39
It's a... miracle. A statement. Everything is stressed here. Everything is separated.
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์ด๊ฑด... ๊ธฐ์ ์ด์•ผ. ์ง„์ˆ . ์—ฌ๊ธฐ์„œ ๋ชจ๋“  ๊ฒƒ์ด ๊ฐ•์กฐ๋ฉ๋‹ˆ๋‹ค. ๋ชจ๋“  ๊ฒƒ์ด ๋ถ„๋ฆฌ๋˜์–ด ์žˆ์Šต๋‹ˆ๋‹ค.
08:48
Then he's building up on that statement: it's a really sort of a miracle. A lot of filler words here, huh?
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๊ทธ๋Ÿฐ ๋‹ค์Œ ๊ทธ๋Š” ๊ทธ ์ง„์ˆ ์„ ๊ฐ•ํ™”ํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ๊ทธ๊ฒƒ์€ ์ •๋ง ์ผ์ข…์˜ ๊ธฐ์ ์ž…๋‹ˆ๋‹ค. ์—ฌ๊ธฐ์— ๋งŽ์€ ํ•„๋Ÿฌ ๋‹จ์–ด๊ฐ€ ์žˆ์Šต๋‹ˆ๊นŒ?
08:57
Really, sort of a - because people do that. That makes it sound more natural, like he's simplifying the idea.
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์ •๋ง๋กœ, ์ผ์ข…์˜ - ์‚ฌ๋žŒ๋“ค์ด ๊ทธ๋ ‡๊ฒŒ ํ•˜๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค. ์•„์ด๋””์–ด๋ฅผ ๋‹จ์ˆœํ™”ํ•˜๋Š” ๊ฒƒ์ฒ˜๋Ÿผ ๋” ์ž์—ฐ์Šค๋Ÿฝ๊ฒŒ ๋“ค๋ฆฝ๋‹ˆ๋‹ค.
09:05
It's a really sort of a miracle. It's a really sort of a miracle.
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์ •๋ง ๊ธฐ์  ๊ฐ™์€ ์ผ์ž…๋‹ˆ๋‹ค. ์ •๋ง ๊ธฐ์  ๊ฐ™์€ ์ผ์ž…๋‹ˆ๋‹ค.
09:09
But he's still stressing every single word here because that's his main point - it's a miracle.
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๊ทธ๋Ÿฌ๋‚˜ ๊ทธ๋Š” ์—ฌ์ „ํžˆ ์—ฌ๊ธฐ์—์„œ ๋ชจ๋“  ๋‹จ์ผ ๋‹จ์–ด๋ฅผ ๊ฐ•์กฐํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ๊ทธ๊ฒƒ์ด ๊ทธ์˜ ์š”์ ์ด๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค. ๊ทธ๊ฒƒ์€ ๊ธฐ์ ์ž…๋‹ˆ๋‹ค.
09:16
That's the message of the speech.
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๊ทธ๊ฒƒ์ด ์—ฐ์„ค์˜ ๋ฉ”์‹œ์ง€์ž…๋‹ˆ๋‹ค.
09:18
Because it happens every Christmas Eve.
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๋งค๋…„ ํฌ๋ฆฌ์Šค๋งˆ์Šค ์ด๋ธŒ์— ๋ฐœ์ƒํ•˜๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค.
09:20
Because it happens every Christmas Eve. So, here he's going back to a faster pace, and
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๋งค๋…„ ํฌ๋ฆฌ์Šค๋งˆ์Šค ์ด๋ธŒ์— ๋ฐœ์ƒํ•˜๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค. ๊ทธ๋ž˜์„œ ์—ฌ๊ธฐ์—์„œ ๊ทธ๋Š” ๋” ๋น ๋ฅธ ์†๋„๋กœ ๋Œ์•„๊ฐ€๊ณ  ์žˆ๊ณ 
09:28
we start recognizing the stress words more.
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์šฐ๋ฆฌ๋Š” ๊ฐ•์„ธ ๋‹จ์–ด๋ฅผ ๋” ๋งŽ์ด ์ธ์‹ํ•˜๊ธฐ ์‹œ์ž‘ํ•ฉ๋‹ˆ๋‹ค.
09:31
'Because it' - reduced, 'happens' - stressed.
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'๋•Œ๋ฌธ์—' - ๊ฐ์†Œ, '์ผ์–ด๋‚˜๋‹ค' - ์ŠคํŠธ๋ ˆ์Šค.
09:35
Every Christmas Eve. 'Christmas Eve' is stressed.
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๋งค๋…„ ํฌ๋ฆฌ์Šค๋งˆ์Šค ์ด๋ธŒ. 'ํฌ๋ฆฌ์Šค๋งˆ์Šค ์ด๋ธŒ'๊ฐ€ ๊ฐ•์กฐ๋œ๋‹ค.
09:39
Because it happens every Christmas Eve. 'happens'. Drop your jaw for 'ha' - happens.
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๋งค๋…„ ํฌ๋ฆฌ์Šค๋งˆ์Šค ์ด๋ธŒ์— ๋ฐœ์ƒํ•˜๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค. '์ผ์–ด๋‚œ๋‹ค'. 'ํ•˜'์— ๋Œ€ํ•ด ํ„ฑ์„ ๋–จ์–ด๋œจ๋ฆฌ์„ธ์š”.
09:44
And if you waste that miracle you're gonna burn for it. I know what Iโ€™m talking about.
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๊ทธ๋ฆฌ๊ณ  ๋งŒ์•ฝ ๋‹น์‹ ์ด ๊ทธ ๊ธฐ์ ์„ ๋‚ญ๋น„ํ•œ๋‹ค๋ฉด ๋‹น์‹ ์€ ๊ทธ๊ฒƒ์„ ์œ„ํ•ด ๋ถˆํƒ€๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๋‚ด๊ฐ€ ๋ฌด์Šจ ๋ง์„ํ•˜๋Š”์ง€ ์•Œ์•„.
09:51
And if you waste that miracle you're gonna burn for it. Gee, I wonder what the stress
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๊ทธ๋ฆฌ๊ณ  ๋งŒ์•ฝ ๋‹น์‹ ์ด ๊ทธ ๊ธฐ์ ์„ ๋‚ญ๋น„ํ•œ๋‹ค๋ฉด ๋‹น์‹ ์€ ๊ทธ๊ฒƒ์„ ์œ„ํ•ด ๋ถˆํƒ€๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ์ด๋Ÿฐ, ์—ฌ๊ธฐ์— ์ŠคํŠธ๋ ˆ์Šค ๋‹จ์–ด๊ฐ€ ๋ฌด์—‡์ธ์ง€ ๊ถ๊ธˆํ•ฉ๋‹ˆ๋‹ค
09:57
word is here... Let me think.
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... ์ƒ๊ฐํ•ด ๋ด…์‹œ๋‹ค.
10:00
Yeah. 'burn', it's like a little negative, to my opinion. Little harsh.
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์‘. 'ํ™”์ƒ'์€ ์ œ ์ƒ๊ฐ์—๋Š” ์•ฝ๊ฐ„ ๋ถ€์ •์ ์ธ ๊ฒƒ ๊ฐ™์Šต๋‹ˆ๋‹ค. ์กฐ๊ธˆ ๊ฐ€ํ˜นํ•ฉ๋‹ˆ๋‹ค.
10:06
But the pronunciation of the word 'burn', you actually
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ํ•˜์ง€๋งŒ 'burn'์ด๋ผ๋Š” ๋‹จ์–ด์˜ ๋ฐœ์Œ์€ ์‹ค์ œ๋กœ
10:10
want to shift from the 'B' to the 'R' immediately.
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'B'์—์„œ 'R'๋กœ ์ฆ‰์‹œ ์ด๋™ํ•˜๊ณ  ์‹ถ์Šต๋‹ˆ๋‹ค.
10:12
Burn. Burn. You're gonna burn for it. You're gonna burn for it.
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๋ถˆํƒ€๋‹ค. ๋ถˆํƒ€๋‹ค. ๋‹น์‹ ์€ ๊ทธ๊ฒƒ์„ ์œ„ํ•ด ํ™”์ƒ ๊ฑฐ ์•ผ. ๋‹น์‹ ์€ ๊ทธ๊ฒƒ์„ ์œ„ํ•ด ํ™”์ƒ ๊ฑฐ ์•ผ.
10:19
Now if you had a visual representation of the sentence which, by the way you do, because
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์ด์ œ ๋ฌธ์žฅ์˜ ์‹œ๊ฐ์  ํ‘œํ˜„์ด ์žˆ๋‹ค๋ฉด , ๊ทธ๊ฑด ๊ทธ๋ ‡๊ณ ,
10:24
I created a script - a phonetic script of this speech, so you can actually see the visual
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์ œ๊ฐ€ ๋Œ€๋ณธ์„ ๋งŒ๋“ค์—ˆ๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค. ์ด ์—ฐ์„ค์˜ ์Œ์„ฑ ๋Œ€๋ณธ์ž…๋‹ˆ๋‹ค . ๊ทธ๋ž˜์„œ ์–ต์–‘์˜ ์‹œ๊ฐ์  ํ‘œํ˜„์„ ์‹ค์ œ๋กœ ๋ณผ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค
10:31
representation of the intonation. So you can download it for free.
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. ๋”ฐ๋ผ์„œ ๋ฌด๋ฃŒ๋กœ ๋‹ค์šด๋กœ๋“œํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
10:37
You're gonna burn for it.
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๋‹น์‹ ์€ ๊ทธ๊ฒƒ์„ ์œ„ํ•ด ํ™”์ƒ ๊ฑฐ ์•ผ.
10:38
Now, something interesting here. So, of course, he reduces that the 'you are going to', so
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์ž, ์—ฌ๊ธฐ ํฅ๋ฏธ๋กœ์šด ๊ฒƒ์ด ์žˆ์Šต๋‹ˆ๋‹ค. ๊ทธ๋ž˜์„œ ๋ฌผ๋ก  ๊ทธ๋Š” 'you are going to'๋ฅผ ์ค„์˜€์Šต๋‹ˆ๋‹ค. ๊ทธ๋ž˜์„œ
10:43
he's not saying 'you're going to burn for it': you're gonna, you're gonna, you're gonna.
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๊ทธ๋Š” 'you're going to burn it'์ด๋ผ๊ณ  ๋งํ•˜๋Š” ๊ฒƒ์ด ์•„๋‹™๋‹ˆ๋‹ค.
10:47
So the vowel that reduces to a schwa: you're gonna burn - higher in pitch, longer.
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๊ทธ๋ž˜์„œ ์Šˆ์™€๋กœ ์ถ•์†Œ๋˜๋Š” ๋ชจ์Œ: you're gonna burn - ์Œ๋†’์ด๊ฐ€ ๋†’์„์ˆ˜๋ก ๊ธธ์–ด์ง‘๋‹ˆ๋‹ค.
10:54
So he stretches the word, and then 'fr -it'.
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๊ทธ๋ž˜์„œ ๊ทธ๋Š” ๋‹จ์–ด๋ฅผ ํ™•์žฅํ•œ ๋‹ค์Œ 'fr -it'์„ ์‚ฌ์šฉํ•ฉ๋‹ˆ๋‹ค.
10:58
But, in terms of intonation, he's not dropping down. He's not saying 'you're gonna burn for it', period.
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ํ•˜์ง€๋งŒ ์ธํ† ๋„ค์ด์…˜์— ์žˆ์–ด์„œ๋Š” ๋–จ์–ด์ง€์ง€ ์•Š๋Š”๋‹ค. ๊ทธ๋Š” '๋‹น์‹ ์ด ๊ทธ๊ฒƒ์„ ์œ„ํ•ด ํƒœ์šธ๊ฑฐ์•ผ'๋ผ๊ณ  ๋งํ•˜์ง€ ์•Š์Šต๋‹ˆ๋‹ค.
11:06
No, it sounds like a warning - you're gonna burn for it.
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์•„๋‹ˆ์š”, ๊ฒฝ๊ณ ์ฒ˜๋Ÿผ ๋“ค๋ฆฝ๋‹ˆ๋‹ค .
11:11
He leaves his intonation kinda like up hanging, which means, you know, just wait and see. I know what Iโ€™m talking about.
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๊ทธ๋Š” ์ž์‹ ์˜ ์–ต์–‘์„ ๋งค๋‹ฌ๋ฆฐ ๊ฒƒ์ฒ˜๋Ÿผ ๋‚จ๊ฒจ ๋‘ก๋‹ˆ๋‹ค. ์ฆ‰, ๊ทธ๋ƒฅ ๊ธฐ๋‹ค๋ ค๋ณด์‹ญ์‹œ์˜ค. ๋‚ด๊ฐ€ ๋ฌด์Šจ ๋ง์„ํ•˜๋Š”์ง€ ์•Œ์•„.
11:19
That's the type of intonation, like you gotta be careful - you're gonna burn for it.
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๊ทธ๊ฒƒ์€ ๋‹น์‹ ์ด ์กฐ์‹ฌํ•ด์•ผ ํ•˜๋Š” ์–ต์–‘์˜ ์œ ํ˜•์ž…๋‹ˆ๋‹ค .
11:25
You're gonna burn for it. I know what Iโ€™m talking about.
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๋‹น์‹ ์€ ๊ทธ๊ฒƒ์„ ์œ„ํ•ด ํ™”์ƒ ๊ฑฐ ์•ผ. ๋‚ด๊ฐ€ ๋ฌด์Šจ ๋ง์„ํ•˜๋Š”์ง€ ์•Œ์•„.
11:28
'I know what I'm talking about'. Here he's closing it - know, talking. Stressed words.
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'๋ฌด์Šจ ๋ง์ธ์ง€ ์•Œ์•„'. ์—ฌ๊ธฐ์—์„œ ๊ทธ๋Š” ๊ทธ๊ฒƒ์„ ๋‹ซ๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค-์•Œ๊ณ , ์ด์•ผ๊ธฐํ•˜์‹ญ์‹œ์˜ค. ๊ฐ•์กฐ๋œ ๋‹จ์–ด.
11:33
I know what I'm, what I'm, what I'm - reducing. I know what I'm talking about.
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๋‚˜๋Š” ๋‚ด๊ฐ€ ๋ฌด์—‡์ธ์ง€, ๋‚ด๊ฐ€ ๋ฌด์—‡์ธ์ง€, ๋‚ด๊ฐ€ ๋ฌด์—‡์ธ์ง€ ์•Œ๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ๋‚ด๊ฐ€ ๋ฌด์Šจ ๋ง์„ํ•˜๋Š”์ง€ ์•Œ์•„.
11:38
I know what I'm talking about.
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๋‚ด๊ฐ€ ๋ฌด์Šจ ๋ง์„ํ•˜๋Š”์ง€ ์•Œ์•„.
11:41
So he's going a little lower in pitch here, cuz he's closing it, he wants to sound certain.
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๊ทธ๋ž˜์„œ ๊ทธ๋Š” ์—ฌ๊ธฐ์—์„œ ์Œ์กฐ๋ฅผ ์•ฝ๊ฐ„ ๋‚ฎ์ถ”๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ์™œ๋ƒํ•˜๋ฉด ๊ทธ๊ฐ€ ๊ทธ๊ฒƒ์„ ๋‹ซ๊ณ  ์žˆ๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค. ๊ทธ๋Š” ํ™•์‹คํ•œ ์†Œ๋ฆฌ๋ฅผ ๋‚ด๊ธฐ๋ฅผ ์›ํ•ฉ๋‹ˆ๋‹ค.
11:47
He sounds confident, and this is the intonation of someone who is completely certain in what
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๊ทธ๋Š” ์ž์‹ ๊ฐ ์žˆ๊ฒŒ ๋“ค๋ฆฌ๋Š”๋ฐ ์ด๊ฒƒ์€ ์ž์‹ ์ด ๋งํ•˜๋Š” ๊ฒƒ์— ๋Œ€ํ•ด ์™„์ „ํžˆ ํ™•์‹ ํ•˜๋Š” ์‚ฌ๋žŒ์˜ ์–ต์–‘์ž…๋‹ˆ๋‹ค
11:54
he or she is saying.
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.
11:56
Because if you were to say something like 'I know what I'm talking about', you know,
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์™œ๋ƒ๋ฉด ๋‹น์‹ ์ด '๋‚ด๊ฐ€ ๋ฌด์Šจ ๋ง์„ ํ•˜๋Š”์ง€ ์•Œ์•„'์™€ ๊ฐ™์€ ๋ง์„ ํ•œ๋‹ค๋ฉด,
12:02
this up-speak - that occurs quite often in the language - then it wouldn't have the same
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์ด ๋ง์€ ์–ธ์–ด์—์„œ ๊ฝค ์ž์ฃผ ๋ฐœ์ƒํ•ฉ๋‹ˆ๋‹ค.
12:08
impact as 'I know what I'm talking about', period. Okay.
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'์— ๋Œ€ํ•ด ์ด์•ผ๊ธฐํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค . ์ข‹์•„์š”.
12:13
So pay attention to your pitch at the end. That if you want to sound certain you might
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๋”ฐ๋ผ์„œ ๋งˆ์ง€๋ง‰์— ํ”ผ์น˜์— ์ฃผ์˜๋ฅผ ๊ธฐ์šธ์ด์‹ญ์‹œ์˜ค. ํ™•์‹คํ•˜๊ฒŒ ๋“ค๋ฆฌ๊ณ  ์‹ถ๋‹ค๋ฉด ์—ฌ๊ธฐ ์ด ์˜ˆ์™€
12:18
want to consider going down in pitch, like this example right here.
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๊ฐ™์ด ์Œ์กฐ๋ฅผ ๋‚ฎ์ถ”๋Š” ๊ฒƒ์„ ๊ณ ๋ คํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค .
12:23
I know what I'm talking about.
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๋‚ด๊ฐ€ ๋ฌด์Šจ ๋ง์„ํ•˜๋Š”์ง€ ์•Œ์•„.
12:25
Telling you - I know what I'm talking about. And I know what I'm talking about, so listen to me.
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๋‹น์‹ ์—๊ฒŒ ๋งํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค-๋‚˜๋Š” ๋‚ด๊ฐ€ ๋งํ•˜๋Š” ๊ฒƒ์„ ์••๋‹ˆ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ๋‚˜๋Š” ๋‚ด๊ฐ€ ๋ฌด์Šจ ๋ง์„ ํ•˜๋Š”์ง€ ์•Œ๊ณ  ์žˆ์œผ๋‹ˆ ๋‚ด ๋ง์„ ๋“ค์–ด๋ผ.
12:34
You have to do something, you have to take a chance. You do have to get involved. There
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๋ฌด์–ธ๊ฐ€๋ฅผ ํ•ด์•ผ ํ•˜๊ณ  ๊ธฐํšŒ๋ฅผ ์žก์•„์•ผ ํ•ฉ๋‹ˆ๋‹ค . ๋‹น์‹ ์€ ์ฐธ์—ฌํ•ด์•ผํ•ฉ๋‹ˆ๋‹ค. ๊ธฐ์ ์„ ์ผ์œผํ‚ค๋Š” ๋ฐ
12:38
are people that are having having trouble making their miracle happen.
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์–ด๋ ค์›€์„ ๊ฒช๊ณ  ์žˆ๋Š” ์‚ฌ๋žŒ๋“ค์ด ์žˆ์Šต๋‹ˆ๋‹ค .
12:41
You have to do something, you have to take a chance. Now, here he stresses the word 'have'
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๋ฌด์–ธ๊ฐ€๋ฅผ ํ•ด์•ผ ํ•˜๊ณ  ๊ธฐํšŒ๋ฅผ ์žก์•„์•ผ ํ•ฉ๋‹ˆ๋‹ค . ์ด์ œ ์—ฌ๊ธฐ์„œ ๊ทธ๋Š” 'have'๋ผ๋Š” ๋‹จ์–ด๋ฅผ ๊ฐ•์กฐํ•ฉ๋‹ˆ๋‹ค.
12:47
cuz that is the word that he thinks will push them to take action. And even though he stresses
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๊ทธ๊ฐ€ ์ƒ๊ฐํ•˜๋Š” ๋‹จ์–ด๊ฐ€ ๊ทธ๋“ค์ด ํ–‰๋™์„ ์ทจํ•˜๋„๋ก ๋ฐ€์–ด๋ถ™์ผ ๊ฒƒ์ด๋ผ๊ณ  ์ƒ๊ฐํ•˜๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ๊ทธ๊ฐ€
12:53
the word 'have' twice here, notice that he stresses them differently.
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์—ฌ๊ธฐ์—์„œ '๊ฐ€์ง€๋‹ค'๋ผ๋Š” ๋‹จ์–ด๋ฅผ ๋‘ ๋ฒˆ ๊ฐ•์กฐํ–ˆ์ง€๋งŒ ๊ฐ•์กฐํ•˜๋Š” ๋ฐฉ์‹์ด ๋‹ค๋ฅด๋‹ค๋Š” ์ ์— ์œ ์˜ํ•˜์‹ญ์‹œ์˜ค.
12:57
Again, you always want to create variation because when you use the repetitive melody,
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๋‹ค์‹œ ๋งํ•˜์ง€๋งŒ, ๋ฐ˜๋ณต์ ์ธ ๋ฉœ๋กœ๋””๋ฅผ ์‚ฌ์šฉ
13:03
or a repetitive melody, then people just tune out. They just think that they, they, they've
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ํ•˜๊ฑฐ๋‚˜ ๋ฐ˜๋ณต์ ์ธ ๋ฉœ๋กœ๋””๋ฅผ ์‚ฌ์šฉํ•˜๋ฉด ์‚ฌ๋žŒ๋“ค์ด ๊ด€์‹ฌ์„ ๊ฐ€์ง€์ง€ ์•Š๊ธฐ ๋•Œ๋ฌธ์— ํ•ญ์ƒ ๋ณ€์ฃผ๊ณก์„ ๋งŒ๋“ค๊ณ  ์‹ถ์Šต๋‹ˆ๋‹ค . ๊ทธ๋“ค์€
13:09
already got what you're trying to tell them.
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๋‹น์‹ ์ด ๊ทธ๋“ค์—๊ฒŒ ๋งํ•˜๋ ค๋Š” ๊ฒƒ์„ ์ด๋ฏธ ๊ฐ€์ง€๊ณ  ์žˆ๋‹ค๊ณ  ์ƒ๊ฐํ•  ๋ฟ์ž…๋‹ˆ๋‹ค.
13:13
But when you keep changing it's a lot more interesting, a lot more engaging, and it feels
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ํ•˜์ง€๋งŒ ๋‹น์‹ ์ด ๊ณ„์†ํ•ด์„œ ๋ณ€ํ™”ํ•œ๋‹ค๋ฉด ๊ทธ๊ฒƒ์€ ํ›จ์”ฌ ๋” ํฅ๋ฏธ๋กญ๊ณ  ํ›จ์”ฌ ๋” ๋งค๋ ฅ์ ์ด๋ฉฐ
13:18
like they want to stay and find out what else you have to say.
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๊ทธ๋“ค์ด ๋จธ๋ฌผ๋ฉด์„œ ๋‹น์‹ ์ด ๋งํ•ด์•ผ ํ•  ๋‹ค๋ฅธ ๊ฒƒ์„ ์ฐพ๊ณ  ์‹ถ์–ดํ•˜๋Š” ๊ฒƒ์ฒ˜๋Ÿผ ๋Š๊ปด์ง‘๋‹ˆ๋‹ค.
13:23
You have to do something, you have to take a chance. Right? In comparison to, if I were
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๋ฌด์–ธ๊ฐ€๋ฅผ ํ•ด์•ผ ํ•˜๊ณ  ๊ธฐํšŒ๋ฅผ ์žก์•„์•ผ ํ•ฉ๋‹ˆ๋‹ค . ์˜ค๋ฅธ์ชฝ? ๊ทธ์— ๋น„ํ•ด
13:27
to say something like 'you have to do something, you have to take a chance'. Less effective.
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'๋ฌด์—‡์„ ํ•ด์•ผ ํ•œ๋‹ค, ๊ธฐํšŒ๋ฅผ ์žก์•„์•ผ ํ•œ๋‹ค' ๊ฐ™์€ ๋ง์„ ํ•œ๋‹ค๋ฉด. ๋œ ํšจ๊ณผ์ ์ž…๋‹ˆ๋‹ค.
13:33
You do have to get involved.
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๋‹น์‹ ์€ ์ฐธ์—ฌํ•ด์•ผํ•ฉ๋‹ˆ๋‹ค.
13:35
You do have to get involved.
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๋‹น์‹ ์€ ์ฐธ์—ฌํ•ด์•ผํ•ฉ๋‹ˆ๋‹ค.
13:37
When you use 'do' in a sentence - 'you do have to get involved',
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๋‹น์‹ ์ด ๋ฌธ์žฅ์—์„œ 'do'๋ฅผ ์‚ฌ์šฉํ•  ๋•Œ - '๋‹น์‹ ์€ ๊ด€์—ฌํ•ด์•ผ ํ•ฉ๋‹ˆ๋‹ค',
13:40
then the 'do' is usually stressed because it is there to begin with, to stress the verb.
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๊ทธ๋Ÿฌ๋ฉด 'do'๋Š” ๋ณดํ†ต ๋™์‚ฌ๋ฅผ ๊ฐ•์กฐํ•˜๊ธฐ ์œ„ํ•ด ์‹œ์ž‘๋˜๊ธฐ ๋•Œ๋ฌธ์— ๊ฐ•์กฐ๋ฉ๋‹ˆ๋‹ค.
13:46
Okay?
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์ข‹์•„์š”?
13:47
Because you could have just said 'you have to get involved', but 'you do have to get involved'.
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๊ทธ๋ƒฅ ' ์ฐธ์—ฌํ•ด์•ผ ํ•œ๋‹ค'๊ณ  ํ•  ์ˆ˜๋„ ์žˆ์ง€๋งŒ '์ฐธ์—ฌํ•ด์•ผ ํ•ฉ๋‹ˆ๋‹ค'๋ผ๊ณ  ํ•  ์ˆ˜๋„ ์žˆ์œผ๋‹ˆ๊นŒ์š”.
13:52
The 'do' is more important here. It's kinda like double emphasis,
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์—ฌ๊ธฐ์„œ '๋„'๊ฐ€ ๋” ์ค‘์š”ํ•ฉ๋‹ˆ๋‹ค. ์ด์ค‘ ๊ฐ•์กฐ๊ฐ™์€๋ฐ
13:56
So he triple emphasizes it by stressing the 'do'. I hope that makes sense.
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'do'๋ฅผ ๊ฐ•์กฐํ•ด์„œ ์‚ผ์ค‘๊ฐ•์กฐ๋ฅผ ํ•ฉ๋‹ˆ๋‹ค. ๋ง์ด ๋˜๊ธฐ๋ฅผ ๋ฐ”๋ž๋‹ˆ๋‹ค.
14:02
I hope that makes sense. I really hope that makes sense.
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๋ง์ด ๋˜๊ธฐ๋ฅผ ๋ฐ”๋ž๋‹ˆ๋‹ค. ์ •๋ง ๋ง์ด ๋˜๊ธฐ๋ฅผ ๋ฐ”๋ž๋‹ˆ๋‹ค.
14:06
So now, because it's Christmas Eve, and you probably have a lot of things to do,
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์ด์ œ ํฌ๋ฆฌ์Šค๋งˆ์Šค ์ด๋ธŒ์ด๊ณ  ํ•  ์ผ์ด ๋งŽ์„ ๊ฒƒ์ด๋ฏ€๋กœ
14:11
I'm not going to keep on analyzing the rest of the speech.
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์—ฐ์„ค์˜ ๋‚˜๋จธ์ง€ ๋ถ€๋ถ„์„ ๊ณ„์† ๋ถ„์„ํ•˜์ง€๋Š” ์•Š๊ฒ ์Šต๋‹ˆ๋‹ค.
14:14
But I'm going to play it for you. And I just want you to listen to the last part of this monologue,
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๊ทธ๋Ÿฌ๋‚˜ ๋‚˜๋Š” ๋‹น์‹ ์„ ์œ„ํ•ด ๊ทธ๊ฒƒ์„ ํ•  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ทธ๋ฆฌ๊ณ  ๋‚˜๋Š” ๋‹น์‹ ์ด ์ด ๋…๋ฐฑ์˜ ๋งˆ์ง€๋ง‰ ๋ถ€๋ถ„์„ ๋“ฃ๊ณ ,
14:22
and identify the stressed words, and listen to it with a different awareness.
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๊ฐ•์กฐ๋œ ๋‹จ์–ด๋ฅผ ์‹๋ณ„ํ•˜๊ณ , ๋‹ค๋ฅธ ์ธ์‹์œผ๋กœ ๊ทธ๊ฒƒ์„ ๋“ฃ๊ธฐ๋ฅผ ๋ฐ”๋ž๋‹ˆ๋‹ค.
14:26
I want you to notice the reductions. I want you to notice the stressed words. I want you
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๋‚˜๋Š” ๋‹น์‹ ์ด ๊ฐ์†Œ์— ์ฃผ๋ชฉํ•˜๊ธฐ๋ฅผ ๋ฐ”๋ž๋‹ˆ๋‹ค. ๊ฐ•์กฐ๋œ ๋‹จ์–ด๋ฅผ ์•Œ์•„์ฐจ๋ฆฌ์…จ์œผ๋ฉด ํ•ฉ๋‹ˆ๋‹ค.
14:30
to notice the rhythm when he slows down, or when he goes a little faster.
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๊ทธ๊ฐ€ ์†๋„๋ฅผ ๋Šฆ์ถœ ๋•Œ๋‚˜ ์กฐ๊ธˆ ๋” ๋นจ๋ฆฌ ๊ฐˆ ๋•Œ์˜ ๋ฆฌ๋“ฌ์„ ์•Œ์•„์ฐจ๋ฆฌ์…จ์œผ๋ฉด ํ•ฉ๋‹ˆ๋‹ค.
14:35
I want you to notice if he takes pauses in certain places, and how he finishes his sentences
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๋‚˜๋Š” ๋‹น์‹ ์ด ๊ทธ๊ฐ€ ํŠน์ • ์žฅ์†Œ์—์„œ ๋ฉˆ์ถค์„ ํ•˜๋Š”์ง€, ๊ทธ๋ฆฌ๊ณ  ๊ทธ๊ฐ€ ์Œ๋†’์ด๊ฐ€ ์˜ฌ๋ผ๊ฐ€๋“  ๋‚ด๋ ค๊ฐ€๋“  ๊ทธ์˜ ๋ฌธ์žฅ์„ ์–ด๋–ป๊ฒŒ ๋งˆ๋ฌด๋ฆฌํ•˜๋Š”์ง€ ์•Œ์•„์ฐจ๋ ธ์œผ๋ฉด ํ•ฉ๋‹ˆ๋‹ค
14:40
whether it's going up in pitch or down in pitch. Okay?
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. ์ข‹์•„์š”?
14:45
So let's listen to it together. And, again, if you download the PDF then you can actually
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๊ทธ๋Ÿผ ํ•จ๊ป˜ ๋“ค์–ด๋ณด์‹œ์ฃ . ๊ทธ๋ฆฌ๊ณ  ๋‹ค์‹œ PDF๋ฅผ ๋‹ค์šด๋กœ๋“œํ•˜๋ฉด ์‹ค์ œ๋กœ
14:51
see the script and practice with it.
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์Šคํฌ๋ฆฝํŠธ๋ฅผ ๋ณด๊ณ  ์—ฐ์Šตํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
14:54
You have to do something, you have to take a chance. You do have to get involved.
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๋ฌด์–ธ๊ฐ€๋ฅผ ํ•ด์•ผ ํ•˜๊ณ  ๊ธฐํšŒ๋ฅผ ์žก์•„์•ผ ํ•ฉ๋‹ˆ๋‹ค . ๋‹น์‹ ์€ ์ฐธ์—ฌํ•ด์•ผํ•ฉ๋‹ˆ๋‹ค. ๊ธฐ์ ์„ ์ผ์œผํ‚ค๋Š” ๋ฐ
14:58
There are people that are having having trouble making their miracle happen.
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์–ด๋ ค์›€์„ ๊ฒช๊ณ  ์žˆ๋Š” ์‚ฌ๋žŒ๋“ค์ด ์žˆ์Šต๋‹ˆ๋‹ค . ๋จน์„ ๊ฒƒ์ด
15:01
There are people that don't have enough to eat, there are people that are cold.
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๋ถ€์กฑํ•œ ์‚ฌ๋žŒ์ด ์žˆ๊ณ  , ๊ฐ๊ธฐ์— ๊ฑธ๋ฆฐ ์‚ฌ๋žŒ์ด ์žˆ์Šต๋‹ˆ๋‹ค.
15:05
You can go out and say hello to these people.
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๋‚˜๊ฐ€์„œ์ด ์‚ฌ๋žŒ๋“ค์—๊ฒŒ ์ธ์‚ฌ ํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
15:08
You can take an old blanket out of the closet and say 'here'.
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์˜ท์žฅ์—์„œ ์˜ค๋ž˜๋œ ์ด๋ถˆ์„ ๊บผ๋‚ด์„œ '์—ฌ๊ธฐ'๋ผ๊ณ  ๋งํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
15:10
You can make them a sandwich and say, 'oh, by the way, here'. I get it now.
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์ƒŒ๋“œ์œ„์น˜๋กœ ๋งŒ๋“ค์–ด์„œ '์•„, ๊ทธ๋Ÿฐ๋ฐ, ์—ฌ๊ธฐ'๋ผ๊ณ  ๋งํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. ์ด์ œ ์ดํ•ด๊ฐ€๋œ๋‹ค.
15:15
Okay. I hope that was interesting, and I hope you started noticing things that you haven't noticed before.
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์ข‹์•„์š”. ํฅ๋ฏธ๋กœ์› ๊ธฐ๋ฅผ ๋ฐ”๋ผ๋ฉฐ ์ด์ „์— ๋ˆˆ์น˜์ฑ„์ง€ ๋ชปํ–ˆ๋˜ ๊ฒƒ๋“ค์„ ์•Œ์•„์ฐจ๋ฆฌ๊ธฐ ์‹œ์ž‘ํ•˜์…จ๊ธฐ๋ฅผ ๋ฐ”๋ž๋‹ˆ๋‹ค.
15:22
So what I encourage you to do is to start listening to English with an inquisitive ear.
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๊ทธ๋ž˜์„œ ์ œ๊ฐ€ ์—ฌ๋Ÿฌ๋ถ„์—๊ฒŒ ๊ถŒํ•˜๋Š” ๊ฒƒ์€ ํ˜ธ๊ธฐ์‹ฌ ๋งŽ์€ ๊ท€๋กœ ์˜์–ด ๋“ฃ๊ธฐ๋ฅผ ์‹œ์ž‘ํ•˜๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
15:29
Start detecting those things that we've talked about. Because your brain filters out so much
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์šฐ๋ฆฌ๊ฐ€ ์ด์•ผ๊ธฐํ•œ ๊ฒƒ๋“ค์„ ๊ฐ์ง€ํ•˜๊ธฐ ์‹œ์ž‘ํ•˜์‹ญ์‹œ์˜ค . ๋‡Œ๊ฐ€ ๋„ˆ๋ฌด ๋งŽ์€ ์ •๋ณด๋ฅผ ๊ฑธ๋Ÿฌ๋‚ด๊ณ 
15:34
information, and this information is essential.
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์ด ์ •๋ณด๋Š” ํ•„์ˆ˜์ ์ด๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค.
15:37
Because if you can't hear it, you can't make it.
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๋“ฃ์ง€ ์•Š์œผ๋ฉด ํ•  ์ˆ˜ ์—†๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค.
15:40
And if you want to improve your performance in English,
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๊ทธ๋ฆฌ๊ณ  ์˜์–ด ์‹ค๋ ฅ์„ ํ–ฅ์ƒ์‹œํ‚ค๊ณ  ์‹ถ๋‹ค๋ฉด
15:43
you have to start becoming aware, you have to start loving it.
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์ธ์‹์„ ์‹œ์ž‘ํ•ด์•ผ ํ•˜๊ณ  ์˜์–ด๋ฅผ ์ข‹์•„ํ•ด์•ผ ํ•ฉ๋‹ˆ๋‹ค.
15:47
And then start doing it when you speak. Okay?
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๊ทธ๋Ÿฐ ๋‹ค์Œ ๋งํ•  ๋•Œ ์‹œ์ž‘ํ•˜์‹ญ์‹œ์˜ค. ์ข‹์•„์š”?
15:52
And, of course, practice it. Practice it along with different speakers, take a speech and
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๊ทธ๋ฆฌ๊ณ  ๋ฌผ๋ก  ๊ทธ๊ฒƒ์„ ์—ฐ์Šตํ•˜์‹ญ์‹œ์˜ค. ๋‹ค๋ฅธ ์Šคํ”ผ์ปค์™€ ํ•จ๊ป˜ ์—ฐ์Šตํ•˜๊ณ , ์—ฐ์„ค์„ ํ•˜๊ณ ,
15:58
just read it out loud yourself. Do all the imitation exercises, shadowing, whatever works for you.
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์ง์ ‘ ํฐ ์†Œ๋ฆฌ๋กœ ์ฝ์–ด๋ณด์„ธ์š”. ๋ชจ๋“  ๋ชจ๋ฐฉ ์—ฐ์Šต, ์‰๋„์ž‰ ๋“ฑ ๋‹น์‹ ์—๊ฒŒ ํšจ๊ณผ๊ฐ€ ์žˆ๋Š” ๊ฒƒ์€ ๋ฌด์—‡์ด๋“  ํ•˜์‹ญ์‹œ์˜ค.
16:05
But do something. You have to take action. Simply listening is great, but it's not enough.
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๊ทธ๋Ÿฌ๋‚˜ ๋ฌด์–ธ๊ฐ€๋ฅผ ํ•˜์‹ญ์‹œ์˜ค. ์กฐ์น˜๋ฅผ ์ทจํ•ด์•ผ ํ•ฉ๋‹ˆ๋‹ค. ๋‹จ์ˆœํžˆ ๋“ฃ๋Š” ๊ฒƒ์€ ํ›Œ๋ฅญํ•˜์ง€๋งŒ ๊ทธ๊ฒƒ๋งŒ์œผ๋กœ๋Š” ์ถฉ๋ถ„ํ•˜์ง€ ์•Š์Šต๋‹ˆ๋‹ค.
16:12
Okay, that's it. Let me know in the comments below - what is the one thing that you are
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์ข‹์•„, ๊ทธ๊ฒŒ ๋‹ค์•ผ. ์•„๋ž˜ ๋Œ“๊ธ€๋กœ ์•Œ๋ ค์ฃผ์„ธ์š”. ์ง€๊ธˆ
16:15
going to take with you from this video, from now on, as you're listening to English.
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๋ถ€ํ„ฐ ์˜์–ด๋ฅผ ๋“ค์œผ๋ฉด์„œ ์ด ๋น„๋””์˜ค์—์„œ ๊ฐ€์ ธ๊ฐˆ ๋‹จ ํ•œ ๊ฐ€์ง€๋Š” ๋ฌด์—‡์ž…๋‹ˆ๊นŒ?
16:21
And also, if you celebrate Christmas, have a very Merry Christmas.
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๊ทธ๋ฆฌ๊ณ  ํฌ๋ฆฌ์Šค๋งˆ์Šค๋ฅผ ์ถ•ํ•˜ํ•œ๋‹ค๋ฉด ์•„์ฃผ ์ฆ๊ฑฐ์šด ํฌ๋ฆฌ์Šค๋งˆ์Šค ๋ณด๋‚ด์„ธ์š”.
16:25
And, if you don't celebrate Christmas, or it's no longer Christmas Eve, then just have
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๊ทธ๋ฆฌ๊ณ  ํฌ๋ฆฌ์Šค๋งˆ์Šค๋ฅผ ์ถ•ํ•˜ํ•˜์ง€ ์•Š๊ฑฐ๋‚˜ ๋” ์ด์ƒ ํฌ๋ฆฌ์Šค๋งˆ์Šค ์ด๋ธŒ๊ฐ€ ์•„๋‹ˆ๋ผ๋ฉด
16:29
a very merry go round. Merry-go-round, and it's a tongue twister.
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์ฆ๊ฑฐ์šด ์‹œ๊ฐ„์„ ๋ณด๋‚ด์„ธ์š”. ํšŒ์ „๋ชฉ๋งˆ, ๊ทธ๋ฆฌ๊ณ  ๊ทธ๊ฒƒ์€ ํ˜€ ํŠธ์œ„์Šคํ„ฐ์ž…๋‹ˆ๋‹ค.
16:35
So here, now you have a tongue twister, too. Merry-go-round.
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์ž, ์ด์ œ ํ˜€ ํŠธ์œ„์Šคํ„ฐ๋„ ์žˆ์Šต๋‹ˆ๋‹ค. ํšŒ์ „๋ชฉ๋งˆ.
16:40
I should go. Bye!
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๋‚ด๊ฐ€ ๊ฐ€์•ผ. ์•ˆ๋…•!
์ด ์›น์‚ฌ์ดํŠธ ์ •๋ณด

์ด ์‚ฌ์ดํŠธ๋Š” ์˜์–ด ํ•™์Šต์— ์œ ์šฉํ•œ YouTube ๋™์˜์ƒ์„ ์†Œ๊ฐœํ•ฉ๋‹ˆ๋‹ค. ์ „ ์„ธ๊ณ„ ์ตœ๊ณ ์˜ ์„ ์ƒ๋‹˜๋“ค์ด ๊ฐ€๋ฅด์น˜๋Š” ์˜์–ด ์ˆ˜์—…์„ ๋ณด๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ฐ ๋™์˜์ƒ ํŽ˜์ด์ง€์— ํ‘œ์‹œ๋˜๋Š” ์˜์–ด ์ž๋ง‰์„ ๋”๋ธ” ํด๋ฆญํ•˜๋ฉด ๊ทธ๊ณณ์—์„œ ๋™์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋น„๋””์˜ค ์žฌ์ƒ์— ๋งž์ถฐ ์ž๋ง‰์ด ์Šคํฌ๋กค๋ฉ๋‹ˆ๋‹ค. ์˜๊ฒฌ์ด๋‚˜ ์š”์ฒญ์ด ์žˆ๋Š” ๊ฒฝ์šฐ ์ด ๋ฌธ์˜ ์–‘์‹์„ ์‚ฌ์šฉํ•˜์—ฌ ๋ฌธ์˜ํ•˜์‹ญ์‹œ์˜ค.

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