1 HOUR ENGLISH VOCABULARY LESSON - Learn Advanced English Vocabulary From Native Speakers!

14,953 views

2023-03-20 ใƒป JForrest English


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1 HOUR ENGLISH VOCABULARY LESSON - Learn Advanced English Vocabulary From Native Speakers!

14,953 views ใƒป 2023-03-20

JForrest English


ไธ‹ใฎ่‹ฑ่ชžๅญ—ๅน•ใ‚’ใƒ€ใƒ–ใƒซใ‚ฏใƒชใƒƒใ‚ฏใ™ใ‚‹ใจๅ‹•็”ปใ‚’ๅ†็”Ÿใงใใพใ™ใ€‚ ็ฟป่จณใ•ใ‚ŒใŸๅญ—ๅน•ใฏๆฉŸๆขฐ็ฟป่จณใงใ™ใ€‚

00:00
Do you like listening to music? Well, in this lesson we're going to review the song lyrics
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้Ÿณๆฅฝใ‚’่ดใใฎใฏๅฅฝใใงใ™ใ‹๏ผŸ ใ•ใฆใ€ใ“ใฎใƒฌใƒƒใ‚นใƒณใงใฏใ€
00:05
to four different songs so you can learn a lot of natural vocabulary, Advanced grammar
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4 ใคใฎ็•ฐใชใ‚‹ๆญŒใฎๆญŒ่ฉžใ‚’ๅพฉ็ฟ’ใ—ใฆใ€ ใŸใใ•ใ‚“ใฎ่‡ช็„ถใช่ชžๅฝ™ใ€้ซ˜ๅบฆใชๆ–‡ๆณ•
00:12
and even pronunciation in a really fun way. Let's get started with our first song. Welcome
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ใ€ใ•ใ‚‰ใซใฏ็™บ้Ÿณใพใงใ‚‚ๆฅฝใ—ใๅญฆในใ‚‹ใ‚ˆใ†ใซใ—ใพใ™ใ€‚ ๆœ€ๅˆใฎๆ›ฒใ‹ใ‚‰ๅง‹ใ‚ใพใ—ใ‚‡ใ†ใ€‚
00:19
to our song, a very popular older but very popular songs. So we'll go through the song
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็งใŸใกใฎๆ›ฒใธใ‚ˆใ†ใ“ใใ€‚้žๅธธใซไบบๆฐ—ใฎใ‚ใ‚‹ๅคใ„ๆ›ฒใงใ™ใŒใ€้žๅธธใซ ไบบๆฐ—ใฎใ‚ใ‚‹ๆ›ฒใงใ™ใ€‚ ไธ€็ท’ใซๆ›ฒใ‚’่ฆ‹ใฆใ„ใใ€
00:28
together and
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00:29
I'll explain some of the most common vocabulary, so let's start right here. I heard that you're
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ๆœ€ใ‚‚ไธ€่ˆฌ็š„ใช่ชžๅฝ™ใฎใ„ใใคใ‹ใ‚’่ชฌๆ˜Žใ—ใพใ™ ใฎใงใ€ใ“ใ“ใ‹ใ‚‰ๅง‹ใ‚ใพใ—ใ‚‡ใ†. ่ฝใก็€ใ„ใŸใ€่ฝใก็€ใ„ใŸใจ่žใใพใ—ใŸ
00:37
settled down settle down. This is a common phrasal verb to settle down means that you
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ใ€‚ ใ“ใ‚Œใฏ่ฝใก็€ใใจใ„ใ†ไธ€่ˆฌ็š„ ใชๅฅๅ‹•่ฉžใงใ€
00:45
accept responsibility and you live a calmer life. This is generally a natural thing that
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่ฒฌไปปใ‚’ๅ—ใ‘ๅ…ฅใ‚Œใฆ็ฉใ‚„ใ‹ใช ็”Ÿๆดปใ‚’้€ใ‚‹ใ“ใจใ‚’ๆ„ๅ‘ณใ—ใพใ™ใ€‚ ใ“ใ‚Œใฏไธ€่ˆฌ็š„ใซใ€
00:54
happens when people are in their early 20s.
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20 ไปฃๅ‰ๅŠใฎไบบ้–“ใงใ‚ใ‚Œใฐๅฝ“็„ถใฎใ“ใจใงใ™ใ€‚
00:59
Did 20, some people take longer to settle down. Some people take until they're 30, 35
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20ๆญณใงใ€่ฝใก็€ใใพใงใซๆ™‚้–“ใŒใ‹ใ‹ใ‚‹ไบบใ‚‚ใ„ใพใ™ ใ€‚ 30 ๆญณใ€35 ๆญณใ€
01:06
40, or even later to settle down. Now, generally, when you settle down, you get married, you
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40 ๆญณใ€ใพใŸใฏใใ‚Œไปฅ้™ใซใชใ‚‹ใพใงใ€่ฝใก็€ใใพใงใ‹ใ‹ใ‚‹ไบบใ‚‚ใ„ใพใ™ใ€‚ ใ•ใฆใ€ไธ€่ˆฌ็š„ใซใ€ ่ฝใก็€ใ„ใŸใ‚‰็ตๅฉšใ—ใ€
01:14
buy a house. You have kids. You find a stable job. All of these are the accept responsibility
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ๅฎถใ‚’่ณผๅ…ฅใ—ใพใ™ใ€‚ ใ‚ใชใŸใซใฏๅญไพ›ใŒใ„ใพใ™ใ€‚ ๅฎ‰ๅฎšใ—ใŸไป•ไบ‹ใŒ่ฆ‹ใคใ‹ใ‚Šใพใ™ ใ€‚ ใ“ใ‚Œใ‚‰ใฏใ™ในใฆ่ฒฌไปปใ‚’่ฒ ใ„
01:21
and live a Kamar life settle down. Now we use
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ใ€่ฝใก็€ใ„ใŸใ‚ซใƒžใƒผใฎ็”Ÿๆดปใ‚’้€ใฃใฆใ„ใพใ™ใ€‚ ใ“ใ“ใงใฏใ€
01:29
Settle down in a different context, that's perhaps more common for your daily use, especially
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ๅˆฅใฎใ‚ณใƒณใƒ†ใ‚ญใ‚นใƒˆใง Settle down ใ‚’ไฝฟ็”จใ—ใพใ™ใ€‚ใ“ใ‚Œใฏใ€ ็‰นใซๆ•™ๅฎคใฎๅญฆ็”Ÿใจใ—ใฆใ€ๆ—ฅๅธธ็š„ใซไฝฟ็”จใ™ใ‚‹ใฎใซใ‚ˆใ‚Šไธ€่ˆฌ็š„ใงใ™
01:37
as a student in the classroom. Because notice this word here calm calmer when you settle
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ใ€‚ ใ“ใ“ใซใ‚ใ‚‹ใ“ใฎ่จ€่‘‰ใฏใ€่ฝใก็€ใ„ใŸใจใใซ่ฝใก็€ใ„ใฆ่ฝใก็€ใใ‚ˆใ†ใซๆณจๆ„ใ™ใ‚‹ใŸใ‚
01:45
down, it is also used to tell everyone to calm down. So if you're in a classroom and
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ใ€่ฝใก็€ใใ‚ˆใ†ใซใฟใ‚“ใชใซไผใˆใ‚‹ใŸใ‚ใซใ‚‚ไฝฟ็”จใ•ใ‚Œใพใ™ ใ€‚ ใงใ™ใ‹ใ‚‰ใ€ใ‚ใชใŸใŒๆ•™ๅฎคใซใ„ใฆใ€
01:54
you're a teacher and all these students are just talking to each other, making a
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ใ‚ใชใŸใŒๆ•™ๅธซใงใ€ใ“ใ‚Œใ‚‰ใ™ในใฆใฎ็”Ÿๅพ’ใŒ ใŸใ ใŠไบ’ใ„ใซ่ฉฑใ—ใฆใ„ใ‚‹ใจใ—ใŸใ‚‰ใ€
01:59
A lot of noise you would say settle down settle down so you're telling everyone to calm, calm
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ใ‚ใชใŸใฏใ€Œ ่ฝใก็€ใ„ใฆใ€
02:07
down. So it's also used in that context when a teacher or a parent, or even a boss might
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่ฝใก็€ใ„ใฆใ€ใจ่จ€ใ†ใงใ—ใ‚‡ใ†ใ€‚ ใใฎใŸใ‚ใ€ ๆ•™ๅธซใ‚„่ฆชใ€ใพใŸใฏไธŠๅธใงใ•ใˆใ€
02:16
say everyone.
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ๅ…จๅ“กใจ่จ€ใ†ๅ ดๅˆใซใ‚‚ไฝฟ็”จใ•ใ‚Œใพใ™ใ€‚
02:19
Settle down. And in this case, it's the same as the phrasal verb, calm down which simply
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่ฝใก็€ใใ€‚ ใใ—ใฆใ“ใฎๅ ดๅˆใ€ใใ‚Œใฏ ๅฅๅ‹•่ฉžใจๅŒใ˜ใงใ™ใ€‚
02:27
means to become calmer to become calmer notice for pronunciation. There's no l in this word
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่ฝใก็€ใ„ใฆ็™บ้Ÿณใ™ใ‚‹ใ“ใจใ‚’ๆ„ๅ‘ณใ—ใพใ™ ใ€‚ ใ“ใฎๅ˜่ชžใซ l ใฏใ‚ใ‚Šใพใ›ใ‚“ใ€‚l
02:35
is not call with an L know, is calm bomb, and notice the vowel, even it's a na Ang Ang
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ใƒŽใ‚ฆใงๅ‘ผใณๅ‡บใ•ใ‚Œใพใ›ใ‚“
02:47
calm, calm down.
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ใ€‚
02:49
Calm down, I heard that you're settled down. So Adele heard that the person that she used
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่ฝใก็€ใ‘ใ€่ฝใก็€ใ„ใŸใจ่žใ„ใŸใ€‚ ใใ“ใงใ‚ขใƒ‡ใƒซใฏใ€ใ‹ใคใฆ
02:59
to be in a romantic relationship with has now settled down. So he's probably married
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ๆ‹ๆ„›้–ขไฟ‚ใซใ‚ใฃใŸ็›ธๆ‰‹ใŒ ไปŠใฏ่ฝใก็€ใ„ใฆใ„ใ‚‹ใจ่žใใพใ—ใŸใ€‚ ใ ใ‹ใ‚‰ๅฝผใฏใŠใใ‚‰ใ
03:05
someone else that you found a girl. Oh yes and you're married. Now so as we discuss,
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ใ‚ใชใŸใŒๅฅณใฎๅญใ‚’่ฆ‹ใคใ‘ใŸไป–ใฎ่ชฐใ‹ใจ็ตๅฉšใ—ใฆใ„ใพใ™. ใใ†ใใ†ใ€ ใ‚ใชใŸใฏ็ตๅฉšใ—ใฆใ„ใพใ™ใ€‚ ใ•ใฆใ€็งใŸใกใŒ่ฉฑใ—ใฆใ„ใ‚‹ใ‚ˆใ†ใซใ€
03:14
this is an aspect of settling down which
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ใ“ใ‚Œใฏ
03:18
Which is finding a stable relationship.
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ใฉใกใ‚‰ใŒๅฎ‰ๅฎšใ—ใŸ้–ขไฟ‚ใ‚’่ฆ‹ใคใ‘ใฆใ„ใ‚‹ใ‹ใ‚’่ฝใก็€ใ‹ใ›ใ‚‹ๅด้ขใงใ™.
03:23
I heard that your dreams came true. Guess she gave you things. I didn't give to you.
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ใ‚ใชใŸใฎๅคขใŒๅถใฃใŸใจ่žใใพใ—ใŸใ€‚ ๅฝผๅฅณใฏใ‚ใชใŸใซ็‰ฉใ‚’ใใ‚ŒใŸใจๆ€ใ„ใพใ™ใ€‚ ็งใฏใ‚ใชใŸใซใ‚ใ’ใพใ›ใ‚“ใงใ—ใŸใ€‚
03:32
So, Adele is saying, well, you chose this other woman to settle down with so likely
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ใ ใ‹ใ‚‰ใ€ใ‚ขใƒ‡ใƒซใฏใ€ใพใ‚ใ€ใ‚ใชใŸใŒใ“ใฎ ไป–ใฎๅฅณๆ€งใ‚’่ฝใก็€ใ‹ใ›ใ‚‹ใŸใ‚ใซ้ธใ‚“ใ ใฎใฏใ€
03:40
because she gave you things, maybe, love, attention, respect, whatever. Those things
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ใŠใใ‚‰ใๅฝผๅฅณใŒใ‚ใชใŸใซไฝ•ใ‹ใ€ใŠใใ‚‰ใๆ„›ใ€ ๆณจๆ„ใ€ๅฐŠๆ•ฌใชใฉใ‚’ไธŽใˆใŸใ‹ใ‚‰ใ ใจ่จ€ใฃใฆใ„ใพใ™ใ€‚ ใใ‚Œใ‚‰ใฎใ‚‚ใฎใฏ
03:47
were that, I didn't give you.
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ใ€็งใŒใ‚ใชใŸใซไธŽใˆใชใ‹ใฃใŸใจใ„ใ†ใ“ใจใงใ—ใŸใ€‚
03:52
Now notice, it's guess, guess this is when you say, I guess because, of course adult
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ใŸใถใ‚“ใ€ใ“ใ‚Œใฏ ใ‚ใชใŸใŒ่จ€ใ†ใจใใ ใจๆ€ใ„ใพใ™ใ€‚ใ‚‚ใกใ‚ใ‚“ใ€ๅคงไบบใฏ
04:00
doesn't know 100% for certain that. That's the reason that her ex-boyfriend chose to
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ใใ‚Œใ‚’100๏ผ…็Ÿฅใฃใฆใ„ใ‚‹ใ‚ใ‘ใงใฏใชใ„ใ‹ใ‚‰ใงใ™ใ€‚ ใใ‚ŒใŒ ๅฝผๅฅณใฎๅ…ƒใ‚ซใƒฌใŒๅฝผๅฅณใฎ
04:09
settle down with another woman instead of her, right? So she's using, I guess to say
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ไปฃใ‚ใ‚Šใซๅˆฅใฎๅฅณๆ€งใจ่ฝใก็€ใใ“ใจใ‚’้ธใ‚“ใ ็†็”ฑใงใ™ใ‚ˆ ใญ? ใ ใ‹ใ‚‰ๅฝผๅฅณใŒไฝฟใฃใฆใ„ใ‚‹ใฎใฏใ€็–‘ใ„ใฎไฝ™ๅœฐใŒใ‚ใ‚‹ใจ่จ€ใฃใฆใ„ใ‚‹ใจๆ€ใ„ใพใ™
04:15
there's some doubt doubt.
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ใ€‚
04:20
Uncertainty not 100% certain. This subject is missing hair. This is commonly done in
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ไธ็ขบๅฎŸๆ€งใฏ 100% ็ขบๅฎŸใงใฏใ‚ใ‚Šใพใ›ใ‚“ใ€‚ ใ“ใฎ่ขซๅ†™ไฝ“ใฏ ๆฏ›ใŒๆŠœใ‘ใฆใ„ใพใ™ใ€‚ ใ“ใ‚Œใฏไธ€่ˆฌ็š„ใซ่‹ฑ่ชžใง่กŒใ‚ใ‚Œใพใ™
04:29
spoken English instead of saying I guess you can just say guess guess she gave you things
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ใŒใ€็งใฏๆŽจๆธฌใ™ใ‚‹ใฎใงใฏใชใใ€ๅฝผๅฅณใŒใ‚ใชใŸ ใซ็งใŒๆŽจๆธฌใ—ใŸใ‚‚ใฎใ‚’ไธŽใˆใŸใจๆŽจๆธฌใ™ใ‚‹ใ“ใจใŒใงใใพใ™
04:37
I guess. She's
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. ๅฝผๅฅณใฏ
04:43
Late because she missed her bus. Okay, so you might be discussing why a co-worker is
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ใƒใ‚นใซไน—ใ‚Š้…ใ‚ŒใŸใฎใง้…ใ‚Œใพใ—ใŸใ€‚ ใงใฏใ€ใชใœ ๅŒๅƒšใŒใƒฌใ‚ชใชใฎใ‹ใซใคใ„ใฆ่ฉฑใ—ๅˆใฃใฆใ„ใ‚‹ใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ใŒ
04:51
Leo, I guess she's late because she missed her bus. You can also get rid of this part,
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ใ€ๅฝผๅฅณใฏใƒใ‚นใซไน—ใ‚Š้…ใ‚ŒใŸใŸใ‚ใซ้…ใ‚ŒใŸใฎใงใ—ใ‚‡ใ† ใ€‚ ใ“ใฎ้ƒจๅˆ†ใ‚’ๅ–ใ‚Š้™คใใ“ใจใ‚‚ใงใใพใ™ใ€‚
04:56
I guess, I guess she missed her bus. So the question could be why do you think Sarah is
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ใŠใใ‚‰ใใ€ๅฝผๅฅณใฏใƒใ‚นใซไน—ใ‚Š้…ใ‚ŒใŸใจๆ€ใ„ใพใ™ใ€‚ ใงใฏใ€ ่ณชๅ•ใฏใ€ใชใœใ‚ตใƒฉใŒ้…ใ‚Œใฆใ„ใ‚‹ใจๆ€ใ„ใพใ™ใ‹
05:02
late? I guess she missed her bus. You're not 100% certain. So there's some doubt or uncertainty.
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? ๅฝผๅฅณใฏใƒใ‚นใซไน—ใ‚Š้…ใ‚ŒใŸใ‚ˆใ†ใ ใ€‚ 100%็ขบๅฎŸใงใฏใ‚ใ‚Šใพใ›ใ‚“ใ€‚ ใใฎใŸใ‚ใ€็–‘ๅ•ใ‚„ไธ็ขบๅฎŸๆ€งใŒใ‚ใ‚Šใพใ™ใ€‚
05:11
There, I guess she missed her bus.
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ใใ“ใงใ€ๅฝผๅฅณใฏใƒใ‚นใซไน—ใ‚Š้…ใ‚ŒใŸใจๆ€ใ„ใพใ™ใ€‚
05:15
Old friend. Why are you so shy? Ain't like you to hold back or hide from the light. Let's
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ๅคใ„ๅ‹ไบบใ€‚ ใชใœใ‚ใชใŸใฏใจใฆใ‚‚ๆฅใšใ‹ใ—ใŒใ‚Šๅฑ‹ใงใ™ใ‹๏ผŸ ใ‚ใชใŸใŒๅ…‰ใ‹ใ‚‰่บซใ‚’้š ใ—ใŸใ‚Š้š ใ—ใŸใ‚Šใ™ใ‚‹ใฎใฏๅฅฝใใงใฏใ‚ใ‚Šใพใ›ใ‚“ใ€‚
05:26
talk about this word. I know students ask a lot of questions about the word ain't ain't
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ใ“ใฎ่จ€่‘‰ใซใคใ„ใฆ่ฉฑใ—ใพใ—ใ‚‡ใ†ใ€‚ ็งใฏๅญฆ็”ŸใŒใ‚ใชใŸใŒ็Ÿฅใ‚‹ๅฟ…่ฆใฏใชใ„ใจใ„ใ†่จ€่‘‰ใซใคใ„ใฆๅคšใใฎ่ณชๅ•ใ‚’ใ™ใ‚‹ใ“ใจใ‚’็Ÿฅใฃใฆใ„ใพใ™
05:34
you need to know. That ain't is slang. It is slang in spoken English. I don't use ain't
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. ใใ‚Œใฏใ‚นใƒฉใƒณใ‚ฐใงใฏใ‚ใ‚Šใพใ›ใ‚“ใ€‚ ๅฃ่ชž่‹ฑ่ชžใงใฎใ‚นใƒฉใƒณใ‚ฐใงใ™ใ€‚ ็งใฏใ‚ใพใ‚Šใ‚นใƒฉใƒณใ‚ฐใ‚’ไฝฟใ‚ใชใ„ใฎใงใ€็งใฎใ‚นใƒ”ใƒผใƒใงใฏ ain't ใ‚’ไฝฟ็”จใ—ใพใ›ใ‚“
05:42
in my speech because I don't really
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05:45
Ich with a lot of slang, and I don't recommend that you use it, to be honest. But the word
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ใ€‚ๆญฃ็›ดใซ่จ€ใ†ใจใ€ไฝฟ็”จใ™ใ‚‹ใ“ใจใฏใŠๅ‹งใ‚ใ—ใพใ›ใ‚“ ใ€‚ ใ—ใ‹ใ—ใ€ใ“ใฎๅ˜่ชžใฏ
05:55
ain't even though it's slang and I recommend avoiding it in spoken or written English,
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ใ‚นใƒฉใƒณใ‚ฐใงใฏใชใ ใ€่ฉฑใ—่จ€่‘‰ใพใŸใฏๆ›ธใ่จ€่‘‰ใงใฏ้ฟใ‘ใ‚‹ใ“ใจใ‚’ใŠๅ‹งใ‚ใ—ใพใ™ใ€‚
06:02
it is extremely common in music, extremely common, even with musicians who wouldn't use
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้Ÿณๆฅฝใงใฏ้žๅธธใซไธ€่ˆฌ็š„ใงใ‚ใ‚Šใ€้€šๅธธใฎใ‚นใƒ”ใƒผใƒใงใ‚นใƒฉใƒณใ‚ฐใ‚’ ไฝฟ็”จใ—ใชใ„ใƒŸใƒฅใƒผใ‚ธใ‚ทใƒฃใƒณใงใ‚‚้žๅธธใซไธ€่ˆฌ็š„ใงใ™
06:12
slang in their regular speech. They
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. ๅฝผใ‚‰ใฏ
06:16
We'll use it in music why it's simply because ain't is a one-syllable word and it's easier
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็งใŸใกใŒ้Ÿณๆฅฝใงใใ‚Œใ‚’ไฝฟ็”จใ™ใ‚‹็†็”ฑใฏใ€ ain'tใŒ1้Ÿณ็ฏ€ใฎๅ˜่ชžใงใ‚ใ‚Šใ€่จ€ใ„ใ‚„ใ™ใ„ใ‹ใ‚‰ใงใ‚ใ‚Šใ€
06:26
to say and in music the timing is very important. It's the Rhythm it's the beat of the song
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้Ÿณๆฅฝใงใฏใ‚ฟใ‚คใƒŸใƒณใ‚ฐใŒ้žๅธธใซ้‡่ฆใ ใ‹ใ‚‰ใงใ™. ใใ‚Œใฏใƒชใ‚บใƒ ใงใ‚ใ‚Šใ€ๆ›ฒใฎใƒ“ใƒผใƒˆใชใฎใงใ€ใใ†ใงใฏใชใ„ใจใ„ใ†
06:36
so it's just a lot easier to say the word ain't. Now in this case ain't means is not
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่จ€่‘‰ใ‚’่จ€ใ†ใฎใฏใšใฃใจ็ฐกๅ˜ใงใ™ ใ€‚ ใ“ใฎๅ ดๅˆใ€ain't ใฏ is not ใ‚’ๆ„ๅ‘ณใ—ใพใ™ใ€‚It
06:47
It isn't or is not which means isn't as a contraction. So notice isn't isn't two syllables.
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isn't or is not ใฏใ€is not ใ‚’็ธฎ็ด„ใจใ—ใฆๆ„ๅ‘ณใ—ใพใ™ ใ€‚ ใ—ใŸใŒใฃใฆใ€้€š็Ÿฅใฏ 2 ใคใฎ้Ÿณ็ฏ€ใงใฏใ‚ใ‚Šใพใ›ใ‚“ใ€‚
06:57
Ain't ain't one syllable rhythmically. It's easier to say ain't and it changes the sound
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ใƒชใ‚บใƒŸใ‚ซใƒซใซ 1 ใคใฎ้Ÿณ็ฏ€ใงใฏใ‚ใ‚Šใพใ›ใ‚“ใ€‚ ้•ใ†ใจ่จ€ใ†ใฎใฏ็ฐกๅ˜ใงใ™ใ—ใ€ๆ›ฒใฎใ‚ตใ‚ฆใƒณใƒ‰ใ‚’ๅค‰ใˆใฆใ—ใพใ†ใฎใงใ€
07:05
of the song and that's why it's just very common in music. It isn't like you to hold
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้Ÿณๆฅฝใงใฏใ‚ˆใใ‚ใ‚‹ใ“ใจใชใฎใงใ™ใ€‚ ๆˆ‘ๆ…ขใ™ใ‚‹ใฎใฏๅฅฝใใ˜ใ‚ƒใชใ„
07:14
back ain't like
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07:15
Like you to hold back again. I don't recommend using it in spoken English but you will hear
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ใ‚‚ใ†ไธ€ๅบฆๆˆ‘ๆ…ขใ™ใ‚‹ใฎใฏๅฅฝใใ˜ใ‚ƒใชใ„ใ€‚ ่‹ฑ่ชžใงใฎไฝฟ็”จใฏใŠๅ‹งใ‚ใ—ใพใ›ใ‚“ ใŒใ€
07:21
it all the time in music. What is it mean to hold back?
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้Ÿณๆฅฝใงใฏๅธธใซ่žใ“ใˆใพใ™ใ€‚ ๆŽงใˆใ‚‹ใจใฏใฉใ†ใ„ใ†ๆ„ๅ‘ณใงใ™ใ‹ ใ€‚
07:30
This is when you stop yourself from showing any emotion or you. Stop yourself from sharing
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ใ“ใ‚Œใฏใ€ ๆ„Ÿๆƒ…ใ‚„่‡ชๅˆ†ใ‚’่ฆ‹ใ›ใ‚‹ใฎใ‚’ใ‚„ใ‚ใ‚‹ใจใใงใ™ใ€‚ ่‡ชๅˆ†ใฎๆ„่ฆ‹ใ‚’ๅ…ฑๆœ‰ใ™ใ‚‹ใฎใ‚’ใ‚„ใ‚ใฆใใ ใ•ใ„
07:40
your opinion. For example, I held back my anger in the meeting today. If we're talking
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ใ€‚ ใŸใจใˆใฐใ€ ไปŠๆ—ฅใฎไผš่ญฐใงๆ€’ใ‚Šใ‚’ๆŠ‘ใˆใพใ—ใŸใ€‚ ๆ„Ÿๆƒ…ใซใคใ„ใฆ่ฉฑใ—ใฆใ„ใ‚‹ๅ ดๅˆ
07:49
about an emotion, you would identify the emotion. I held back my anger, my frustration, my jealousy.
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ใ€ๆ„Ÿๆƒ…ใ‚’่ญ˜ๅˆฅใ—ใพใ™ใ€‚ ็งใฏๆ€’ใ‚Šใ€ๆฌฒๆฑ‚ไธๆบ€ใ€ๅซ‰ๅฆฌใ‚’ๆŠ‘ใˆใพใ—ใŸใ€‚
08:00
Generally, it's negative emotions because generally we want to share positive emotions
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้€šๅธธใ€ ็งใŸใกใฏใƒใ‚ธใƒ†ใ‚ฃใƒ–ใชๆ„Ÿๆƒ…ใ‚’ๅ…ฑๆœ‰ใ—ใŸใ„ใฎใงใ™ใŒใ€
08:08
but you might hold back your Delight. If you got promoted and your coworker also wanted
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ๅ–œใณใ‚’ๆŠ‘ใˆใฆใ—ใพใ†ๅฏ่ƒฝๆ€งใŒใ‚ใ‚‹ใŸใ‚ใ€ใƒใ‚ฌใƒ†ใ‚ฃใƒ–ใชๆ„Ÿๆƒ…ใงใ™ใ€‚ ใ‚ใชใŸใŒ ๆ˜‡้€ฒใ—ใ€ๅŒๅƒšใ‚‚ๆ˜‡้€ฒใ‚’ๆœ›ใ‚“ใงใ„ใŸใŒ
08:18
the promotion, but your coworker didn't get the promotion. You got it. You might hold
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ใ€ๅŒๅƒšใŒ ๆ˜‡้€ฒใ—ใชใ‹ใฃใŸๅ ดๅˆใ€‚ ไบ†่งฃใ—ใพใ—ใŸใ€‚ ็›ธๆ‰‹ใ‚’ไธๅฟซใซใ•ใ›ใŸใใชใ„
08:23
back, your excitement, your happiness, because you don't want to make the other person feel
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ใฎใงใ€่‡ชๅˆ†ใฎ่ˆˆๅฅฎใ‚„ๅนธใ›ใ‚’ใŸใ‚ใ‚‰ใ†ใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“
08:29
bad. So it
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ใ€‚ ใใฎใŸใ‚ใ€
08:30
is common to hold back a positive emotion, but it is more generally used with negative
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ใƒใ‚ธใƒ†ใ‚ฃใƒ–ใชๆ„Ÿๆƒ…ใ‚’ๆŠ‘ใˆใ‚‹ใฎใŒไธ€่ˆฌ็š„ใงใ™ ใŒใ€ใ‚ˆใ‚Šไธ€่ˆฌ็š„ใซใฏใƒใ‚ฌใƒ†ใ‚ฃใƒ–ใชๆ„Ÿๆƒ…ใงไฝฟ็”จใ•ใ‚Œใพใ™
08:36
emotions. Now, in this case, if you just use it in a general context, you should have held
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. ใ•ใฆใ€ใ“ใฎๅ ดๅˆใ€ ไธ€่ˆฌ็š„ใชๆ–‡่„ˆใงไฝฟ็”จใ™ใ‚‹ใ ใ‘ใชใ‚‰ใ€ๆŽงใˆใ‚‹ในใใงใ—ใŸ
08:44
back. It means you shouldn't have shared your opinion. You shouldn't have shared your opinion,
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ใ€‚ ่‡ชๅˆ†ใฎๆ„่ฆ‹ใ‚’่จ€ใ†ในใใงใฏใชใ‹ใฃใŸใจใ„ใ†ใ“ใจใงใ™ ใ€‚ ใ‚ใชใŸใฏ่‡ชๅˆ†ใฎๆ„่ฆ‹ใ€่‡ชๅˆ†ใฎๆ„่ฆ‹ใ‚’ๅ…ฑๆœ‰ใ™ในใใงใฏใ‚ใ‚Šใพใ›ใ‚“ใงใ—ใŸ
08:57
your opinion. Now, notice you
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ใ€‚ ใ“ใ“ใงใ€
09:00
Should have held back seeing this positively means. You shouldn't have shared your opinion
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ใ“ใ‚ŒใŒ่‚ฏๅฎš็š„ใชๆ„ๅ‘ณใงใ‚ใ‚‹ใ“ใจใ‚’็†่งฃใ™ใ‚‹ใฎใ‚’ๆŽงใˆใ‚‹ในใใ ใฃใŸใ“ใจใซๆณจๆ„ใ—ใฆใใ ใ•ใ„ ใ€‚ ่‡ชๅˆ†ใฎๆ„่ฆ‹ใ‚’ๅ…ฑๆœ‰ใ™ในใใงใฏใ‚ใ‚Šใพใ›ใ‚“ใงใ—ใŸ
09:09
because if you didn't hold back, it means you did share your opinion. So we're in a
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ใ€‚ ใใ‚Œใงใ€็งใŸใกใฏ
09:18
meeting and I say, you know what, everyone, I think this project is a terrible idea. Why
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ไผš่ญฐใซๅ‡บๅธญใ—ใฆใ„ใฆใ€็š†ใ•ใ‚“ใ€ใ”ๅญ˜็Ÿฅใฎใ‚ˆใ†ใซใ€ ใ“ใฎใƒ—ใƒญใ‚ธใ‚งใ‚ฏใƒˆใฏใฒใฉใ„่€ƒใˆใ ใจๆ€ใ„ใพใ™. ใชใœ
09:25
are we even doing this? Just now, I didn't hold back.
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็งใŸใกใฏใ“ใ‚Œใ‚’ใ—ใฆใ„ใ‚‹ใฎใงใ™ใ‹๏ผŸ ไปŠใ€็งใฏๆˆ‘ๆ…ขใ—ใพใ›ใ‚“ใงใ—ใŸ ใ€‚
09:31
Back, I shared my opinion. Now, my coworker might see. Why did you see that Jennifer,
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ๆˆปใฃใฆใ€็งใฏ่‡ชๅˆ†ใฎๆ„่ฆ‹ใ‚’ๅ…ฑๆœ‰ใ—ใพใ—ใŸใ€‚ ไปŠใ€็งใฎๅŒๅƒšใŒ ่ฆ‹ใ‚‹ใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ใ€‚ ใฉใ†ใ—ใฆใ‚ธใ‚งใƒ‹ใƒ•ใ‚กใƒผใ€
09:37
you should have held back, you shouldn't have shared your opinion.
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ใ‚ใชใŸใฏๆŽงใˆใ‚‹ในใใ ใฃใŸใ€่‡ชๅˆ†ใฎ ๆ„่ฆ‹ใ‚’่จ€ใ†ในใใงใฏใชใ‹ใฃใŸใจๆ€ใฃใŸใฎ๏ผŸ
09:42
So, Adele is saying that it's not like her ex-boyfriend to either, not share his emotions,
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ใ ใ‹ใ‚‰ใ€ใ‚ขใƒ‡ใƒซใฏใ€่‡ชๅˆ†ใฎๆ„Ÿๆƒ…ใ‚’ๅˆ†ใ‹ใกๅˆใ‚ใชใ„ใ“ใจใ‚‚ใ€ๆ„่ฆ‹ใ‚’ๅˆ†ใ‹ใกๅˆใ†ใ“ใจใ‚‚ใ€ๅฝผๅฅณใฎๅ…ƒใ‚ซใƒฌใฎใ‚ˆใ†ใงใฏใชใ„ใจ่จ€ใฃใฆใ„ใพใ™
09:55
or not, share his opinion. So maybe they're talking, but he isn't really discussing his
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. ๅฝผใ‚‰ใฏ่ฉฑใ—ใฆใ„ใ‚‹ใฎใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ใŒ ใ€ๅฝผใฏๆ–ฐใ—ใ„ไบบ็”Ÿใซใคใ„ใฆๆ–ฐใ—ใ„ๅฆปใจ่ฉฑใ—ๅˆใฃใฆใ„ใ‚‹ใ‚ใ‘ใงใฏใ‚ใ‚Šใพใ›ใ‚“
10:02
new life with his new wife. His new house is new kids, things like that.
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ใ€‚ ๅฝผใฎๆ–ฐใ—ใ„ๅฎถใฏ ๆ–ฐใ—ใ„ๅญไพ›ใŸใกใงใ™ใ€‚
10:10
Let's continue on. I hate to turn up out of the blue. Okay, right here, we have a phrasal
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็ถšใ‘ใพใ—ใ‚‡ใ†ใ€‚ ็งใฏ็ช็„ถ็พใ‚Œใ‚‹ใฎใŒๅซŒใ„ใงใ™ ใ€‚ ใ‚ใ‹ใ‚Šใพใ—ใŸใ€ใ“ใ“ใซๅฅๅ‹•่ฉžใŒใ‚ใ‚Šใ€
10:17
verb to turn up and we have an idiom out of the blue out of the blue means unexpected
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ใ‚คใƒ‡ใ‚ฃใ‚ชใƒ ใŒใ‚ใ‚Šใพใ™ ็ช็„ถ ็ช็„ถ ไบˆๆœŸใ—ใชใ„ ไบˆๆœŸใ—ใชใ„
10:27
unexpected. Now she says, Uninvited, but it's almost implied with the expression out of
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. ไปŠๅฝผๅฅณใฏ่จ€ใ„ใพใ™ใ€ใ€Œๆ‹›ใ‹ใ‚Œใ–ใ‚‹่€…ใ€ใงใ™ใŒใ€ใใ‚Œใฏ็ช็„ถใฎ ่กจ็พใงใปใจใ‚“ใฉๆš—็คบใ•ใ‚Œใฆใ„ใพใ™
10:37
the blue because
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10:38
If you turn up, which I should tell you what, this means I hate to turn up. This just means
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ใ€‚ ใ“ใ‚Œใฏ
10:46
arrived at a place. Now most likely Adele turned up at her ex-boyfriend's house. Knock,
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ใ‚ใ‚‹ๅ ดๆ‰€ใซๅˆฐ็€ใ—ใŸใ“ใจใ‚’ๆ„ๅ‘ณใ—ใพใ™ใ€‚ ใ‚ขใƒ‡ใƒซใŒ ๅ…ƒใ‚ซใƒฌใฎๅฎถใซ็พใ‚ŒใŸๅฏ่ƒฝๆ€งใŒๆœ€ใ‚‚้ซ˜ใ„. ใƒŽใƒƒใ‚ฏใ€
10:58
knock,
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ใƒŽใƒƒใ‚ฏใ€
10:59
Oh my God, it's my ex-girlfriend out of the blue. I wasn't expecting to see my ex-girlfriend
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ใ‚ชใƒผใƒžใ‚คใ‚ดใƒƒใƒ‰ใ€ใใ‚Œใฏ็งใฎๅ…ƒใ‚ฌใƒผใƒซใƒ•ใƒฌใƒณใƒ‰ใงใ™ ใ€‚
11:09
at my house, which I own with my new wife, right? So she arrived at a place, we don't
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ๆ–ฐใ—ใ„ๅฆปใจไธ€็ท’ใซๆ‰€ๆœ‰ใ—ใฆใ„ใ‚‹็งใฎๅฎถใงๅ…ƒใ‚ซใƒŽใซไผšใ†ใจใฏๆ€ใฃใฆใ„ใพใ›ใ‚“ใงใ—ใŸใ‚ˆ ใญ? ใใ‚Œใงๅฝผๅฅณใฏใ‚ใ‚‹ๅ ดๆ‰€ใซใŸใฉใ‚Š็€ใใพใ—ใŸใ€‚ใใฎ
11:18
know what the place is, but most likely it's his house. It could also be his work, it could
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ๅ ดๆ‰€ใŒไฝ•ใงใ‚ใ‚‹ใ‹ใฏใ‚ใ‹ใ‚Šใพใ›ใ‚“ใŒใ€ใŠใใ‚‰ใ ๅฝผใฎๅฎถใงใ™ใ€‚ ใใ‚Œใฏๅฝผใฎไฝœๅ“ใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ใ—ใ€
11:24
be his favorite restaurant. And she knows, he goes to
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ๅฝผใฎใŠๆฐ—ใซๅ…ฅใ‚Šใฎใƒฌใ‚นใƒˆใƒฉใƒณใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ใ€‚ ใใ—ใฆใ€ๅฝผๅฅณใฏ็Ÿฅใฃใฆใ„ใพใ™ใ€ ๅฝผใฏๆฏŽ้€ฑ
11:30
Restaurant every Friday night and Adele turned up out of the blue. She arrived at that restaurant
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้‡‘ๆ›œๆ—ฅใฎๅคœใซใƒฌใ‚นใƒˆใƒฉใƒณใซ่กŒใใ€ใ‚ขใƒ‡ใƒซใฏ ็ช็„ถ็พใ‚Œใพใ—ใŸ. ๅฝผๅฅณใฏๅฝผใŒใใ“ใซใ„ใ‚‹ใ“ใจใ‚’็Ÿฅใฃใฆใ„ใŸใฎใงใ€ใใฎใƒฌใ‚นใƒˆใƒฉใƒณใซๅˆฐ็€ใ—ใพใ—ใŸ
11:37
because she knew he would be there. And it was unexpected. He did not know she was going
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ใ€‚ ใใ—ใฆใ€ใใ‚Œใฏ ไบˆๆƒณๅค–ใงใ—ใŸใ€‚ ๅฝผใฏๅฝผๅฅณใŒๆ‹›ๅพ…ใ•ใ‚Œใฆ
11:44
to come Uninvited, but I couldn't stay away. I couldn't fight it. So if you stay away,
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ใ„ใชใ„ใฎใซๆฅใ‚‹ใ“ใจใ‚’็Ÿฅใ‚‰ใชใ‹ใฃใŸใŒใ€็งใฏ้›ขใ‚Œใฆใ„ใ‚‰ใ‚Œใชใ‹ใฃใŸใ€‚ ็งใฏใใ‚Œใ‚’ๆˆฆใ†ใ“ใจใŒใงใใพใ›ใ‚“ใงใ—ใŸใ€‚ ใงใ™ใ‹ใ‚‰ใ€ใ‚ใชใŸใŒ้›ขใ‚Œใฆใ„ใ‚‹ใจใ„ใ†ใ“ใจใฏใ€
11:51
it means you leave him alone. You don't turn up and you don't turn up out of the blue,
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ๅฝผใ‚’ๆ”พใฃใฆใŠใใจใ„ใ†ใ“ใจใงใ™ใ€‚ ใ‚ใชใŸใฏ ็พใ‚Œใพใ›ใ‚“ใ—ใ€็ช็„ถ็พใ‚Œใพใ›ใ‚“ใ€‚
11:58
which means
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ใคใพใ‚Šใ€
11:59
Pected. So of course, she didn't say hey, I'm coming over if she texted him and said
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Pected ใงใ™ใ€‚ ใ ใ‹ใ‚‰ใ‚‚ใกใ‚ใ‚“ใ€ๅฝผๅฅณใŒๅฝผใซใƒ†ใ‚ญใ‚นใƒˆใƒกใƒƒใ‚ปใƒผใ‚ธใ‚’้€ใฃใฆใ€็งใŒ ใ‚„ใฃใฆใใ‚‹ใจ่จ€ใฃใŸใชใ‚‰ใ€ใ‚„ใ‚ใ€็งใฏใ‚„ใฃใฆใใ‚‹ใจใฏ
12:06
I'm coming over that isn't out of the blue because it's expected. Now we use out of the
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่จ€ใ„ใพใ›ใ‚“ใงใ—ใŸใ€‚ ไปŠใ€็งใŸใกใฏๆ€ใ„ใŒใ‘ใšใŸใใ•ใ‚“ไฝฟใ„ใพใ™
12:13
blue, a lot. You might say, my boss gave me a promotion out of the blue, which is a really
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ใ€‚ ใ‚ใชใŸใฏ่จ€ใ†ใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ใŒใ€็งใฎไธŠๅธใฏ็ช็„ถ็งใ‚’ๆ˜‡้€ฒใ•ใ›ใพใ—ใŸ ใ€‚ใใ‚Œใฏๆœฌๅฝ“ใซ
12:26
good thing, right? My boss gave me a promotion out of the blue
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่‰ฏใ„ใ“ใจใงใ™ใ‚ˆใญ? ็งใฎไธŠๅธใฏ็ช็„ถ็งใซๆ˜‡้€ฒใ‚’ไธŽใˆใฆใใ‚Œใพใ—ใŸ
12:29
Ooh, which means I wasn't expecting it. I didn't know that he was giving promotions
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ใ€‚ ๅฝผใŒ่ชฐใ‹ใ‚’ ๅฎฃไผใ—ใฆใ„ใ‚‹ใจใฏ็Ÿฅใ‚Šใพใ›ใ‚“ใงใ—ใŸ
12:35
to anyone. He didn't mention that out of the blue out of the blue, notice the pronunciation
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ใ€‚ ๅฝผใฏใ€ ็ช็„ถใ€ใ“ใฎ็™บ้Ÿณใซๆณจๆ„ใ—ใฆใใ ใ•ใ„
12:42
of this, because we really combine, these two words to sound like OTA OTA out of the
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ใ€‚ใชใœใชใ‚‰ใ€ใ“ใ‚Œใ‚‰ใฎ 2 ใคใฎๅ˜่ชžใŒๅฎŸ้š›ใซ็ต„ใฟๅˆใ‚ใ•ใฃใฆใ€็ช็„ถใ€็ช็„ถ OTA OTA ใฎใ‚ˆใ†ใซ่žใ“ใˆใ‚‹ใ“ใจใซใฏ่จ€ๅŠใ—ใฆใ„ใพใ›ใ‚“ใงใ—ใŸ
12:49
blue out of the blue. My boss gave me a promotion out of the blue out of the blue.
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ใ€‚ ็งใฎไธŠๅธใฏ็ช็„ถ็งใซๆ˜‡้€ฒใ‚’ไธŽใˆใพใ—ใŸ ใ€‚
12:55
All right, let's continue on. I had hoped you'd see my face and that you'd be reminded.
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ใ‚ˆใ—ใ€็ถšใ‘ใ‚ˆใ†ใ€‚ ใ‚ใชใŸใŒ็งใฎ้ก”ใ‚’่ฆ‹ใฆๆ€ใ„ๅ‡บใ—ใฆใใ‚Œใ‚‹ใ“ใจใ‚’้ก˜ใฃใฆใ„ใพใ—ใŸใ€‚
13:03
Okay, so Adele turns up, she arrives at his house and she had hoped that her boyfriend,
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ใ•ใฆใ€ใ‚ขใƒ‡ใƒซใŒ็พใ‚Œใ€ๅฝผๅฅณใฏๅฝผใฎๅฎถใซๅˆฐ็€ใ—ใ€ ๅฝผๅฅณใฎใƒœใƒผใ‚คใƒ•ใƒฌใƒณใƒ‰ใ€ๅฝผๅฅณใฎ
13:13
her ex-boyfriend would see her and be like, I miss you, I miss you. I'm so happy you're
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ๅ…ƒใƒœใƒผใ‚คใƒ•ใƒฌใƒณใƒ‰ใŒๅฝผๅฅณใซไผšใฃใฆใ€ ็งใฏใ‚ใชใŸใŒใ„ใชใใฆๅฏ‚ใ—ใ„ใ€็งใฏใ‚ใชใŸใŒใ„ใชใใฆๅฏ‚ใ—ใ„ใจๆ€ใฃใฆใ„ใพใ—ใŸใ€‚ ใ‚ใชใŸใŒใ“ใ“ใซใ„ใ‚‹ใ“ใจใ‚’ใจใฆใ‚‚ใ†ใ‚Œใ—ใๆ€ใ„ใพใ™
13:21
here because you'd be reminded
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13:26
Ended. So, when you're reminded of something, or someone you have memories of them, so maybe
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ใ€‚ ใ ใ‹ใ‚‰ใ€ใ‚ใชใŸใŒไฝ•ใ‹ใ‚’ๆ€ใ„ๅ‡บใ—ใŸใจใใ€ ใพใŸใฏใ‚ใชใŸใŒๅฝผใ‚‰ใฎๆ€ใ„ๅ‡บใ‚’ๆŒใฃใฆใ„ใ‚‹ไบบใ‚’ๆ€ใ„ๅ‡บใ—ใŸใจใใ€ใŠใใ‚‰ใ
13:34
her ex-boyfriend he sees her and then all of a sudden, these positive memories come
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ๅฝผๅฅณใฎๅ…ƒใƒœใƒผใ‚คใƒ•ใƒฌใƒณใƒ‰ใŒๅฝผๅฅณใซไผšใ„ใ€ ็ช็„ถใ€ใ“ใ‚Œใ‚‰ใฎๅ‰ๅ‘ใใชๆ€ใ„ๅ‡บใŒๅฝผใซๆˆปใฃใฆใใพใ™
13:42
back to him.
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.
13:44
That for me, it isn't over. So, by saying it isn't over Adele, is saying she still has
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ใใ‚Œใฏ็งใซใจใฃใฆใ€ใพใ ็ต‚ใ‚ใฃใฆใ„ใพใ›ใ‚“ใ€‚ ใ ใ‹ใ‚‰ใ€ ใ‚ขใƒ‡ใƒซใฏ็ต‚ใ‚ใฃใฆใ„ใชใ„ใจ่จ€ใ†ใ“ใจใงใ€ๅฝผๅฅณใฏใพใ ใ“ใฎ็”ทใซๆ„Ÿๆƒ…ใ‚’ๆŒใฃใฆใ„ใ‚‹ใจ่จ€ใฃใฆใ„ใ‚‹.
13:52
feelings for this man, she's still in love with him because we use this a lot in a romantic
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ๅฝผๅฅณใฏใพใ  ๅฝผใซๆ‹ใ‚’ใ—ใฆใ„ใ‚‹ใจ่จ€ใฃใฆใ„ใ‚‹
14:00
context, it's over, it's over. If I say to you, this to you, what am I doing? It's over.
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. ็งใŒใ‚ใชใŸใซใ€ใ“ใ‚Œใ‚’ใ‚ใชใŸใซ่จ€ใ†ใจใ—ใŸใ‚‰ ใ€็งใฏไฝ•ใ‚’ใ—ใฆใ„ใพใ™ใ‹๏ผŸ ็ต‚ใ‚ใ‚Šใพใ—ใŸใ€‚
14:07
I'm ending our relationship. So, this is used to
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็งใฏ็งใŸใกใฎ้–ขไฟ‚ใ‚’็ต‚ใ‚ใ‚‰ใ›ใฆใ„ใพใ™ใ€‚ ใ ใ‹ใ‚‰ใ€ใ“ใ‚Œใฏใƒญใƒžใƒณใƒใƒƒใ‚ฏใช้–ขไฟ‚ใซๆ…ฃใ‚Œใฆใ„ใพใ™
14:13
And romantic relationship. It's over, it's over.
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ใ€‚ ็ต‚ใ‚ใฃใŸใ€ ็ต‚ใ‚ใฃใŸใ€‚
14:21
But it does. The thing for me it isn't over. I still love you, I still have feelings for
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ใ—ใ‹ใ—ใ€ใใ†ใงใ™ใ€‚ ็งใซใจใฃใฆใ€ใใ‚Œใฏ็ต‚ใ‚ใฃใฆใ„ใพใ›ใ‚“ใ€‚ ็งใฏใพใ ใ‚ใชใŸใ‚’ๆ„›ใ—ใฆใ„ใพใ™ใ€็งใฏใพใ ใ‚ใชใŸใธใฎๆฐ—ๆŒใกใ‚’ๆŒใฃใฆใ„ใพใ™
14:27
you.
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ใ€‚
14:29
Never mind. I'll find someone like you. So now the song although she's confessing emitting,
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ใฉใ†ใงใ‚‚ใ€‚ ใ‚ใชใŸใฎใ‚ˆใ†ใชไบบใ‚’่ฆ‹ใคใ‘ใพใ™ใ€‚ ใ ใ‹ใ‚‰ ไปŠใ€ๅฝผๅฅณใฏ็™บใ—ใฆใ„ใ‚‹ๆญŒใ‚’ๅ‘Š็™ฝใ—ใฆใ„ใพใ™ใŒใ€
14:39
she still loves this man. Now, she's changing to saying, I'll find someone like you. So
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ๅฝผๅฅณใฏใพใ ใ“ใฎ็”ทใ‚’ๆ„›ใ—ใฆใ„ใพใ™. ไปŠใ€ๅฝผๅฅณใฏใ€Œ ใ‚ใชใŸใฎใ‚ˆใ†ใชไบบใ‚’่ฆ‹ใคใ‘ใพใ™ใ€ใจ่จ€ใ„ๅง‹ใ‚ใฆใ„ใพใ™ใ€‚ ใ ใ‹ใ‚‰
14:47
I'll find another man who has the same characteristics personality. Maybe even appearance that you
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็งใฏๅŒใ˜็‰นๅพดใฎๆ€งๆ ผใ‚’ๆŒใคๅˆฅใฎ็”ทใ‚’่ฆ‹ใคใ‘ใพใ™ . ใŸใถใ‚“ใ‚ใชใŸใŒ
14:56
have. I wish nothing.
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ๆŒใฃใฆใ„ใ‚‹ๅค–่ฆ‹ใ•ใˆใ€‚ ็งใฏไฝ•ใ‚‚ๆœ›ใฟใพใ›ใ‚“ใ€‚
14:58
But the best for you, don't forget me. I beg. So, when you beg, you're saying please, please
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ใ—ใ‹ใ—ใ€ใ‚ใชใŸใซใจใฃใฆๆœ€ๅ–„ใฎใ“ใจใฏใ€็งใ‚’ๅฟ˜ใ‚Œใชใ„ใงใใ ใ•ใ„ใ€‚ ใŠ้ก˜ใ„ใ—ใพใ™ใ€‚ ใงใ™ใ‹ใ‚‰ใ€ใŠ้ก˜ใ„ใ™ใ‚‹ใจใใฏใ€ใŠ้ก˜ใ„ใ—ใพใ™ใ€ใŠ้ก˜ใ„
15:08
please. So this is a verb to bag. You might say,
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ใ—ใพใ™ใจ่จ€ใฃใฆใ„ใ‚‹ใฎใงใ™ใ€‚ ใ ใ‹ใ‚‰ใ€ใ“ใ‚Œใฏ่ข‹ใซๅ…ฅใ‚Œใ‚‹ๅ‹•่ฉžใงใ™ใ€‚ ใ€Œ
15:13
I begged my boss to let me leave early today, but he said, no.
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ไปŠๆ—ฅใฏๆ—ฉใๅธฐใ‚‰ใ›ใฆใใ‚ŒใจไธŠๅธใซ้ ผใ‚“ใ ใฎใซใ€ไธŠๅธใฏ ใƒŽใƒผใจ่จ€ใฃใŸใ€ใจ่จ€ใ†ใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ใ€‚
15:27
Children beg their parents all the time. Oh, please please. Can you buy me? This, can you
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ๅญไพ›ใŸใกใฏใ„ใคใ‚‚ไธก่ฆชใซ็‰ฉไนžใ„ใ‚’ใ—ใพใ™ใ€‚ ใ‚ใ€ ใŠ้ก˜ใ„ใ—ใพใ™ใ€‚ ็งใ‚’่ฒทใฃใฆใ‚‚ใ‚‰ใˆใพใ™ใ‹๏ผŸ ใ“ใ‚Œใ€
15:34
take me here? Can you do this? For me, children commonly beg adults. It's not, I guess as
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ใ“ใ“ใซ้€ฃใ‚Œใฆ่กŒใฃใฆใใ‚Œใ‚‹๏ผŸ ใ‚ใชใŸใฏใ“ใ‚ŒใŒใงใใพใ™ใ‹๏ผŸ ็งใซใจใฃใฆใ€ๅญไพ›ใŸใกใฏ ๅคงไบบใซ็‰ฉไนžใ„ใ‚’ใ™ใ‚‹ใ“ใจใŒๅคšใ„ใงใ™ใ€‚ ใใ†ใงใฏใ‚ใ‚Šใพใ›ใ‚“ใŒใ€
15:44
common to beg, but still possible. I begged my boss. To let me leave. Notice you beg someone
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็‰ฉไนžใ„ใ‚’ใ™ใ‚‹ใฎใฏไธ€่ˆฌ็š„ใ ใจๆ€ใ„ใพใ™ใŒใ€ใใ‚Œใงใ‚‚ๅฏ่ƒฝใงใ™ใ€‚ ็งใฏไธŠๅธใซๆ‡‡้ก˜ใ—ใŸ ใ€‚ ็งใ‚’ๅŽปใ‚‰ใ›ใ‚‹ใŸใ‚ใซใ€‚ ่ชฐใ‹ใซไฝ•ใ‹ใ‚’้ ผใ‚“ใงใ„ใ‚‹ใ“ใจใซๆณจๆ„ใ—ใฆใใ ใ•ใ„
15:53
to do something. That's the
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ใ€‚ ใใ‚ŒใŒ
15:56
Structure. So you might say my kids have been begging me to take them to Disney World. This
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ๆง‹้€ ใงใ™ใ€‚ ใ ใ‹ใ‚‰ใ€็งใฎๅญไพ›ใŸใกใฏ ็งใซใƒ‡ใ‚ฃใ‚บใƒ‹ใƒผใƒฏใƒผใƒซใƒ‰ใซ้€ฃใ‚Œใฆ่กŒใฃใฆใใ‚Œใ‚‹ใ‚ˆใ†้ ผใ‚“ใงใ„ใ‚‹ใจ่จ€ใ†ใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“. ใ“ใ‚Œใฏใ€
16:09
is something that I personally begged my dad to do over and over again as a child and he
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็งใŒๅญไพ›ใฎ้ ƒใซไฝ•ๅบฆใ‚‚ไฝ•ๅบฆใ‚‚็ˆถใซ้ ผใ‚“ใ ใ“ใจใงใ‚ใ‚Šใ€ ๅฝผใฏ
16:18
never did take me to Disney World so it did not work. It was not successful for me but
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็งใ‚’ใƒ‡ใ‚ฃใ‚บใƒ‹ใƒผใƒฏใƒผใƒซใƒ‰ใซ้€ฃใ‚Œใฆ่กŒใ‹ใชใ‹ใฃใŸใฎใงใ€ใ†ใพใ ใ„ใใพใ›ใ‚“ใงใ—ใŸ. ็งใซใจใฃใฆใฏๆˆๅŠŸใ—ใพใ›ใ‚“ใงใ—ใŸใŒใ€
16:25
who knows maybe it's successful for.
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ใŠใใ‚‰ใๆˆๅŠŸใ—ใฆใ„ใ‚‹ใจใฏๆ€ใ„ใพใ›ใ‚“ใ€‚
16:27
And then, so how do you beg? You just simply asked over and over again or you try to provide
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ใใ—ใฆใ€ใฉใ†ใ‚„ใฃใฆ้ ผใ‚€ใฎใงใ™ใ‹๏ผŸ ไฝ•ๅบฆใ‚‚ไฝ• ๅบฆใ‚‚่ณชๅ•ใ—ใŸใ‚Šใ€ใ•ใพใ–ใพใช็†็”ฑใ‚’ๆไพ›ใ—ใ‚ˆใ†ใจใ—ใŸใ‚Šใ—ใพใ—ใŸใŒ
16:35
different reasons, why? I'll remember you said, sometimes it lasts in love, but sometimes
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ใ€ใชใœใงใ™ใ‹? ใ‚ใชใŸใŒ่จ€ใฃใŸใ“ใจใ‚’่ฆšใˆใฆใ„ใพใ™
16:44
it hurts instead. So that's a very poetic thing to say. If it lasts, obviously it means
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ใ€‚ ใจใฆใ‚‚่ฉฉ็š„ใช่จ€ใ„ๆ–นใงใ™ ใ€‚ ใใ‚ŒใŒ็ถšใๅ ดๅˆใ€ใใ‚Œใฏๆ˜Žใ‚‰ใ‹ใซใ€
16:51
your you stay together as a couple if it hurts. It's
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ใใ‚ŒใŒ็—›ใ„ๅ ดๅˆใฏใ‚ซใƒƒใƒ—ใƒซใจใ—ใฆไธ€็ท’ใซใ„ใ‚‹ใ“ใจใ‚’ๆ„ๅ‘ณใ—ใพใ™. ใใ‚Œใฏ
16:56
Because the relationship is over and he said, it's over, it's over, and then she repeats
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้–ขไฟ‚ใŒ็ต‚ใ‚ใฃใŸใ‹ใ‚‰ใงใ‚ใ‚Šใ€ๅฝผใฏ่จ€ใฃใŸใ€ ใใ‚Œใฏ็ต‚ใ‚ใฃใŸใ€ใใ‚Œใฏ็ต‚ใ‚ใฃใŸใ€ใใ—ใฆๅฝผๅฅณใฏ
17:07
it, sometimes it lasts, but sometimes it hurts. Instead, you know how the time flies? I think
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ใใ‚Œใ‚’็นฐใ‚Š่ฟ”ใ™ใ€ๆ™‚ใซใฏใใ‚Œใฏ็ถšใใŒใ€ๆ™‚ใซใฏใใ‚Œใฏ็—›ใ„. ไปฃใ‚ใ‚Šใซใ€ๆ™‚้–“ใฎ็ตŒ้Žใ‚’็Ÿฅใฃใฆใ„ใพใ™ใ‹๏ผŸ ๆฏๅ›ฝ่ชžใซใ‚‚ใ‚ใ‚‹ใฎใงใ€
17:14
a lot of students know this expression because they have it in their own native language
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ๅคšใใฎๅญฆ็”Ÿใฏใ“ใฎ่กจ็พใ‚’็Ÿฅใฃใฆใ„ใ‚‹ใจๆ€ใ„ใพใ™
17:19
as well, but when time flies, this is an idiom to Simply say that time moves, very
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ใŒใ€ๆ™‚ใŒ็ตŒใคใซใคใ‚Œใฆใ€ใ“ใ‚Œใฏๅ˜ใซ่จ€ใ†ใ“ใจใฎใ‚คใƒ‡ใ‚ฃใ‚ชใƒ ใงใ™
17:27
Quickly time flies. So if you're working on a project and then all of a sudden you look
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ใ€‚ ใŸใจใˆใฐใ€ใ‚ใ‚‹ใƒ—ใƒญใ‚ธใ‚งใ‚ฏใƒˆใซๅ–ใ‚Š็ต„ใ‚“ใงใ„ใ‚‹ใจใใซใ€ ็ช็„ถ
17:35
at your watch and it's five hours later. You can say, wow, time flies time flies only yesterday
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ๆ™‚่จˆใ‚’่ฆ‹ใ‚‹ใจ 5 ๆ™‚้–“ๅพŒใงใ™ใ€‚ ใ‚ใชใŸใฏ ่จ€ใ†ใ“ใจใŒใงใใพใ™ใ€ใ†ใ‚ใƒผใ€ๆ™‚ใฏ้ŽใŽใพใ™ๆ™‚ใฏ้ŽใŽใพใ™ๆ˜จๆ—ฅใ ใ‘ใฏ
17:43
was The Time Of Our Lives. We were born and raised in a summer haze. I don't know what
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็งใŸใกใฎ็”Ÿๆดปใฎๆ™‚้–“ใงใ—ใŸใ€‚ ็งใŸใกใฏ ๅคใฎใ‚‚ใ‚„ใฎไธญใง็”Ÿใพใ‚Œ่‚ฒใกใพใ—ใŸใ€‚ ๅคใฎใ‚‚ใ‚„ใŒไฝ•ใ‹ใ‚ใ‹ใ‚Šใพใ›ใ‚“
17:52
a summer haze is. To be honest bound.
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ใ€‚ ๆญฃ็›ดใชใจใ“ใ‚ใ€็ธ›ใ‚‰ใ‚Œใฆใ„ใพใ™ใ€‚
17:56
By the surprise of our Glory Days.
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็งใŸใกใฎๆ „ๅ…‰ใฎๆ—ฅใฎ้ฉšใใซใ‚ˆใฃใฆใ€‚
18:01
I hate to turn up, okay, we already reviewed this, I hate to turn up out of the blue. Okay,
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็งใฏ็พใ‚Œใ‚‹ใฎใŒๅซŒใ„ใงใ™ใ€ใ‚ใ‹ใ‚Šใพใ—ใŸใ€็งใŸใกใฏใ™ใงใซ ใ“ใ‚Œใ‚’่ฆ‹็›ดใ—ใพใ—ใŸใ€็งใฏ็ช็„ถ็พใ‚Œใ‚‹ใฎใŒๅซŒใ„ใงใ™. ใ•ใฆใ€
18:08
we reviewed this and then this is the chorus. So we reviewed this as well.
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ใ“ใ‚Œใ‚’็ขบ่ชใ—ใฆใ‹ใ‚‰ใ€ใ“ใ‚ŒใŒใ‚ณใƒผใƒฉใ‚นใงใ™ใ€‚ ใจใ„ใ†ใ‚ใ‘ใงใ“ใกใ‚‰ใ‚‚ใƒฌใƒ“ใƒฅใƒผใ€‚
18:14
Here's a different part of the song. Nothing Compares. No worries or cares. Regrets and
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ใ“ใ“ใฏๆ›ฒใฎๅˆฅใฎ้ƒจๅˆ†ใงใ™ใ€‚ ๆฏ”้กžใชใใ€‚ ๅฟƒ้…ใ‚‚ๅฟƒ้…ใ‚‚ใ‚ใ‚Šใพใ›ใ‚“ใ€‚ ๅพŒๆ‚”ใจ
18:23
mistakes. They are memories made.
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้–“้•ใ„ใ€‚ ใใ‚Œใ‚‰ใฏไฝœใ‚‰ใ‚ŒใŸๆ€ใ„ๅ‡บใงใ™ใ€‚
18:30
Let's take a look at regrets. A regret is something that you wish you didn't do or say.
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ๆ‚”ใ—ใ„ๆ€ใ„ใ‚’ๆŒฏใ‚Š่ฟ”ใฃใฆใฟใพใ—ใ‚‡ใ†ใ€‚ ๅพŒๆ‚”ใจใฏใ€ ใ‚ใชใŸใŒใ—ใŸใ‚Šใ€่จ€ใ‚ใชใ‹ใฃใŸใ‚Šใ—ใŸใ„ใ“ใจใงใ™ใ€‚
18:41
So something, you wish you
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So something, you want you would
18:46
Didn't do or say, the important thing about regret is that it is a gerund verb. I regret
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not do or say, ๅพŒๆ‚”ใซใคใ„ใฆ้‡่ฆใชใ“ใจใฏใ€ ใใ‚ŒใŒๅ‹•ๅ่ฉžใงใ‚ใ‚‹ใจใ„ใ†ใ“ใจใงใ™ใ€‚
19:00
breaking up with him.
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ๅฝผใจๅˆฅใ‚ŒใŸใ“ใจใ‚’ๅพŒๆ‚”ใ—ใฆใ„ใพใ™ใ€‚
19:05
So oh sorry I regret the Jaron comes the verb that follows regret. So we have regret and
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็”ณใ—่จณใ‚ใ‚Šใพใ›ใ‚“ใŒใ€Jaron ใฏ ๅพŒๆ‚”ใซ็ถšใๅ‹•่ฉžใงใ™ใ€‚ ใงใ™ใ‹ใ‚‰ใ€็งใŸใกใฏๅพŒๆ‚”ใ—ใฆใŠใ‚Šใ€ใใ‚Œใซ็ถšใ
19:15
then the next verb that follows it is the German I regret and then our verb ing which
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ๆฌกใฎๅ‹•่ฉžใฏ ใƒ‰ใ‚คใƒ„่ชžใฎIๅพŒๆ‚”ใงใ‚ใ‚Šใ€ๅ‹•ๅ่ฉžๅ‹•่ฉžใงใ‚ใ‚‹็งใŸใกใฎๅ‹•่ฉžingใงใ™
19:24
is our gerund verb. I regret breaking up with him. I regret
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ใ€‚ ๅฝผใจๅˆฅใ‚ŒใŸใ“ใจใ‚’ๅพŒๆ‚”ใ—ใฆใ„ใพใ™ ใ€‚
19:35
Quitting my job, I regret not quitting my job so this is something you wish you didn't
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ไป•ไบ‹ใ‚’่พžใ‚ใŸใ“ใจใ‚’ๅพŒๆ‚”ใ—ใฆใ„ใพใ™ใ€‚ ไป•ไบ‹ใ‚’่พžใ‚ใชใ‹ใฃใŸใ“ใจใ‚’ๅพŒๆ‚”ใ—ใฆใ„ใพใ™
19:43
do or say.
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ใ€‚
19:49
In this case regret is used as a noun in the song because you can have regrets, which are
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ใ“ใฎๅ ดๅˆใ€ๅพŒๆ‚”ใฏๆญŒใฎไธญใงๅ่ฉžใจใ—ใฆไฝฟใ‚ใ‚Œใพใ™
19:59
things. You wish you hadn't done or said I have a lot of regrets.
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ใ€‚ ใ‚„ใ‚‰ใชใ‹ใฃใŸใ‚‰ใ‚ˆใ‹ใฃใŸใฎใซใ€ ๅพŒๆ‚”ใ—ใฆใ„ใ‚‹ใจ่จ€ใ‚ใชใ‹ใฃใŸใ‚‰ใ‚ˆใ‹ใฃใŸใฎใซใ€‚
20:07
or hopefully I don't have a lot of regrets because you did and said exactly what you
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ใพใŸใฏใ€ๅพŒๆ‚”ใŒใ‚ใพใ‚Šใชใ„ใ“ใจใ‚’้ก˜ใฃใฆใ„ใพใ™ใ€‚ ใ‚ใชใŸใŒใ‚„ใ‚ŠใŸใ„ใ“ใจใ‚’ๆญฃ็ขบใซ่จ€ใฃใฆใ€
20:15
wanted to do and say
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20:22
who would have known how Bittersweet this would taste. When you describe something as
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ใปใ‚่‹ฆใ„ๅ‘ณใŒใฉใฎใ‚ˆใ†ใซใชใ‚‹ใ‹ใ‚’่ชฐใŒ็Ÿฅใฃใฆใ„ใŸใจ่จ€ใฃใŸใ‹ใ‚‰ใงใ™ ใ€‚ ไฝ•ใ‹ใ‚’ใปใ‚่‹ฆใ„ใ‚‚ใฎใจ่กจ็พใ™ใ‚‹ใจใ
20:27
Bittersweet, it means that it's both negative and positive.
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ใ€ใใ‚Œใฏใใ‚ŒใŒๅฆๅฎš็š„ ใ‹ใค่‚ฏๅฎš็š„ใงใ‚ใ‚‹ใ“ใจใ‚’ๆ„ๅ‘ณใ—ใพใ™.
20:35
The - you can think of as sadness and the positive happiness. Here's an example sentence.
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- ใฏใ€ๆ‚ฒใ—ใฟใจ ๅ‰ๅ‘ใใชๅนธ็ฆใจ่€ƒใˆใ‚‹ใ“ใจใŒใงใใพใ™ใ€‚ ใ“ใ‚ŒใŒไพ‹ๆ–‡ใงใ™ใ€‚
20:46
You can say getting a promotion was bittersweet. Now of course the happiness of a promotion
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ๆ˜‡้€ฒใฏใปใ‚่‹ฆใ„ใ‚‚ใฎใ ใฃใŸใจ่จ€ใˆใพใ™ใ€‚ ใ‚‚ใกใ‚ใ‚“ใ€ๆ˜‡้€ฒใฎๅนธ็ฆใฏใ€
20:54
is the fact that it pays more money. You have a nicer job title, maybe you have some extra
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ใ‚ˆใ‚ŠๅคšใใฎใŠ้‡‘ใ‚’ๆ”ฏๆ‰•ใ†ใจใ„ใ†ไบ‹ๅฎŸใงใ™ใ€‚ ใ‚ใชใŸใฏใ‚ˆใ‚Š่‰ฏใ„่‚ฉๆ›ธใใ‚’ๆŒใฃใฆใ„ใพใ™ใ€‚ ใŠใใ‚‰ใใ€ใ„ใใคใ‹ใฎ่ฟฝๅŠ ใฎ็‰นๅ…ธใŒใ‚ใ‚Šใพใ™
21:03
perks, more.
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21:04
Lady more interesting, work more fulfillment. Those are the positives, the happy part of
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ใƒฌใƒ‡ใ‚ฃใ‚’ใ‚‚ใฃใจ้ข็™ฝใใ€ไป•ไบ‹ใ‚’ใ‚‚ใฃใจๅ……ๅฎŸใ€‚ ใ“ใ‚Œใ‚‰ใฏใƒใ‚ธใƒ†ใ‚ฃใƒ–ใงใ‚ใ‚Šใ€ใƒ—ใƒญใƒขใƒผใ‚ทใƒงใƒณใฎๅนธใ›ใช้ƒจๅˆ†ใงใ™
21:14
a promotion. What could be the - the sad part of the promotion? Maybe you're no longer working
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ใ€‚ ใƒ—ใƒญใƒขใƒผใ‚ทใƒงใƒณใฎๆ‚ฒใ—ใ„้ƒจๅˆ†ใฏไฝ•ใงใ™ใ‹ ?
21:24
with the people, you used to work with because the promotion requires you to go to another
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ๆ˜‡้€ฒใฎใŸใ‚ใซไผš็คพใฎๅˆฅใฎๅ ดๆ‰€ใซ่กŒใๅฟ…่ฆใŒใ‚ใ‚‹ใŸใ‚
21:30
part of the company, maybe you're working way longer hours.
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ใ€ไปฅๅ‰ใฏไธ€็ท’ใซๅƒใ„ใฆใ„ใŸไบบใŸใกใจไธ€็ท’ใซไป•ไบ‹ใ‚’ใ—ใฆใ„ใชใ„ใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ ใ€‚
21:36
And you're not spending as much time with your family and that's the negative part of
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ใใ—ใฆใ€ใ‚ใชใŸใฏๅฎถๆ—ใจใใ‚Œใปใฉๅคšใใฎๆ™‚้–“ใ‚’้Žใ”ใ—ใฆใ„ใพใ›ใ‚“ใ€‚ ใใ‚Œใฏใใ‚Œใฎใƒžใ‚คใƒŠใ‚น้ขใงใ™
21:42
it. So, getting a promotion was bittersweet. This is a great expression to use as a gerund
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. ใ ใ‹ใ‚‰ใ€ๆ˜‡้€ฒใฏใปใ‚่‹ฆใ„ใ‚‚ใฎใงใ—ใŸใ€‚ ใ“ใ‚Œใฏใ€ๅ‹•ๅ่ฉžใ‚นใƒ†ใƒผใƒˆใƒกใƒณใƒˆใจใ—ใฆไฝฟ็”จใ™ใ‚‹ใฎใซๆœ€้ฉใช่กจ็พใงใ™
21:50
statement, a gerund statement is a sentence that starts with ing. So we start with our
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ใ€‚ๅ‹•ๅ่ฉžใ‚นใƒ†ใƒผใƒˆใƒกใƒณใƒˆใฏใ€ ing ใงๅง‹ใพใ‚‹ๆ–‡ใงใ™ใ€‚ ใงใ™ใ‹ใ‚‰ใ€Jaren ๅ‹•่ฉžใ‹ใ‚‰ๅง‹ใ‚ใพใ™ใ€‚
21:58
Jaren verb and you can use this to make more of a statement, a general statement.
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ใ“ใ‚Œใ‚’ไฝฟ็”จใ—ใฆใ€ใ‚ˆใ‚Šๅคšใ ใฎใ‚นใƒ†ใƒผใƒˆใƒกใƒณใƒˆใ€ไธ€่ˆฌ็š„ใชใ‚นใƒ†ใƒผใƒˆใƒกใƒณใƒˆใ‚’ไฝœๆˆใงใใพใ™ใ€‚
22:06
You can try this and notice the expression is to be Bittersweet to be Bittersweet. And
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ใ“ใ‚Œใ‚’่ฉฆใ—ใฆใฟใ‚‹ใจใ€ๅผใŒ Bittersweet to be Bittersweet ใงใ‚ใ‚‹ใ“ใจใŒใ‚ใ‹ใ‚Šใพใ™ใ€‚ ใใ—ใฆ
22:13
here, of course, I have my verb to be conjugated in the past, simple. I could say getting a
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ใ“ใ“ใงใฏใ€ใ‚‚ใกใ‚ใ‚“ใ€ๅ‹•่ฉžใ‚’้ŽๅŽปใซๆดป็”จใ™ใ‚‹ๅฟ…่ฆใŒใ‚ใ‚Šใพใ™ ใ€‚ๅ˜็ด”ใงใ™ใ€‚
22:22
promotion is Bittersweet. If I want to say that the emotions are still taking place now,
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ๆ˜‡้€ฒใฏใปใ‚่‹ฆใ„ใ‚‚ใฎใ ใจ่จ€ใˆใพใ™ใ€‚ ๆ„Ÿๆƒ…ใฏไปŠใงใ‚‚่ตทใ“ใฃใฆใ„ใ‚‹ใจ่จ€ใ„ใŸใ„ใฎใงใ™ใŒใ€
22:29
but maybe my promotion was last year, so I'm more talking about at that time of that transition.
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ใŠใใ‚‰ใ็งใฎๆ˜‡้€ฒใฏๆ˜จๅนดใ ใฃใŸใฎใงใ€ ใใฎ็งป่กŒใฎๅฝ“ๆ™‚ใซใคใ„ใฆ่ฉฑใ—ใฆใ„ใ‚‹ใฎใงใ™.
22:36
Mission it was bittersweet. So maybe finishing University was bittersweet. Of course, it
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ใปใ‚่‹ฆใ„ใƒŸใƒƒใ‚ทใƒงใƒณใงใ—ใŸใ€‚ ใงใ™ใ‹ใ‚‰ใ€ๅคงๅญฆใ‚’ๅ’ๆฅญใ™ใ‚‹ใฎใฏ ใปใ‚่‹ฆใ„ใ‚‚ใฎใ ใฃใŸใฎใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ใ€‚ ใ‚‚ใกใ‚ใ‚“ใ€ใ‚‚ใ†
22:46
was positive because you don't have to study anymore, but it's negative because of whatever
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ๅ‹‰ๅผทใ—ใชใใฆใ„ใ„ใ‹ใ‚‰ใƒใ‚ธใƒ†ใ‚ฃใƒ–ใ ใฃใŸใฎใงใ™ ใŒใ€ใชใ‚“ใ‚‰ใ‹ใฎ
22:51
reason, so lots of things. So you can try an example in the Commons, and try it with
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็†็”ฑใงใƒใ‚ฌใƒ†ใ‚ฃใƒ–ใซใชใฃใŸใฎใงใ€ใ„ใ‚ใ„ใ‚ใ‚ใ‚Šใพใ—ใŸใ€‚ ใ—ใŸใŒใฃใฆใ€ ใ‚ณใƒขใƒณใ‚บใงไพ‹ใ‚’่ฉฆใ—ใฆใ€ๅ‹•ๅ่ฉžใ‚นใƒ†ใƒผใƒˆใƒกใƒณใƒˆใง่ฉฆใ—ใฆใฟใฆใใ ใ•ใ„ใ€‚ๅ‹•่ฉžใ‚’
22:59
a gerund statement and don't forget to conjugate your verb to be.
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ๆดป็”จใ™ใ‚‹ใ“ใจใ‚’ๅฟ˜ใ‚Œใชใ„ใงใใ ใ•ใ„ ใ€‚
23:04
Okay, and this is the same.
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ใ‚ใ‹ใ‚Šใพใ—ใŸใ€ใ“ใ‚ŒใฏๅŒใ˜ใงใ™ใ€‚
23:09
Our bag. This is the I'm just seeing if anything is different, but it looks like it is the
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็งใŸใกใฎใƒใƒƒใ‚ฐใ€‚ ใ“ใ‚Œใฏ็งใŒไฝ•ใ‹้•ใ†ใ‹ใฉใ†ใ‹่ฆ‹ใฆใ„ใ‚‹ใ ใ‘ใงใ™ ใŒใ€ใใ‚Œใฏ
23:14
exact same thing, and then she just repeats it and that is the end of the song. So What
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ใพใฃใŸใๅŒใ˜ใ“ใจใฎใ‚ˆใ†ใซ่ฆ‹ใˆใ€ใใ‚Œใ‹ใ‚‰ๅฝผๅฅณใฏ ใใ‚Œใ‚’็นฐใ‚Š่ฟ”ใ™ใ ใ‘ใงใ€ใใ‚ŒใŒๆญŒใฎ็ต‚ใ‚ใ‚Šใงใ™. ใ ใ‹ใ‚‰
23:22
I recommend now is to click the link here. This PDF is available in the description and
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็งใŒไปŠใŠๅ‹งใ‚ใ™ใ‚‹ใฎใฏใ€ใ“ใ“ใฎใƒชใƒณใ‚ฏใ‚’ใ‚ฏใƒชใƒƒใ‚ฏใ™ใ‚‹ใ“ใจใงใ™. ใ“ใฎ PDF ใฏ่ชฌๆ˜Žใงๅˆฉ็”จใงใใ€
23:31
it's available in the first comment. And you can click the link here and then you can listen
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ๆœ€ๅˆใฎใ‚ณใƒกใƒณใƒˆใงๅˆฉ็”จใงใใพใ™ใ€‚ ใ“ใ“ใฎใƒชใƒณใ‚ฏใ‚’ใ‚ฏใƒชใƒƒใ‚ฏใ™ใ‚‹ใจใ€
23:36
to the song with the lyrics and you can follow
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ๆญŒ่ฉžไป˜ใใฎๆ›ฒใ‚’่žใใ“ใจใŒใงใใ€ใƒ•ใ‚ฉใƒญใƒผใ™ใ‚‹ใ“ใจใŒใงใใพใ™
23:39
along. You can listen to the pronunciation as well and hear all of your new vocabulary
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ใ€‚ ็™บ้Ÿณใ‚‚่žใ„ใฆใ€ ๆ–ฐใ—ใ„่ชžๅฝ™ใ‚’ใ™ในใฆ
23:44
in the song and share in the comments as well. What's your favorite new word from the song?
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ๆญŒใง่žใ„ใฆใ€ใ‚ณใƒกใƒณใƒˆใงๅ…ฑๆœ‰ใ™ใ‚‹ใ“ใจใ‚‚ใงใใพใ™ใ€‚ ใ“ใฎๆ›ฒใฎๆ–ฐใ—ใ„่จ€่‘‰ใงใŠๆฐ—ใซๅ…ฅใ‚Šใฏไฝ•ใงใ™ใ‹?
23:50
I'm excited to know. I hope you enjoyed this song.
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็งใฏ็Ÿฅใฃใฆ่ˆˆๅฅฎใ—ใฆใ„ใพใ™ใ€‚ ใ“ใฎๆ›ฒใ‚’ๆฅฝใ—ใ‚“ใงใ„ใŸใ ใ‘ใŸใงใ—ใ‚‡ใ†ใ‹ ใ€‚
23:55
It's an oldie. But a goodie, we're reviewing the song Yesterday by the Beatles. So let's
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ใ‚ชใƒผใƒซใƒ‰ใงใ™ใ€‚ ใ—ใ‹ใ—ใ€่‰ฏใ„ใ“ใจใซใ€็งใŸใกใฏ ใƒ“ใƒผใƒˆใƒซใ‚บใฎๆ›ฒใ€Œใ‚คใ‚จใ‚นใ‚ฟใƒ‡ใ‚คใ€ใ‚’ใƒฌใƒ“ใƒฅใƒผใ—ใฆใ„ใพใ™ใ€‚ ใงใฏใ€
24:01
go through the lyrics together yesterday. All my troubles seemed so far away. Of course,
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ๆ˜จๆ—ฅไธ€็ท’ใซๆญŒ่ฉžใ‚’่ฆ‹ใฆใฟใพใ—ใ‚‡ใ†ใ€‚ ็งใฎๅ…จใฆใฎใƒˆใƒฉใƒ–ใƒซใฏใจใฆใ‚‚้ ใใซใ‚ใ‚‹ใฟใŸใ„ใงใ™ใ€‚ ใ‚‚ใกใ‚ใ‚“ใ€
24:10
you'll need to notice that our keyword is yesterday. So notice all the verbs that are
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ใ‚ญใƒผใƒฏใƒผใƒ‰ใŒๆ˜จๆ—ฅใงใ‚ใ‚‹ใ“ใจใซๆณจๆ„ใ™ใ‚‹ๅฟ…่ฆใŒใ‚ใ‚Šใพใ™ ใ€‚
24:16
going to be in the past simple because we're talking about yesterday, yesterday, all my
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ๆ˜จๆ—ฅใ€ๆ˜จๆ—ฅใ€ใ™ในใฆใฎ็งใฎ
24:23
troubles,
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ๆ‚ฉใฟใ€
24:25
My troubles. This is another way of saying problems or difficulties, all my problems.
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็งใฎๆ‚ฉใฟใซใคใ„ใฆ่ฉฑใ—ใฆใ„ใ‚‹ใฎใงใ€้ŽๅŽปใฎใ™ในใฆใฎๅ‹•่ฉžใŒๅ˜็ด”ใซใชใ‚‹ใ“ใจใซๆณจๆ„ใ—ใฆใใ ใ•ใ„ใ€‚ ใ“ใ‚Œใฏใ€ ๅ•้กŒใ‚„ๅ›ฐ้›ฃใ‚’ๅˆฅใฎ่จ€ใ„ๆ–นใง่กจใ—ใŸใ‚‚ใฎใงใ€ใ™ในใฆ็งใฎๅ•้กŒใงใ™ใ€‚
24:32
All my difficulties seemed so far away. Of course, AR verb in the past, simple seemed
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็งใฎใ™ในใฆใฎๅ›ฐ้›ฃใฏ้ ใ้›ขใ‚Œใฆใ„ใ‚‹ใ‚ˆใ†ใซ่ฆ‹ใˆใพใ—ใŸใ€‚ ใ‚‚ใกใ‚ใ‚“ใ€้ŽๅŽปใฎ AR ๅ‹•่ฉžใฏใ€ๅ˜็ด”ใชใ‚ˆใ†ใงใ€
24:42
they seemed so far away. Now, it looks as though they're here to stay. Let's take a
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้ ใ้›ขใ‚Œใฆใ„ใ‚‹ใ‚ˆใ†ใซ่ฆ‹ใˆใพใ—ใŸใ€‚ ไปŠใ€ ๅฝผใ‚‰ใฏใ“ใ“ใซใจใฉใพใฃใฆใ„ใ‚‹ใ‚ˆใ†ใงใ™ใ€‚
24:50
look at this. It looks as though this is used to show
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ใ“ใ‚Œใ‚’่ฆ‹ใฆใฟใพใ—ใ‚‡ใ†ใ€‚ ใ“ใ‚Œใฏใ€
24:55
So probability you can think of it as 75% probable so 75% chance that something will
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75% ใฎๅฏ่ƒฝๆ€งใŒใ‚ใ‚‹ใจ่€ƒใˆใ‚‹ใ“ใจใŒใงใใ‚‹ใฎใงใ€ ไฝ•ใ‹ใŒ่ตทใ“ใ‚‹ๅฏ่ƒฝๆ€งใŒ 75% ใงใ‚ใ‚‹ใ“ใจใ‚’็คบใ™ใŸใ‚ใซไฝฟ็”จใ•ใ‚Œใฆใ„ใ‚‹ใ‚ˆใ†ใซ่ฆ‹ใˆใพใ™
25:05
happen. So here the something is that his problems. His troubles are here to stay. Now
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ใ€‚ ใ ใ‹ใ‚‰ใ“ใ“ใงไฝ•ใ‹ใŒๅฝผใฎ ๅ•้กŒใงใ™ใ€‚ ๅฝผใฎๆ‚ฉใฟใฏใ“ใ“ใซใจใฉใพใ‚Šใพใ™ใ€‚ ไปŠใงใฏใ€
25:16
it looks as though is not the most commonly used. It sounds a little outdated.
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ๆœ€ใ‚‚ไธ€่ˆฌ็š„ใซ ไฝฟ็”จใ•ใ‚Œใฆใ„ใชใ„ใ‚ˆใ†ใซ่ฆ‹ใˆใพใ™ใ€‚ ๅฐ‘ใ—ๆ™‚ไปฃ้…ใ‚Œใซ่žใ“ใˆใพใ™ใ€‚
25:25
A little formal perhaps and remember the Beatles are from quite a long time ago today, more
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ๅฐ‘ใ—ๅ …่‹ฆใ—ใ„ใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ใŒใ€ใƒ“ใƒผใƒˆใƒซใ‚บใฏไปŠๆ—ฅใงใฏใ‹ใชใ‚Šๆ˜”ใ‹ใ‚‰ใ‚ใ‚‹ใ“ใจใ‚’ๆ€ใ„ๅ‡บใ—ใฆใใ ใ•ใ„
25:34
commonly we say it looks as do you know what it looks as if they're here to stay. So it
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ใ€‚
25:42
looks as though is grammatically correct but in my opinion, it's more common to say it
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ๆ–‡ๆณ•็š„ใซใฏๆญฃใ—ใ„ใ‚ˆใ†ใซ่ฆ‹ใˆใพใ™ใŒใ€ ็งใฎๆ„่ฆ‹ใงใฏใ€
25:49
looks as if they're here to stay. They have the exact same meaning. Now,
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ๅฝผใ‚‰ใŒใ“ใ“ใซใ„ใ‚‹ใ‚ˆใ†ใซ่ฆ‹ใˆใ‚‹ใจ่จ€ใ†ๆ–นใŒไธ€่ˆฌ็š„ใงใ™. ใพใฃใŸใๅŒใ˜ๆ„ๅ‘ณใงใ™ใ€‚ ใงใฏใ€
25:54
To show you an example sentence. You could say it looks as though or as if it'll rain
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ไพ‹ๆ–‡ใ‚’ใŠ่ฆ‹ใ›ใ—ใพใ™ใ€‚ ใพใ‚‹ใง้›จใŒ้™ใ‚‹ ใ‚ˆใ†ใซ่ฆ‹ใˆใพใ™
26:05
it'll rain here. Notice I used a contraction, it'll it'll rain the full form. Is it will
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ใ€‚ ๅŽ็ธฎใ‚’ไฝฟ็”จใ—ใŸใ“ใจใซๆณจๆ„ใ—ใฆใใ ใ•ใ„ใ€‚ ๅฎŒๅ…จใชๅฝขใง้›จใŒ้™ใ‚‹ใงใ—ใ‚‡ใ†ใ€‚ ้›จใŒ้™ใ‚Šใพใ™ใ‹
26:13
rain? So again, I might look out my window, see some dark clouds and then say, oh, it
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๏ผŸ ็นฐใ‚Š่ฟ”ใ—ใซใชใ‚Šใพใ™ใŒใ€็ช“ใฎๅค–ใ‚’่ฆ‹ใฆใ€ ๆš—ใ„้›ฒใŒ่ฆ‹ใˆใฆใ€ใ‚ใ‚ใ€
26:20
looks as if it'll rain I'm saying it's about 75% probability.
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้›จใŒ้™ใ‚‹ใ‚ˆใ†ใซ่ฆ‹ใˆใ‚‹ใจ่จ€ใ†ใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“.75๏ผ…ใฎ็ขบ็Ž‡ใ ใจ่จ€ใฃใฆใ„ใพใ™ .
26:25
You can also use it looks like. And in this case you could say, it looks like rain a little
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ใฟใŸใ„ใชไฝฟใ„ๆ–นใ‚‚ใงใใพใ™ใ€‚ ใ“ใฎ ๅ ดๅˆใ€้›จใฎใ‚ˆใ†ใซ่ฆ‹ใˆใพใ™ใŒใ€
26:34
difference when we use it. Looks like generally what comes next is a noun. So, in this case,
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ไฝฟ็”จใ™ใ‚‹ใจๅฐ‘ใ—้•ใ„ใพใ™ใ€‚ ไธ€่ˆฌ็š„ใซ ๆฌกใซๆฅใ‚‹ใฎใฏๅ่ฉžใฎใ‚ˆใ†ใงใ™ใ€‚ ใ—ใŸใŒใฃใฆใ€ใ“ใฎๅ ดๅˆใ€
26:41
rain is a noun. It looks like + noun is more common. When you use, it looks like, and then
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rain ใฏๅ่ฉžใงใ™ใ€‚ +ๅ่ฉžใฎๆ–นใŒ ไธ€่ˆฌ็š„ใฎใ‚ˆใ†ใงใ™ใ€‚ ไฝฟ็”จใ™ใ‚‹ใจๆฌกใฎใ‚ˆใ†ใซ่ฆ‹ใˆใ€ๆฌกใซ
26:53
when you use it,
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ไฝฟ็”จใ™ใ‚‹ใจใ€ ใพใ‚‹ใง
26:54
Looks as though, as if we have a clause.
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็ฏ€ใŒใ‚ใ‚‹ใ‹ใฎใ‚ˆใ†ใซ่ฆ‹ใˆใพใ™ใ€‚
27:00
It looks as though they're here to stay. Oh, I believe in yesterday. Now, just quickly,
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ๅฝผใ‚‰ใฏๆปžๅœจใ™ใ‚‹ใŸใ‚ใซใ“ใ“ใซใ„ใ‚‹ใ‚ˆใ†ใงใ™ใ€‚ ใ‚ใ‚ใ€ ็งใฏๆ˜จๆ—ฅใ‚’ไฟกใ˜ใฆใ„ใพใ™ใ€‚ ใ•ใฆใ€ใ™ใใซใ€
27:07
notice the preposition is always important to remember, which prepositions are used with
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ๅ‰็ฝฎ่ฉžใฏๅธธใซ่ฆšใˆใฆใŠใใ“ใจใŒ้‡่ฆใงใ‚ใ‚‹ใ“ใจใซๆณจๆ„ใ—ใฆใใ ใ•ใ„ ใ€‚ใฉใฎๅ‰็ฝฎ่ฉžใŒใฉใฎๅ˜่ชžใ‚’ไฟกใ˜ใ‚‹ใ‹ใงไฝฟ็”จใ•ใ‚Œใพใ™
27:13
which words believe in. You believe in something, and a very nice thing to say to someone is,
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ใ€‚ใ‚ใชใŸใฏไฝ•ใ‹ใ‚’ไฟกใ˜ใฆใ„ใพใ™ใ€ ใใ—ใฆ่ชฐใ‹ใซ่จ€ใ†ใฎใฏใจใฆใ‚‚่‰ฏใ„ใ“ใจใงใ™
27:22
I believe in you. So if your friend tells you, they want to be the next beetle.
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. ใ‚ใชใŸใฎๅ‹ไบบใŒใ‚ใชใŸใซ่จ€ใ†ใชใ‚‰ ใ€ๅฝผใ‚‰ใฏๆฌกใฎใ‚ซใƒ–ใƒˆใƒ ใ‚ทใซใชใ‚ŠใŸใ„.
27:30
They want to be an amazing, singer/songwriter. You can say, I believe in you, I Believe in
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ๅฝผใ‚‰ใฏ็ด ๆ™ดใ‚‰ใ—ใ„ใ‚ทใƒณใ‚ฌใƒผ/ใ‚ฝใƒณใ‚ฐใƒฉใ‚คใ‚ฟใƒผใซใชใ‚ŠใŸใ„ใจๆ€ใฃใฆใ„ใพใ™ใ€‚ ็งใฏใ‚ใชใŸใ‚’ไฟกใ˜ใฆใ„ใพใ™ใ€
27:40
Your Vision, your goals, your dreams. I believe in you. It's a very nice thing to say. So
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ใ‚ใชใŸใฎใƒ“ใ‚ธใƒงใƒณใ€ใ‚ใชใŸใฎ็›ฎๆจ™ใ€ใ‚ใชใŸใฎๅคขใ‚’ไฟกใ˜ใฆใ„ใพใ™ใ€‚ ใ‚ใชใŸใ‚’ไฟก้ ผใ—ใฆใ„ใพใ™ ใ€‚ ใจใฆใ‚‚ใ„ใ„่จ€่‘‰ใงใ™ใ€‚ ใงใ™ใ‹ใ‚‰ใ€
27:47
say that to someone today, it will make them very happy and I believe in you, all of you
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ไปŠๆ—ฅ่ชฐใ‹ใซ่จ€ใฃใฆใใ ใ•ใ„ใ€‚ใใ‚Œใฏๅฝผใ‚‰ใ‚’ ใจใฆใ‚‚ๅนธใ›ใซใ™ใ‚‹ใงใ—ใ‚‡ใ†ใ€‚็งใฏใ‚ใชใŸใ€ใ‚ใชใŸใ€ใใ—ใฆใ‚ใชใŸใฎใ™ในใฆใ€
27:54
and your ability to become affluent, confident English speaker, hopefully with
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ใใ—ใฆใ‚ใชใŸใฎ่ƒฝๅŠ›ใŒ่ฑŠใ‹ใง่‡ชไฟกใ‚’ๆŒใฃใฆ ่‹ฑ่ชžใ‚’่ฉฑใ™ไบบใซ
28:00
If my help, let's continue on now. I will also let you know that you can download the
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ใชใ‚‹ใ“ใจใ‚’ไฟกใ˜ใฆใ„ใพใ™ใ€‚ ็„กๆ–™ใƒฌใƒƒใ‚นใƒณใฎPDFใŒ ใƒ€ใ‚ฆใƒณใƒญใƒผใƒ‰ใงใใ‚‹ใ“ใจใ‚‚ใŠ็Ÿฅใ‚‰ใ›ใ—ใพใ™
28:08
free lesson PDF. So you don't need to worry about writing everything down because you
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ใ€‚
28:13
can download the free lesson PDF, that will have all the notes from the lesson. So you
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็„กๆ–™ใฎใƒฌใƒƒใ‚นใƒณ PDF ใ‚’ใƒ€ใ‚ฆใƒณใƒญใƒผใƒ‰ใงใใ‚‹ใฎใงใ€ ใƒฌใƒƒใ‚นใƒณใฎใ™ในใฆใฎใƒกใƒขใŒๅซใพใ‚Œใฆใ„ใ‚‹ใŸใ‚ใ€ใ™ในใฆใ‚’ๆ›ธใ็•™ใ‚ใ‚‹ๅฟ…่ฆใฏใ‚ใ‚Šใพใ›ใ‚“ใ€‚ ใ—ใŸใŒใฃใฆใ€
28:18
can look in the description of this video or you can look in the chat in the first comment
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ใ“ใฎใƒ“ใƒ‡ใ‚ชใฎ่ชฌๆ˜Žใ‚’ๅ‚็…งใ™ใ‚‹ ใ‹ใ€ใƒ”ใƒณ็•™ใ‚ใ•ใ‚ŒใŸๆœ€ๅˆใฎใ‚ณใƒกใƒณใƒˆใฎใƒใƒฃใƒƒใƒˆใ‚’ๅ‚็…งใ—ใฆใ€
28:27
pinned to find the lesson PDF.
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ใƒฌใƒƒใ‚นใƒณใฎ PDF ใ‚’่ฆ‹ใคใ‘ใ‚‹ใ“ใจใŒใงใใพใ™ใ€‚
28:31
Let's continue on suddenly I'm not half the man. I used to be suddenly we use this of
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็ช็„ถ็ถšใ‘ใพใ—ใ‚‡ใ† ็งใฏๅŠๅˆ†ใฎ็”ทใงใฏใ‚ใ‚Šใพใ›ใ‚“ ใ€‚ ็งใฏไปฅๅ‰ใฏ็ช็„ถใงใ—ใŸใŒใ€ใ‚‚ใกใ‚ใ‚“ใ“ใ‚Œใ‚’ๆ™‚้–“ใซไฝฟ็”จใ—ใฆใ„ใพใ—ใŸใŒใ€
28:40
course for time suddenly there is not a lot of time when an action happens. So you can
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ใ‚ขใ‚ฏใ‚ทใƒงใƒณใŒ็™บ็”Ÿใ™ใ‚‹ๆ™‚้–“ใฏใ‚ใพใ‚Šใ‚ใ‚Šใพใ›ใ‚“ใงใ—ใŸใ€‚ ใคใพใ‚Šใ€
28:50
say suddenly the phone rang suddenly my boss gave me a promotion so this expresses that
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็ช็„ถ้›ป่ฉฑใŒ้ณดใฃใŸใจ่จ€ใ†ใ“ใจใŒใงใใพใ™
28:59
it
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29:00
And very quickly and often unexpectedly as well. So quickly, and I'll put in Brackets
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. ใ‚ใฃใจใ„ใ†้–“ใซใ€ๆ€ใ‚ใšใƒ–ใƒฉใ‚ฑใƒƒใƒˆใ‚’ๅ…ฅใ‚Œใฆใ—ใพใ„ใพใ™
29:08
and unexpectedly. Suddenly, I'm not half the man. I used to be. Let's take a look at this
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ใ€‚ ็ช็„ถใ€็งใฏ็”ทใฎๅŠๅˆ†ใงใฏใ‚ใ‚Šใพใ›ใ‚“ ใ€‚ ็งใฏไปฅๅ‰ใ€‚ ใ“ใ‚Œใฏ
29:17
a very common past. Simple expression, I used to be a writer. For example, I used to be
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้žๅธธใซไธ€่ˆฌ็š„ใช้ŽๅŽปใ‚’่ฆ‹ใฆใฟใพใ—ใ‚‡ใ†ใ€‚ ็ฐกๅ˜ใช่กจ็พใงใ™ใŒใ€็งใฏใ‹ใคใฆ ไฝœๅฎถใงใ—ใŸใ€‚ ใŸใจใˆใฐใ€็งใฏใ‹ใคใฆไฝœๅฎถใงใ—ใŸ
29:27
a writer. This means I am
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ใ€‚ ใ“ใ‚Œใฏใ€็งใŒ
29:30
On a writer now but it was a routine action in the past. I used to, I used to notice my
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็พๅœจใƒฉใ‚คใ‚ฟใƒผใ‚’ใ—ใฆใ„ใ‚‹ใ“ใจใ‚’ๆ„ๅ‘ณใ—ใพใ™ใŒใ€้ŽๅŽปใซใฏๆ—ฅๅธธ็š„ใช่กŒๅ‹•ใงใ—ใŸ . ไปฅๅ‰ใฏใ€่‡ชๅˆ†ใฎ็™บ้Ÿณใซๆฐ—ใฅใ„ใฆใ„ใพใ—ใŸ
29:41
pronunciation. You don't hear this D at all. I used to, I used to. I used to be a writer.
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ใ€‚ ใ“ใฎ D ใฏใพใฃใŸใ่žใ“ใˆใพใ›ใ‚“ใ€‚ ใ‹ใคใฆใ€ใ‹ใคใฆใฏใ€‚ ็งใฏใ‹ใคใฆไฝœๅฎถใงใ—ใŸใ€‚
29:51
I used to work at a bank.
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็งใฏใ‹ใคใฆ้Š€่กŒใงๅƒใ„ใฆใ„ใพใ—ใŸใ€‚
29:56
I used to live in Hawaii, that's not true. None of these are true actually. So you try
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็งใฏใƒใƒฏใ‚คใซไฝใ‚“ใงใ„ใพใ—ใŸใŒใ€ใใ†ใงใฏใ‚ใ‚Šใพใ›ใ‚“ใ€‚ ใ“ใ‚Œใ‚‰ใฎใฉใ‚Œใ‚‚ๅฎŸ้š›ใซใฏ็œŸๅฎŸใงใฏใ‚ใ‚Šใพใ›ใ‚“ใ€‚ ใงใฏใ€
30:06
one leaving example sentence with, I used to now you could say, she used to there. Be
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I used to now ใงไพ‹ใ‚’ๆฎ‹ใ—ใฆใฟใฆใใ ใ•ใ„ ใ€‚she used to there ใจ่จ€ใˆใพใ™ใ€‚
30:14
no difference in the conjugation, of course, because this is a pass simple verb and it's
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ใ‚‚ใกใ‚ใ‚“ใ€ๆดป็”จๅฝขใซ้•ใ„ใฏใ‚ใ‚Šใพใ›ใ‚“ใ€‚ ใ“ใ‚Œใฏ็ฐกๅ˜ใชๅ‹•่ฉžใงใ‚ใ‚Šใ€
30:20
the same for all subjects. So here I could put they used to work at
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ใ™ในใฆใฎไธป้กŒใงๅŒใ˜ใงใ‚ใ‚‹ใŸใ‚ใงใ™ใ€‚ ใ“ใ“ใงใฏใ€ ๅฝผใ‚‰ใŒใ‹ใคใฆ
30:26
At a bank. She used to live in a hole in Hawaii. So try some example sentences. Remember the
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้Š€่กŒใงๅƒใ„ใฆใ„ใŸใจ่จ€ใˆใพใ™ใ€‚ ๅฝผๅฅณใฏใƒใƒฏใ‚คใฎ็ฉดใซไฝใ‚“ใงใ„ใพใ—ใŸใ€‚ ใงใฏใ€ไพ‹ๆ–‡ใ‚’ใ„ใใคใ‹่ฉฆใ—ใฆใฟใฆใใ ใ•ใ„ใ€‚ ใ“ใ“ใงใ‚นใƒšใƒซใ‚’่ฆšใˆใฆใŠใ„ใฆใใ ใ•ใ„
30:33
spelling here. We have a needy but you don't hear it in pronunciation. Let's continue on.
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ใ€‚ ็งใŸใกใซใฏๅ›ฐ็ชฎ่€…ใŒใ„ใพใ™ใŒใ€ ็™บ้Ÿณใงใฏ่žใ“ใˆใพใ›ใ‚“ใ€‚ ็ถšใ‘ใพใ—ใ‚‡ใ†ใ€‚
30:43
There's a shadow hanging over me.
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็งใซใถใ‚‰ไธ‹ใŒใฃใฆใ„ใ‚‹ๅฝฑใŒใ‚ใ‚Šใพใ™ใ€‚
30:48
This is a very poetic line. Of course, a shadow is an area of Darkness caused by the absence
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ใจใฆใ‚‚่ฉฉ็š„ใชใ‚ปใƒชใƒ•ใงใ™ใ€‚ ใ‚‚ใกใ‚ใ‚“ใ€ๅฝฑใฏๅ…‰ใŒ ใชใ„ใŸใ‚ใซ็”Ÿใ˜ใ‚‹ๆš—้—‡ใฎ้ ˜ๅŸŸใงใ™
31:00
of light. Actually, you can see a little bit of a shadow right here in the corner. It's
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ใ€‚ ๅฎŸใฏใ€ ใ“ใ“ใฎ้š…ใซๅฐ‘ใ—ๅฝฑใŒ่ฆ‹ใˆใพใ™ใ€‚
31:09
a little bit of a dark spot, just the way, the light is reflecting against an object
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ๅฐ‘ใ—ๆš—ใ„ใ‚นใƒใƒƒใƒˆใงใ™ใ€‚ ๅ…‰ใŒใ‚ชใƒ–ใ‚ธใ‚งใ‚ฏใƒˆใซๅๅฐ„ใ—ใฆใ„ใพใ™
31:15
on.
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ใ€‚
31:16
My wall that you can see, there's a little bit of a shadow. So the shadow hanging over
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ใ‚ใชใŸใŒ่ฆ‹ใ‚‹ใ“ใจใŒใงใใ‚‹็งใฎๅฃใ€ๅฐ‘ใ—ๅฝฑใŒใ‚ใ‚Šใพใ™ ใ€‚ ใ ใ‹ใ‚‰ใ€ๅฝผใฎไธŠใซใถใ‚‰ไธ‹ใŒใฃใฆใ„ใ‚‹ๅฝฑใฏ
31:23
him, could be the image of this woman that he's talking about in this song and it's just
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ใ€ๅฝผใŒใ“ใฎๆ›ฒใง่ฉฑใ—ใฆใ„ใ‚‹ใ“ใฎๅฅณๆ€งใฎใ‚คใƒกใƒผใ‚ธใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“
31:30
her image is just there with him. I'm not sure if that's what it means, it's very poetic,
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. ใใ‚ŒใŒไฝ•ใ‚’ๆ„ๅ‘ณใ™ใ‚‹ใฎใ‹ใฏใ‚ใ‹ใ‚Šใพใ›ใ‚“ใŒใ€ใจใฆใ‚‚่ฉฉ็š„ใงใ™
31:36
but that's what a shadow is at least. So when you're taking a picture, you want to be mindful
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ใŒใ€ๅฐ‘ใชใใจใ‚‚ๅฝฑใจใฏใใ†ใ„ใ†ใ‚‚ใฎใงใ™ใ€‚ ๅ†™็œŸใ‚’ๆ’ฎใ‚‹ใจใใฏใ€ใงใใ‚‹ใ ใ‘
31:42
of Shadows because you want to remove as many shot.
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ๅคšใใฎใ‚ทใƒงใƒƒใƒˆใ‚’ๅ‰Š้™คใ—ใŸใ„ใฎใงใ€ใ‚ทใƒฃใƒ‰ใ‚ฆใซๆณจๆ„ใ™ใ‚‹ๅฟ…่ฆใŒใ‚ใ‚Šใพใ™ .
31:46
Whose house you can. Oh yesterday came suddenly notice here suddenly we have before we had
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ใ‚ใชใŸใŒใงใใ‚‹ๅฎถใ€‚ ใ‚ใ‚ใ€ๆ˜จๆ—ฅใฏ็ช็„ถๆฅใฆใ€ๆœ€ๅˆใซ ๆŒใฃใฆใ„ใŸๅ‰ใซ็ช็„ถใ“ใ“ใซๆฐ—ใฅใใพใ—ใŸ
31:56
it at the beginning. Suddenly I'm not the I'm not half the man I used to be and here
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ใ€‚ ็ช็„ถใ€็งใฏไปฅๅ‰ใฎ ๅŠๅˆ†ใฎไบบ้–“ใงใฏใชใใชใ‚Šใพใ—ใŸใ€‚ใ“ใ‚Œใง
32:03
we have it at the end, this adverb is quite flexible. You can put it at different parts.
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็ต‚ใ‚ใ‚Šใงใ™ใ€‚ใ“ใฎๅ‰ฏ่ฉžใฏ้žๅธธใซ ๆŸ”่ปŸใงใ™ใ€‚ ๆง˜ใ€…ใช้ƒจไฝใซ่ฃ…็€ใงใใพใ™ใ€‚
32:10
Yesterday, came suddenly I said before suddenly the phone rang I could
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ๆ˜จๆ—ฅใ€ๆ€ฅใซๆฅใพใ—ใŸ ๅ‰ใซ็ช็„ถ้›ป่ฉฑใŒ้ณดใฃใŸใจ่จ€ใฃใŸ ็งใฏ
32:16
I'd also say the phone rang suddenly suddenly so it's a flexible adverb. Of course our past
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ใพใŸใ€้›ป่ฉฑใŒ็ช็„ถ็ช็„ถ้ณดใฃใŸใจใ‚‚่จ€ใ† ใฎใงใ€ใใ‚ŒใฏๆŸ”่ปŸใชๅ‰ฏ่ฉžใงใ™. ใ‚‚ใกใ‚ใ‚“ใ€็งใŸใกใฎ
32:26
simple came because it's yesterday. So this is a great beginner song to practice the past.
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ๅ˜็ด”ใช้ŽๅŽปใฏๆ˜จๆ—ฅใฎใ“ใจใชใฎใงๆฅใพใ—ใŸใ€‚ ใ ใ‹ใ‚‰ใ€ใ“ใ‚Œใฏ ้ŽๅŽปใ‚’็ทด็ฟ’ใ™ใ‚‹ใฎใซๆœ€้ฉใชๅˆๅฟƒ่€…ใฎๆญŒใงใ™.
32:34
Simple. Why she had to go? Remember, this is a song. This is actually not grammatically
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ๅ˜็ด”ใ€‚ ใชใœๅฝผๅฅณใฏ่กŒใ‹ใชใ‘ใ‚Œใฐใชใ‚‰ใชใ‹ใฃใŸใฎใงใ™ใ‹๏ผŸ ่ฆšใˆใฆใŠใ„ใฆใใ ใ•ใ„ใ€ใ“ใ‚Œใฏ ๆญŒใงใ™ใ€‚ ใŸใ ใ—ใ€ใ“ใ‚ŒใฏๅฎŸ้š›ใซใฏๆ–‡ๆณ•็š„ใซ
32:42
correct though. Do you know why? What's the
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ๆญฃใ—ใใ‚ใ‚Šใพใ›ใ‚“ใ€‚ ใชใœใชใฎใ‹ใ”ๅญ˜็Ÿฅใงใ™ใ‹๏ผŸ
32:46
Grammar error here. Why? She had to go, why she had to go? Well, we know this is a question
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ใ“ใ“ใงใฎๆ–‡ๆณ•ใ‚จใƒฉใƒผใฏไฝ•ใงใ™ใ‹ใ€‚ ใชใœ๏ผŸ ๅฝผๅฅณใฏ่กŒใ‹ใชใ‘ใ‚Œใฐใชใ‚‰ใชใ‹ใฃใŸใ€ใชใœ ๅฝผๅฅณใฏ่กŒใ‹ใชใ‘ใ‚Œใฐใชใ‚‰ใชใ‹ใฃใŸใฎใงใ™ใ‹๏ผŸ
32:53
because there's a question mark here and it starts with Y, which is a question mark. When
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ใ“ใ“ใซ็–‘ๅ•็ฌฆใŒใ‚ใ‚Šใ€็–‘ๅ•็ฌฆใงใ‚ใ‚‹ Y ใงๅง‹ใพใ‚‹ใฎใงใ€ใ“ใ‚ŒใŒ็–‘ๅ•ใงใ‚ใ‚‹ใ“ใจใŒใ‚ใ‹ใ‚Šใพใ™ใ€‚
33:00
we have a wh question in this form, we need. Why do you know how to correct this? Why did
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ใ“ใฎๅฝขๅผใง Wh ใฎ่ณชๅ•ใŒใ‚ใ‚‹ๅ ดๅˆใฏใ€ๅฟ…่ฆใงใ™ใ€‚ ใชใœใ“ใ‚Œใ‚’ไฟฎๆญฃใ™ใ‚‹ๆ–นๆณ•ใ‚’็Ÿฅใฃใฆใ„ใ‚‹ใฎใงใ™ใ‹๏ผŸ ใชใœ
33:08
she have to go? Why did she have to go now? Notice I change.
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ๅฝผๅฅณใฏ่กŒใ‹ใชใ‘ใ‚Œใฐใชใ‚‰ใชใ‹ใฃใŸใฎใงใ™ใ‹๏ผŸ ใชใœๅฝผๅฅณใฏไปŠ่กŒใ‹ใชใ‘ใ‚Œใฐใชใ‚‰ใชใ‹ใฃใŸใฎใงใ™ใ‹๏ผŸ ็งใŒๅค‰ใ‚ใ‚‹ใ“ใจใซๆณจๆ„ใ—ใฆใใ ใ•ใ„ใ€‚
33:15
Had to have, why? Because my past simple is here, why did and then you use the base verb?
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ๆŒใฃใฆใ„ใชใ‘ใ‚Œใฐใชใ‚‰ใชใ‹ใฃใŸใ€ใชใœ๏ผŸ ็งใฎ้ŽๅŽปๅฝขใฏ ใ“ใ“ใซใ‚ใ‚‹ใฎใซใ€ใชใœๅŽŸๅ‹•่ฉžใ‚’ไฝฟใฃใŸใฎใงใ™ใ‹?
33:26
Because my past simple is already indicated with the auxiliary verb do conjugated in the
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็งใฎ้ŽๅŽปใฎใ‚ทใƒณใƒ—ใƒซใฏใ€้ŽๅŽป ใซๆดป็”จใ•ใ‚ŒใŸๅŠฉๅ‹•่ฉž do ใงใ™ใงใซ็คบใ•ใ‚Œใฆใ„ใ‚‹ใŸใ‚ใงใ™
33:34
past. Simple? Why did she have to go as a song? It probably sounds better to say this
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ใ€‚ ๅ˜็ด”๏ผŸ ใชใœๅฝผๅฅณใฏๆญŒใจใ—ใฆ่กŒใ‹ใชใ‘ใ‚Œใฐใชใ‚‰ใชใ‹ใฃใŸใฎใงใ™ใ‹ ๏ผŸ ใจใฏใ„ใˆใ€ใใ†่จ€ใฃใŸๆ–นใŒใ„ใ„ใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“
33:44
even though it is.
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ใ€‚
33:45
Optically, correct incorrect. So let me just write this. So you don't say this in your
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ๅ…‰ๅญฆ็š„ใซใ€ๆญฃใ—ใใชใ„ใ€‚ ใงใฏใ€ ใ“ใ‚Œใ ใ‘ๆ›ธใ‹ใ›ใฆใใ ใ•ใ„ใ€‚ ใงใ™ใ‹ใ‚‰ใ€ใ“ใ‚Œใ‚’
33:52
speech grammatically incorrect and then this
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ๆ–‡ๆณ•็š„ใซ้–“้•ใฃใŸใ‚นใƒ”ใƒผใƒใง่จ€ใ†ใฎใงใฏใชใใ€ใ“ใ‚Œใฏ
34:00
Is grammatically. Correct? Why did she have to go?
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ๆ–‡ๆณ•็š„ใซ้–“้•ใฃใฆใ„ใพใ™ใ€‚ ๆญฃใ—ใ„๏ผŸ ใชใœๅฝผๅฅณใฏ ่กŒใ‹ใชใ‘ใ‚Œใฐใชใ‚‰ใชใ‹ใฃใŸใฎใงใ™ใ‹๏ผŸ
34:07
I don't know, she wouldn't say she wouldn't say, wouldn't is our modal verb? In this case,
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ใ‚ใ‹ใ‚‰ใชใ„ใ€ๅฝผๅฅณใฏ่จ€ใ‚ใชใ„ใ ใ‚ใ†ใ€ๅฝผๅฅณใฏ่จ€ใ‚ใชใ„ใ ใ‚ใ† ใ€didnt ใฏ็งใŸใกใฎใƒขใƒผใƒ€ใƒซๅ‹•่ฉžใงใ™ใ‹? ใ“ใฎๅ ดๅˆใ€ไธๆœฌๆ„ใ‚’็คบๅ”†ใ™ใ‚‹
34:16
it's being used to
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ใŸใ‚ใซไฝฟ็”จใ•ใ‚Œใฆใ„ใพใ™
34:18
Suggest a unwillingness. For example she wouldn't help me. She wouldn't help me. She wouldn't
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ใ€‚ ใŸใจใˆใฐใ€ๅฝผๅฅณใฏ็งใ‚’ๅŠฉโ€‹โ€‹ใ‘ใฆใใ‚Œใพใ›ใ‚“ใงใ—ใŸ ใ€‚ ๅฝผๅฅณใฏ็งใ‚’ๅŠฉโ€‹โ€‹ใ‘ใ‚ˆใ†ใจใ—ใชใ‹ใฃใŸใ€‚ ๅฝผๅฅณใฏ
34:31
help me. There's an unwillingness, she could help me. She had the ability to help me but
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็งใ‚’ๅŠฉโ€‹โ€‹ใ‘ใ‚ˆใ†ใจใ—ใชใ‹ใฃใŸใ€‚ ไธๆœฌๆ„ใงใ™ใŒใ€ๅฝผๅฅณใฏ ็งใ‚’ๅŠฉโ€‹โ€‹ใ‘ใ‚‹ใ“ใจใŒใงใใพใ—ใŸใ€‚ ๅฝผๅฅณใฏ็งใ‚’ๅŠฉโ€‹โ€‹ใ‘ใ‚‹่ƒฝๅŠ›ใ‚’ๆŒใฃใฆใ„ใพใ—ใŸใŒใ€
34:39
she didn't she wouldn't help me. Now, important grammatically when you have a modal verb your
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็งใ‚’ๅŠฉใ‘ใ‚ˆใ†ใจใฏใ—ใพใ›ใ‚“ใงใ—ใŸใ€‚ ใ•ใฆใ€้ฆ–ใซ ใƒขใƒผใƒ€ใƒซๅ‹•่ฉžใŒใ‚ใ‚‹ๅ ดๅˆใ€ๆ–‡ๆณ•็š„ใซ้‡่ฆใงใ™
34:50
neck,
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ใ€‚
34:51
Next verb needs to be the base verb, not the infinitive modal + base verb. So we don't
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ๆฌกใฎๅ‹•่ฉžใฏใ€ไธๅฎš่ฉžใƒขใƒผใƒ€ใƒซ + ๅŸบๆœฌๅ‹•่ฉžใงใฏใชใใ€ๅŸบๆœฌๅ‹•่ฉžใงใ‚ใ‚‹ๅฟ…่ฆใŒใ‚ใ‚Šใพใ™ ใ€‚ ใงใ™ใ‹ใ‚‰ใ€
34:58
say she wouldn't to say because that's the infinitive to say, she wouldn't to help me.
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ๅฝผๅฅณใŒ็งใ‚’ๅŠฉใ‘ใชใ„ใจ ่จ€ใ†ใฎใฏไธๅฎš่ฉžใชใฎใงใ€ๅฝผๅฅณใŒ็งใ‚’ๅŠฉใ‘ใชใ„ใจใฏ่จ€ใ„ใพใ›ใ‚“ใ€‚
35:07
No, that's incorrect. Now is also possible. She would help me. She would help me. And
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ใ„ใ„ใˆใ€ใใ‚Œใฏๆญฃใ—ใใ‚ใ‚Šใพใ›ใ‚“ใ€‚ ไปŠใงใ‚‚ๅฏ่ƒฝใงใ™ใ€‚ ๅฝผๅฅณใฏ็งใ‚’ๅŠฉโ€‹โ€‹ใ‘ใ‚‹ใงใ—ใ‚‡ใ†ใ€‚ ๅฝผๅฅณใฏ็งใ‚’ๅŠฉโ€‹โ€‹ใ‘ใ‚‹ใงใ—ใ‚‡ใ†ใ€‚ ใใ—ใฆ
35:14
here is not, she would to help me because that's the infinitive. We don't want that
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ใ€ใ“ใ“ใงใฏใ‚ใ‚Šใพใ›ใ‚“ใ€‚ใใ‚Œใฏไธๅฎš่ฉžใชใฎใงใ€ๅฝผๅฅณใฏ็งใ‚’ๅŠฉโ€‹โ€‹ใ‘ใฆใใ‚Œใ‚‹ใงใ—ใ‚‡ใ† ใ€‚ ็งใŸใกใฏๆœ›ใ‚“ใงใ„ใพใ›ใ‚“
35:19
we want.
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35:20
Our base verb, she would help me. She wouldn't help me. She refused to help me.
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็งใŸใกใฎๅŸบๆœฌๅ‹•่ฉžใ€she would help me. ๅฝผๅฅณใฏ ็งใ‚’ๅŠฉโ€‹โ€‹ใ‘ใ‚ˆใ†ใจใ—ใชใ‹ใฃใŸใ€‚ ๅฝผๅฅณใฏ็งใ‚’ๅŠฉโ€‹โ€‹ใ‘ใ‚‹ใ“ใจใ‚’ๆ‹’ๅฆใ—ใพใ—ใŸใ€‚
35:28
I don't know. She wouldn't say I said something wrong. Now, I long for yesterday. This is
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ใ‚ใ‹ใ‚‰ใชใ„ใ€‚ ๅฝผๅฅณใฏ็งใŒไฝ•ใ‹้–“้•ใฃใŸใ“ใจใ‚’่จ€ใฃใŸใจใฏ่จ€ใ„ใพใ›ใ‚“ใงใ—ใŸ ใ€‚ ใ•ใฆใ€ๆ˜จๆ—ฅใŒๅพ…ใก้ ใ—ใ„ใงใ™ใ€‚
35:37
a very poetic expression. Honestly, I don't think you'll use it too much in your speech,
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ใจใฆใ‚‚่ฉฉ็š„ใช่กจ็พใงใ™ใ€‚ ๆญฃ็›ดใชใจใ“ใ‚ใ€ ใ‚นใƒ”ใƒผใƒใงใ‚ใพใ‚Šไฝฟใ‚ใชใ„ใจๆ€ใ„ใพใ™
35:46
but it is a very nice, poetic expression and you may hear it in other songs, movies TV
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ใŒใ€ใจใฆใ‚‚็ด ๆ•ตใง่ฉฉ็š„ใช่กจ็พใงใ‚ใ‚Šใ€ ไป–ใฎๆญŒใ€ๆ˜ ็”ปใ€ใƒ†ใƒฌใƒ“ใ€ใใ—ใฆใŠใใ‚‰ใ่ฉฉใงใ‚‚่žใใ“ใจใŒใงใใพใ™
35:54
and most likely poetry as well.
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. ใ‚ใชใŸใŒๆœฌๅฝ“ใซใ€ๆœฌๅฝ“ใซใ€ๆœฌๅฝ“ใซๆฌฒใ—ใ„
35:58
I long for when you long for something you really, really, really want it. There's a
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ไฝ•ใ‹ใ‚’ๅˆ‡ๆœ›ใ™ใ‚‹ใจใใ€็งใฏๅˆ‡ๆœ›ใ—ใพใ™ ใ€‚
36:06
strong desire for that. You might say, I long for summer, for example, right now, it's winter,
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ใจใ„ใ†ๅผทใ„ๆฌฒๆฑ‚ใŒใ‚ใ‚Šใพใ™ใ€‚ ๅคใŒๅพ…ใก้ ใ—ใ„ใ€ไพ‹ใˆใฐใ€ไปŠใฏๅ†ฌใ ใ€
36:19
it's very cold. I long for summer, I long to see the trees in bloom.
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ใจใฆใ‚‚ๅฏ’ใ„ใ€ใจใ‚ใชใŸใฏ่จ€ใ†ใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ใ€‚ ๅคใŒๅพ…ใก้ ใ—ใ„ใ€ ่ŠฑใŒๅ’ฒใๆœจใ€…ใ‚’่ฆ‹ใŸใใฆใŸใพใ‚‰ใชใ„ใ€‚
36:28
The trees in bloom, the Flowers In Bloom, notice because I have a verb here, I use the
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The trees in bloom, the Flowers In Bloom, note ใ“ใ“ใซๅ‹•่ฉžใŒใ‚ใ‚‹ใฎใงใ€
36:37
infinitive, I long to see the trees in bloom, I long for summer summer is a noun. So we
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ไธๅฎš่ฉžใ‚’ไฝฟใ„ใพใ™ใ€‚ๅ’ฒใๆœจใŒ่ฆ‹ใŸใ„ใงใ™ใ€‚ๅคใŒ ๅพ…ใก้ ใ—ใ„ใงใ™ใ€‚ๅคใฏๅ่ฉžใงใ™ใ€‚ ใ—ใŸใŒใฃใฆใ€
36:47
use for + noun. Let me write this for + noun and then you use infinitive if you're going
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for + ๅ่ฉžใ‚’ไฝฟ็”จใ—ใพใ™ใ€‚ + ๅ่ฉžใซๅฏพใ—ใฆใ“ใ‚Œใ‚’ๆ›ธใ‹ใ›ใฆใใ ใ•ใ„ใ€‚ๅ‹•่ฉžใ‚’ไฝฟ็”จใ™ใ‚‹ ๅ ดๅˆใฏใ€ไธๅฎš่ฉžใ‚’ไฝฟ็”จใ—ใพใ™
36:57
to
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36:58
use a verb. So long + infinitive and this is long + 4 + noun. Now, because long is a
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ใ€‚ ใจใฆใ‚‚้•ทใ„ + ไธๅฎš่ฉžใงใ€ใ“ใ‚Œใฏ ้•ทใ„ + 4 + ๅ่ฉžใงใ™ใ€‚ ใ•ใฆใ€long ใฏ
37:10
verb, you do need to conjugate it, she Longs for Summer, She longed for summer, that would
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ๅ‹•่ฉžใงใ‚ใ‚‹ใŸใ‚ใ€ๆดป็”จใ™ใ‚‹ๅฟ…่ฆใŒใ‚ใ‚Šใพใ™ใ€‚she Longs for Summer, She longed for summer, ใใ‚Œใฏ
37:21
be in the past. Simple, of course, she Longs for summer. I long to see the trees in bloom.
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้ŽๅŽปใฎใ“ใจใงใ™. ใ‚‚ใกใ‚ใ‚“ใ€ๅฝผๅฅณใฏ ๅคใŒๅพ…ใก้ ใ—ใ„ใงใ™ใ€‚ ๆœจใ€…ใซ่ŠฑใŒๅ’ฒใใฎใ‚’ๅพ…ใกๆœ›ใ‚“ใงใ„ใพใ™ใ€‚
37:27
It sounds
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37:28
It's very poetic honestly I probably wouldn't say that because it does sound very poetic.
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ใใ‚Œใฏใจใฆใ‚‚่ฉฉ็š„ใงใ™ ๆญฃ็›ดใซ่จ€ใ†ใจใ€ ใจใฆใ‚‚่ฉฉ็š„ใซ่žใ“ใˆใ‚‹ใฎใงใ€ใŠใใ‚‰ใใใ†ใฏ่จ€ใ„ใพใ›ใ‚“ใ€‚
37:34
I probably wouldn't say it to my friends but it sounds beautiful to me. So why don't you
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ๅ‹้”ใซใฏ่จ€ใ‚ใชใ„ใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ใŒใ€ ็งใซใฏ็พŽใ—ใ„ใจๆ€ใ„ใพใ™ใ€‚ ใใ‚Œใงใฏใ€
37:41
try that in the comments below? Try sharing something that you long for or you can use
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ไปฅไธ‹ใฎใ‚ณใƒกใƒณใƒˆใงใใ‚Œใ‚’่ฉฆใ—ใฆใฟใพใ›ใ‚“ใ‹? ใ‚ใชใŸใŒๅˆ‡ๆœ›ใ—ใฆใ„ใ‚‹ใ‚‚ใฎใ‚’ๅ…ฑๆœ‰ใ—ใฆใฟใฆใใ ใ•ใ„ใ€‚ใพใŸใฏใ€ๆžถ็ฉบใฎ Sheehy ใ‚’ ไฝฟ็”จใ™ใ‚‹ใ“ใจใ‚‚ใงใใพใ™
37:47
a hypothetical Sheehy, we long for as well.
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ใ€‚
37:53
Let's continue on yesterday. Love was such an easy game to play. Of course, our verb
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ๆ˜จๆ—ฅใซๅผ•ใ็ถšใใ€‚ ๆ„›ใฏใจใฆใ‚‚ ็ฐกๅ˜ใชใ‚ฒใƒผใƒ ใงใ—ใŸใ€‚ ใ‚‚ใกใ‚ใ‚“ใ€็งใŸใกใฎๅ‹•่ฉžใฏ
38:02
to be in the past, simple conjugated with our subject, which is love. That's why. It's
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้ŽๅŽปๅฝขใงใ‚ใ‚Šใ€็งใŸใกใฎไธป่ชžใงใ‚ใ‚‹ๆ„›ใจๅ˜็ด”ใซ็ตๅˆใ—ใฆใ„ใพใ™ ใ€‚ ใใ‚ŒใŒ็†็”ฑใงใ™ใ€‚
38:11
was now, I need a place to hide away. Oh, I believe in yesterday? Again, I believe in
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ไปŠใ ใ€้š ใ‚Œใ‚‹ๅ ดๆ‰€ใŒๅฟ…่ฆใ ใ€‚ ใ‚ใ‚ใ€ ็งใฏๆ˜จๆ—ฅใ‚’ไฟกใ˜ใพใ™ใ‹๏ผŸ ็นฐใ‚Š่ฟ”ใ—ใพใ™ใŒใ€็งใฏใ‚ใชใŸใ‚’ไฟกใ˜ใฆใ„ใพใ™
38:21
you, I believe.
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ใ€็งใฏไฟกใ˜ใฆใ„ใพใ™ใ€‚
38:22
Leave in your abilities. I believe, in your talent. You got this. Let's continue on. Okay,
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ใ‚ใชใŸใฎ่ƒฝๅŠ›ใ‚’ๆฎ‹ใ—ใฆใใ ใ•ใ„ใ€‚ ็งใฏใ‚ใชใŸใฎๆ‰่ƒฝใ‚’ไฟกใ˜ใฆใ„ใพใ™ ใ€‚ ใ‚ใชใŸใฏใ“ใ‚Œใ‚’ๅพ—ใพใ—ใŸใ€‚ ็ถšใ‘ใพใ—ใ‚‡ใ†ใ€‚ ใ•ใฆใ€
38:31
this is back to the course. So I don't think there's anything new here why she had to go.
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ใ“ใ‚Œใฏใ‚ณใƒผใ‚นใซๆˆปใ‚Šใพใ™ใ€‚ ใ ใ‹ใ‚‰ใ€ ใชใœๅฝผๅฅณใŒ่กŒใ‹ใชใ‘ใ‚Œใฐใชใ‚‰ใชใ‹ใฃใŸใฎใ‹ใ€ใ“ใ“ใซใฏไฝ•ใ‚‚ๆ–ฐใ—ใ„ใ“ใจใฏใชใ„ใจๆ€ใ„ใพใ™ใ€‚
38:38
We already talked about this.
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ใ“ใ‚Œใซใคใ„ใฆใฏใ™ใงใซ่ฉฑใ—ใพใ—ใŸใ€‚
38:41
This is the same as before and that's the end of the song. So it's a simple song but
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ใ“ใ‚Œใฏๅ‰ใจๅŒใ˜ใงใ€ใใ‚Œใง ๆ›ฒใฏ็ต‚ใ‚ใ‚Šใงใ™ใ€‚ ใ‚ทใƒณใƒ—ใƒซใชๆ›ฒใงใ™ใŒใ€
38:47
it's a great reminder of the past simple because it's about yesterday and there's some very
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้ŽๅŽปใฎใ“ใจใ‚’ๆ€ใ„ๅ‡บใ•ใ›ใฆใใ‚Œใ‚‹็ด ๆ™ดใ‚‰ใ—ใ„ๆ›ฒใงใ™ใ€‚ใชใœใชใ‚‰ ๆ˜จๆ—ฅใฎใ“ใจใงใ€
38:54
nice expressions in this song as well. So now what I recommend is that you listen to
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ใ“ใฎๆ›ฒใซใ‚‚ใจใฆใ‚‚็ด ๆ•ตใช่กจ็พใŒใ„ใใคใ‹ๅซใพใ‚Œใฆใ„ใ‚‹ใ‹ใ‚‰ใงใ™ใ€‚ ใ ใ‹ใ‚‰ ไปŠใ€็งใŒใŠๅ‹งใ‚ใ™ใ‚‹ใฎใฏใ€ใ‚ใชใŸใŒๆญŒใ‚’่žใใ“ใจใงใ™
39:01
the song. So the link to listen to the song and follow, along with the lyrics, is in the
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ใ€‚ ใใฎใŸใ‚ใ€ๆ›ฒใ‚’่ดใ„ใฆ ใƒ•ใ‚ฉใƒญใƒผใ™ใ‚‹ใŸใ‚ใฎใƒชใƒณใ‚ฏใฏใ€ๆญŒ่ฉžใจใจใ‚‚ใซ
39:07
free lesson, PDF that you can download this exact.
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็„กๆ–™ใฎใƒฌใƒƒใ‚นใƒณใฎ PDF ใซใ‚ใ‚Šใ€ใ“ใ‚Œใ‚’ๆญฃ็ขบใซใƒ€ใ‚ฆใƒณใƒญใƒผใƒ‰ใงใใพใ™ ใ€‚
39:11
F and you can listen to this song. I hope you enjoyed this lyric review.
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Fใจใ‚ใชใŸใฏใ“ใฎๆญŒใ‚’่žใใ“ใจใŒใงใใพใ™ใ€‚ ใ“ใฎๆญŒ่ฉžใฎใƒฌใƒ“ใƒฅใƒผใ‚’ๆฅฝใ—ใ‚“ใงใ„ใŸใ ใ‘ใ‚Œใฐๅนธใ„ใงใ™ใ€‚
39:18
Let's get started with the song review and we'll go through the song together. Now, keep
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ๆ›ฒใฎใƒฌใƒ“ใƒฅใƒผใ‹ใ‚‰ๅง‹ใ‚ใพใ—ใ‚‡ใ†ใ€‚ ไธ€็ท’ใซๆ›ฒใ‚’่ฆ‹ใฆใ„ใใพใ™ใ€‚
39:23
in mind for copyright purposes, I'm not allowed to play the song but I have included the link
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่‘—ไฝœๆจฉไธŠใฎ็†็”ฑใ‹ใ‚‰ใ€ใ“ใฎ ๆ›ฒใ‚’ๅ†็”Ÿใ™ใ‚‹ใ“ใจใฏ่จฑๅฏใ•ใ‚Œใฆใ„ใพใ›ใ‚“ใŒใ€ๆญŒ่ฉžไป˜ใใฎ
39:30
to where you can listen to the song with the lyrics. So you can learn what the lyrics mean.
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ๆ›ฒใ‚’่ดใ‘ใ‚‹ๅ ดๆ‰€ใธใฎใƒชใƒณใ‚ฏใ‚’ๅซใ‚ใพใ—ใŸ ใ€‚ ใ ใ‹ใ‚‰ใ€ๆญŒ่ฉžใฎๆ„ๅ‘ณใ‚’็Ÿฅใ‚‹ใ“ใจใŒใงใใพใ™ใ€‚
39:37
And then after this lesson, you can listen to the song. With the lyrics, the song starts
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ใใ—ใฆใ€ใ“ใฎใƒฌใƒƒใ‚นใƒณใฎๅพŒใ€ๆญŒใ‚’่žใใ“ใจใŒใงใใพใ™ ใ€‚ ๆญŒ่ฉžใงใฏใ€ๆญŒใฏใ€Œ
39:42
by saying, we were good. We were gold kind of dream that can't be sold.
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็งใŸใกใฏ่‰ฏใ‹ใฃใŸใ€ใจใ„ใ†ใ“ใจใ‹ใ‚‰ๅง‹ใพใ‚Šใพใ™ใ€‚ ็งใŸใกใฏๅฃฒใ‚Œใชใ„้‡‘ใฎใ‚ˆใ†ใชๅคขใงใ—ใŸ ใ€‚
39:48
Old. We were good. We were gold. I said, I wasn't going to sing. Notice the verb tense
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ๅนดใ€‚ ่‰ฏใ‹ใฃใŸใงใ™ใ€‚ ็งใŸใกใฏ้‡‘ใงใ—ใŸใ€‚ ็งใฏ่จ€ใฃใŸใ€็งใฏ ๆญŒใ†ใคใ‚‚ใ‚Šใฏใชใ‹ใฃใŸใ€‚ ใ“ใ“ใงๅ‹•่ฉžใฎๆ™‚ๅˆถใซๆณจๆ„ใ—ใฆใใ ใ•ใ„
39:55
here? We were good. What verb tenses? This of course, it's the past simple of the verb
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ใ€‚ ่‰ฏใ‹ใฃใŸใงใ™ใ€‚ ๅ‹•่ฉžใฎๆ™‚ๅˆถใฏ๏ผŸ ใ‚‚ใกใ‚ใ‚“ใ€ใ“ใ‚Œใฏbeๅ‹•่ฉžใฎๅ˜็ด”้ŽๅŽปๅฝขใงใ™
40:02
to be. So it means, of course they are no longer good, which implies this is a song
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ใ€‚ ใคใพใ‚Šใ€ใ‚‚ใกใ‚ใ‚“ๅฝผใ‚‰ใฏ ใ‚‚ใ†่‰ฏใใชใ„ใจใ„ใ†ใ“ใจใงใ‚ใ‚Šใ€ใ“ใ‚Œใฏใ“ใ‚ŒใŒๅˆฅใ‚Œใซใคใ„ใฆใฎๆญŒใงใ‚ใ‚‹ใ“ใจใ‚’ๆš—็คบใ—ใฆใ„ใพใ™
40:10
about a breakup. A breakup, a breakup is, when a couple a romantic couple is together
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ใ€‚ ๅˆฅใ‚Œใ€ๅˆฅใ‚Œใจใฏใ€ ใ‚ซใƒƒใƒ—ใƒซใŒใƒญใƒžใƒณใƒใƒƒใ‚ฏใชใ‚ซใƒƒใƒ—ใƒซใŒไธ€็ท’ใซใ„ใฆใ€ๅฝผใ‚‰ใŒ
40:17
And they break up and they're no longer together. That's a breakup. So you could say this is
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ๅˆฅใ‚ŒใŸใจใใ€ๅฝผใ‚‰ใฏใ‚‚ใฏใ‚„ไธ€็ท’ใงใฏใ‚ใ‚Šใพใ›ใ‚“. ใใ‚Œใฏๅˆฅใ‚Œใงใ™ใ€‚ ใคใพใ‚Šใ€ใ“ใ‚Œใฏ
40:25
a breakup song. So here I gave you some examples. This is a song about a breakup. This is our
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ๅคฑๆ‹ใ‚ฝใƒณใ‚ฐใจ่จ€ใˆใพใ™ใ€‚ ใใ“ใงใ€ใ„ใใคใ‹ไพ‹ใ‚’ๆŒ™ใ’ใพใ—ใŸใ€‚ ใ“ใ‚Œใฏๅˆฅใ‚Œใซใคใ„ใฆใฎๆญŒใงใ™ใ€‚ ใ“ใ‚ŒใŒ็งใŸใกใฎ
40:33
now and here we're no longer together. We broke up, this is the phrasal verb break up
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ไปŠใงใ‚ใ‚Šใ€ใ“ใ“ใง็งใŸใกใฏใ‚‚ใ†ไธ€็ท’ใงใฏใ‚ใ‚Šใพใ›ใ‚“. We break upใ€ใ“ใ‚Œใฏๅฅๅ‹•่ฉžใฎ break up ใง
40:40
and this is the past form. Broke is the past simple of break. We were good, we're not.
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ใ€ใ“ใ‚Œใฏ้ŽๅŽปๅฝขใงใ™ใ€‚ Broke ใฏ break ใฎ้ŽๅŽปๅฝขใงใ™ใ€‚ ็งใŸใกใฏ่‰ฏใ‹ใฃใŸใฎใงใ™ใŒใ€ใใ†ใงใฏใ‚ใ‚Šใพใ›ใ‚“ใ€‚
40:48
Anymore. We were gold. We're not anymore kind of dream that can't be sold in music. It's
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ใ‚‚ใ†ใ€‚ ็งใŸใกใฏ้‡‘ใงใ—ใŸใ€‚ ็งใŸใกใฏใ‚‚ใ†ใ€ ้Ÿณๆฅฝใงๅฃฒใ‚Œใชใ„ใ‚ˆใ†ใชๅคขใงใฏใ‚ใ‚Šใพใ›ใ‚“ใ€‚ ใ‚ˆใ‚Šใ‚นใƒ ใƒผใ‚บใซๆตใ‚Œใ‚‹ใŸใ‚ใ€
40:57
very common to reduce certain words for pronunciation purposes because it flows smoother, kinda
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็™บ้ŸณใฎใŸใ‚ใซ็‰นๅฎšใฎๅ˜่ชžใ‚’ๆธ›ใ‚‰ใ™ใ“ใจใฏ้žๅธธใซไธ€่ˆฌ็š„ใงใ™
41:06
is a reduction of the word kind of. And in this case it means the kind of dream. So it's
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ใ€‚ ใใ—ใฆ ใ“ใฎๅ ดๅˆใ€ใใ‚Œใฏไธ€็จฎใฎๅคขใ‚’ๆ„ๅ‘ณใ—ใพใ™ใ€‚ ใคใพใ‚Šใ€ๅคข
41:16
talking about the type of
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ใฎใ‚ฟใ‚คใƒ—ใซใคใ„ใฆ่ฉฑใ—ใฆใ„ใ‚‹ใฎใงใ™
41:18
Dream. The kind of dream, the type of dream kind of dream that can't be sold. We were
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ใ€‚ ๅคขใฎใ‚ˆใ†ใชใ‚‚ใฎใ€ๅคขใฎใ‚ˆใ†ใชใ‚‚ใฎใ€ ๅฃฒใ‚Œใชใ„ๅคขใฎใ‚ˆใ†ใชใ‚‚ใฎใ€‚ ็งใŸใกใฏ
41:27
right. Tell we weren't built a home and watched it burn. So here, when they were still a couple
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ๆญฃใ—ใ‹ใฃใŸใ€‚ ็งใŸใกใฏๅฎถใ‚’ๅปบใฆใŸใฎใงใฏใชใใ€ใใ‚ŒใŒ็‡ƒใˆใ‚‹ใฎใ‚’่ฆ‹ใŸใจไผใˆใฆใใ ใ•ใ„ ใ€‚ ๅˆฅใ‚Œใ‚‹ๅ‰ใซใพใ ใ‚ซใƒƒใƒ—ใƒซใ ใฃใŸใจใ
41:37
before they broke up, they built a home together and then they broke up and now they're watching,
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ใ€ๅฝผใ‚‰ใฏไธ€็ท’ใซๅฎถใ‚’ๅปบใฆ ใ€ใใฎๅพŒๅˆฅใ‚ŒใŸ
41:46
it burn of course.
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ใ€‚
41:47
Course metaphorically, not literally, they're watching all their memories, their time together
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ใ‚‚ใกใ‚ใ‚“ใ€ๆ–‡ๅญ—้€šใ‚Šใงใฏใชใใ€ๆฏ”ๅ–ฉ็š„ใซ่จ€ใˆใฐใ€ๅฝผใ‚‰ใฏ ใ™ในใฆใฎๆ€ใ„ๅ‡บใ‚’่ฆ‹ใฆใ„ใพใ™ใ€‚ไธ€็ท’ใซ้Žใ”ใ—ใŸๆ™‚้–“ใฏ
41:55
burn. So this sets the tone of the song we know it's going to be a sad song about a breakup.
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็‡ƒใˆๅฐฝใใพใ™ใ€‚ ใ ใ‹ใ‚‰ใ€ใ“ใ‚Œใฏ ๅˆฅใ‚Œใซใคใ„ใฆใฎๆ‚ฒใ—ใ„ๆญŒใซใชใ‚‹ใ ใ‚ใ†ใจ็งใŸใกใŒ็Ÿฅใฃใฆใ„ใ‚‹ๆ›ฒใฎใƒˆใƒผใƒณใ‚’่จญๅฎšใ—ใพใ™.
42:05
Now this is the pre-chorus I didn't want to leave. You wanna is a reduction, it's the
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ไปŠใ€ใ“ใ‚Œใฏ็งใŒๆฎ‹ใ—ใŸใใชใ‹ใฃใŸใƒ—ใƒชใ‚ณใƒผใƒฉใ‚นใงใ™ ใ€‚ You wanna ใฏๅ‰Šๆธ›ใงใ™ใ€
42:13
word want to but when you're singing is a lot easier to say
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ใŸใ„ใธใ‚“ใจใ„ใ†่จ€่‘‰ใงใ™ใŒใ€ๆญŒใฃใฆใ„ใ‚‹ๆ™‚ใฏใ€
42:18
I didn't wanna then saying I didn't want to leave you so it's just easier to say in spoken
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็งใฏใ—ใŸใใชใ„ใจ ่จ€ใฃใŸๆ–นใŒใšใฃใจ็ฐกๅ˜ใงใ™ใ€‚
42:25
English, especially when you're singing. So this is saying that it wasn't my Lee's decision
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ใ‚ใชใŸใฏๆญŒใฃใฆใ„ใพใ™ใ€‚ ใ ใ‹ใ‚‰ ใ“ใ‚Œใฏใ€้–ขไฟ‚ใ‚’็ต‚ใ‚ใ‚‰ใ›ใ‚‹ใŸใ‚ใซๅˆฅใ‚ŒใŸใฎใฏ็งใฎใƒชใƒผใฎๆฑบๅฎšใงใฏใชใ‹ใฃใŸใจ่จ€ใฃใฆใ„ใพใ™
42:32
to break up to end the relationship. I didn't want to leave you. I didn't want to lie. I'm
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. ็งใฏ ใ‚ใชใŸใ‚’้›ขใ‚ŒใŸใใชใ‹ใฃใŸใ€‚ ็งใฏๅ˜˜ใ‚’ใคใใŸใใชใ‹ใฃใŸใ€‚
42:40
not sure what they're lying about Ally is of course when you do not tell the truth.
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ๅฝผใ‚‰ใŒไฝ•ใซใคใ„ใฆๅ˜˜ใ‚’ใคใ„ใฆใ„ใ‚‹ใฎใ‹ใฏใ‚ใ‹ใ‚Šใพใ›ใ‚“ใ€‚ ใ‚‚ใกใ‚ใ‚“ใ€ใ‚ใชใŸใŒ็œŸๅฎŸใ‚’่ชžใ‚‰ใชใ„ใจใใงใ™ใ€‚
42:48
Ruth to lie. Now notice the verb I'm using here. You tell the truth. In this case, truth
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ๅ˜˜ใ‚’ใคใใƒซใƒผใ‚นใ€‚ ใ“ใ“ใง็งใŒไฝฟใฃใฆใ„ใ‚‹ๅ‹•่ฉžใซๆณจ็›ฎใ—ใฆใใ ใ•ใ„ ใ€‚ ใ‚ใชใŸใฏ็œŸๅฎŸใ‚’่ฉฑใ—ใพใ™ใ€‚ ใ“ใฎๅ ดๅˆใ€็œŸๅฎŸใฏ
42:58
is a noun and we do not use the verb. Say, you never say the truth and you never say
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ๅ่ฉžใงใ‚ใ‚Šใ€ๅ‹•่ฉžใฏไฝฟ็”จใ—ใพใ›ใ‚“ใ€‚ ่จ€ใฃใฆใใ ใ•ใ„ใ€ ใ‚ใชใŸใฏๆฑบใ—ใฆ็œŸๅฎŸใ‚’่จ€ใ‚ใšใ€ๆฑบใ—ใฆ
43:08
lies. You always tell the truth or you tell lies, but when you use tell,
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ๅ˜˜ใ‚’ใคใใพใ›ใ‚“ใ€‚ ใ‚ใชใŸใฏๅธธใซ็œŸๅฎŸใ‚’่ชžใ‚‹ใ‹ใ€ ๅ˜˜ใ‚’ใคใใพใ™ใŒใ€tell ใ‚’ไฝฟใ†ๅ ดๅˆใ€
43:18
Tell is your verb and lies is a noun. It doesn't have to be plural. You could tell all lie,
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Tell ใฏๅ‹•่ฉžใงใ€lies ใฏๅ่ฉžใงใ™ใ€‚ ่ค‡ๆ•ฐๅฝขใงใ‚ใ‚‹ๅฟ…่ฆใฏใ‚ใ‚Šใพใ›ใ‚“ใ€‚ ใ™ในใฆๅ˜˜ใ‚’ใคใใ“ใจใ‚‚ใงใใพใ™
43:26
or you can tell lies in the plural, but for truth, there's only one truth, right? Which
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ใ—ใ€่ค‡ๆ•ฐๅฝขใงๅ˜˜ใ‚’ใคใใ“ใจใ‚‚ใงใใพใ™ใŒ ใ€็œŸๅฎŸใฏ 1 ใคใ ใ‘ใงใ™ใ‚ˆใญ? ใ“ใ‚ŒใŒใ€
43:35
is why we use the truth and it's singular. But you can say all lie or lies in plural
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็งใŸใกใŒ็œŸๅฎŸใ‚’ไฝฟ็”จใ™ใ‚‹็†็”ฑใงใ‚ใ‚Šใ€ใใ‚Œใฏ็‰น็•ฐใงใ™ใ€‚ ใ—ใ‹ใ—ใ€ใ‚ใชใŸใฏใ™ในใฆใฎๅ˜˜ใ‚„ๅ˜˜ใ‚’่ค‡ๆ•ฐๅฝขใง่จ€ใ†ใ“ใจใŒใงใใพใ™
43:41
but again
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ใŒใ€ๅ†ใณ
43:42
Lies and truth. That's the noun. And the verb is tell, but you can also use lie as a verb.
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ๅ˜˜ใจ็œŸๅฎŸ. ใใ‚ŒใŒๅ่ฉžใงใ™ใ€‚ ใใ—ใฆใ€ๅ‹•่ฉžใฏ tellใงใ™ใŒใ€ๅ‹•่ฉžใจใ—ใฆๅ˜˜ใ‚’ไฝฟใ†ใ“ใจใ‚‚ใงใใพใ™ใ€‚
43:52
For example, I lied to my boyfriend. This is our verb lie and it's in the past simple.
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ใŸใจใˆใฐใ€ๅฝผๆฐใซๅ˜˜ใ‚’ใคใใพใ—ใŸใ€‚ ใ“ใ‚Œใฏ ็งใŸใกใฎๅ‹•่ฉžใฎๅ˜˜ใงใ€ๅ˜็ด”้ŽๅŽปๅฝขใงใ™ใ€‚
43:57
I lied to my boyfriend.
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็งใฏๅฝผๆฐใซๅ˜˜ใ‚’ใคใใพใ—ใŸใ€‚
44:01
I didn't want to lie started to cry but then I remembered now the song goes into the chorus
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็งใฏๅ˜˜ใ‚’ใคใใŸใใ‚ใ‚Šใพใ›ใ‚“ใงใ—ใŸ
44:12
and although this is a breakup song, the song becomes more optimistic, more upbeat and the
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44:21
chorus. I can buy myself flowers write my name in the sand. Now notice she doesn't repeat
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. ็ ‚ใซ่‡ชๅˆ†ใฎๅๅ‰ใ‚’ๆ›ธใ่Šฑใ‚’่ฒทใ†ใ“ใจใŒใงใใพใ™ ใ€‚ ใ“ใ“ใงใ€ๅฝผๅฅณใŒใ“ใ‚Œใ‚’็นฐใ‚Š่ฟ”ใ•ใชใ„ใ“ใจใซๆณจๆ„ใ—ใฆใใ ใ•ใ„
44:29
this.
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ใ€‚
44:30
I can, but it's implied for every line. I can write my name in the sand. I can talk
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ใงใใพใ™ใŒใ€ใใ‚Œใฏใ™ในใฆใฎ่กŒใงๆš—็คบใ•ใ‚Œใฆใ„ใพใ™ใ€‚ ็ ‚ใซ่‡ชๅˆ†ใฎๅๅ‰ใ‚’ๆ›ธใใ“ใจใŒใงใใพใ™ใ€‚ ็ง
44:37
to myself for hours but that was sound quite repetitive to say it over and over. So this
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ใฏไฝ•ๆ™‚้–“ใ‚‚็‹ฌใ‚Š่จ€ใ‚’่จ€ใ†ใ“ใจใŒใงใใพใ™ใŒใ€ ใใ‚Œใ‚’ไฝ•ๅบฆใ‚‚่จ€ใ†ใฎใฏ้žๅธธใซๅๅพฉ็š„ใงใ—ใŸ. ใ ใ‹ใ‚‰ใ€ใ“ใ‚Œใฏ
44:43
I can applies to all the actions by myself flowers. So someone else usually gives you
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็งใŒ่Šฑใงใ™ในใฆใฎ่กŒๅ‹•ใซ้ฉ็”จใ™ใ‚‹ใ“ใจใŒใงใใพใ™ . ใŠ่Šฑใฏใ„ใคใ‚‚่ชฐใ‹ใŒ่ดˆใฃใฆใใ‚Œใพใ™ใ‚ˆ
44:52
flowers, right? I can buy myself flowers write my name in the sand because normally
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ใญ๏ผŸ ็งใฏ่‡ชๅˆ†ใง่Šฑใ‚’่ฒทใ†ใ“ใจใŒใงใใพใ™ ็ ‚ใซ็งใฎๅๅ‰ใ‚’ๆ›ธใ ้€šๅธธใ€
45:00
You're in, love you write your name with your initials and your boyfriend or girlfriend's
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ใ‚ใชใŸใฏใ„ใ‚‹ใฎใงใ€ใ‚ใชใŸใฎๅๅ‰ใ‚’ใ‚ใชใŸใฎ ใ‚คใƒ‹ใ‚ทใƒฃใƒซใจใ‚ใชใŸใฎใƒœใƒผใ‚คใƒ•ใƒฌใƒณใƒ‰ใพใŸใฏใ‚ฌใƒผใƒซ
45:07
initials in the sand with a big heart around it. So she's saying, I can write my name in
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ใƒ•ใƒฌใƒณใƒ‰ใฎใ‚คใƒ‹ใ‚ทใƒฃใƒซใง็ ‚ใฎไธญใซๅคงใใชใƒใƒผใƒˆใงๆ›ธใใฎใŒๅคงๅฅฝใใงใ™ . ใ ใ‹ใ‚‰ๅฝผๅฅณใฏใ€ใ“ใ‚Œใซ่‡ชๅˆ†ใฎๅๅ‰ใ‚’ๆ›ธใ„ใฆใ€ไฝ•
45:13
this and talk to myself for hours. This is a good time reference here for hours. This
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ๆ™‚้–“ใงใ‚‚็‹ฌใ‚Š่จ€ใ‚’่จ€ใ†ใ“ใจใŒใงใใ‚‹ใจ่จ€ใฃใฆใ„ใพใ™. ใ“ใ‚Œใฏใ€ ใ“ใ“ใงไฝ•ๆ™‚้–“ใ‚‚ๅ‚็…งใ™ใ‚‹ใฎใซ้ฉใ—ใฆใ„ใพใ™ใ€‚ ใ“ใ‚Œใฏ
45:23
is a non specific amount of time but it sounds like a long time.
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็‰นๅฎšใฎๆ™‚้–“ใงใฏใ‚ใ‚Šใพใ›ใ‚“ใŒใ€ ้•ทใ„ๆ™‚้–“ใฎใ‚ˆใ†ใซ่žใ“ใˆใพใ™ใ€‚
45:30
For example, we worked on the project 4 hours, 4 hours that sounds like, oh, long time even
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ใŸใจใˆใฐใ€็งใŸใกใฏ 4 ๆ™‚้–“ใจใ„ใ†ใƒ—ใƒญใ‚ธใ‚งใ‚ฏใƒˆใซๅ–ใ‚Š็ต„ใฟใพใ—ใŸใ€‚4 ๆ™‚้–“ใจใ„ใ†ใจใ€ๅ…ทไฝ“็š„ใซใฏ่จ€ใ‚ใชใใฆใ‚‚ใ€้•ทใ„ๆ™‚้–“ใฎใ‚ˆใ†ใซ่žใ“ใˆใพใ™
45:39
though you don't specify it. Now, you can specify the time and say we worked on the
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ใ€‚ ใ“ใ“ใงใ€ ๆ™‚้–“ใ‚’ๆŒ‡ๅฎšใ—ใฆใ€
45:44
project for three hours and be more specific, but if you don't include a specific quantity
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ใƒ—ใƒญใ‚ธใ‚งใ‚ฏใƒˆใซ 3 ๆ™‚้–“ๅ–ใ‚Š็ต„ใ‚“ใ ใจใ€ใ‚ˆใ‚Šๅ…ทไฝ“็š„ใซ่จ€ใ†ใ“ใจใŒใงใใพใ™ ใŒใ€ๅ…ทไฝ“็š„ใช้‡ใ‚’ๅซใ‚ใšใซไฝ•
45:53
and just say for hours, it sounds like a long period of time now.
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ๆ™‚้–“ใ‚‚่จ€ใ†ใจใ€ไปŠใงใฏ้•ทใ„ๆœŸ้–“ใฎใ‚ˆใ†ใซ่žใ“ใˆใพใ™ ใ€‚
46:01
Time reference for hours is flexible, and you can use it in different verb tenses. For
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ๆ™‚้–“ใฎๆ™‚้–“ๅ‚็…งใฏๆŸ”่ปŸใงใ€ ใ•ใพใ–ใพใชๅ‹•่ฉžใฎๆ™‚ๅˆถใงไฝฟ็”จใงใใพใ™ใ€‚
46:06
example, you can use it in the present, perfect continuous. And you can say we've been working
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ใŸใจใˆใฐใ€็พๅœจๅฎŒไบ†้€ฒ่กŒๅฝขใงไฝฟ็”จใงใใพใ™ ใ€‚ ใใ—ใฆใ€็งใŸใกใฏไฝ•ๆ™‚้–“ใ‚‚ใƒ—ใƒญใ‚ธใ‚งใ‚ฏใƒˆใซๅ–ใ‚Š็ต„ใ‚“ใงใใŸใจ่จ€ใˆใพใ™
46:13
on the project for hours. So remember, for hours, just means a long period of time and
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ใ€‚ ่ฆšใˆใฆใŠใ„ใฆใใ ใ•ใ„ใ€ไฝ• ๆ™‚้–“ใ‚‚ใ€ๅ˜ใซ้•ทใ„ๆœŸ้–“ใ‚’ๆ„ๅ‘ณใ—ใ€
46:19
it's in the present, perfect continuous. Because it shows that the actions started in the past
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ใใ‚Œใฏ็พๅœจใ€ๅฎŒๅ…จใช็ถ™็ถš็š„ใชใ‚‚ใฎใงใ™. ่กŒๅ‹•ใŒ้ŽๅŽปใซๅง‹ใพใ‚Šใ€
46:24
and continues until now. And we actually don't know when the action will stop.
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็พๅœจใพใง็ถšใ„ใฆใ„ใ‚‹ใ“ใจใ‚’็คบใ—ใฆใ„ใ‚‹ใ‹ใ‚‰ใงใ™ใ€‚ ใใ—ใฆใ€ ใใฎๆดปๅ‹•ใŒใ„ใคๆญขใพใ‚‹ใ‹ใฏๅฎŸ้š›ใซใฏใ‚ใ‹ใ‚Šใพใ›ใ‚“ใ€‚
46:30
But this one in the past simple it's a completed action, you're not working on it anymore but
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ใ—ใ‹ใ—ใ€ใ“ใ‚Œใฏ้ŽๅŽปใฎๅ˜็ด”ใชๅฎŒไบ†ใ—ใŸ ใ‚ขใ‚ฏใ‚ทใƒงใƒณใงใ‚ใ‚Šใ€ใ‚‚ใ†ๅ–ใ‚Š็ต„ใ‚“ใงใ„ใพใ›ใ‚“ใŒใ€
46:37
yesterday or last week you worked on the project for hours coming back to our song, talk to
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ๆ˜จๆ—ฅใพใŸใฏๅ…ˆ้€ฑใ€ใƒ—ใƒญใ‚ธใ‚งใ‚ฏใƒˆใซ ไฝ•ๆ™‚้–“ใ‚‚ๅ–ใ‚Š็ต„ใ‚“ใ ๅพŒใ€็งใŸใกใฎๆญŒใซๆˆปใฃใฆใใฆใ€
46:45
myself for hours, I can talk to myself for a long period of time. I can say things you
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ไฝ•ๆ™‚้–“ใ‚‚็‹ฌใ‚Š่จ€ใ‚’่จ€ใ†ใ“ใจใŒใงใใพใ™ใ€‚ ้•ทๆœŸ้–“ใ€‚ ็งใฏใ‚ใชใŸใŒ็†่งฃใงใใชใ„ใ“ใจใ‚’่จ€ใ†ใ“ใจใŒใงใใพใ™
46:52
don't understand. I can take myself dancing. Notice this sentence structure, you can
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ใ€‚ ็งใฏ่ธŠใ‚‹ใ“ใจใŒใงใใพใ™ใ€‚ ใ“ใฎๆ–‡ใฎๆง‹้€ ใซๆณจ็›ฎใ—ใฆใใ ใ•ใ„ใ€‚ใ‚ใชใŸใฏ
47:00
I think someone and then you have an activity or a location. So generally, someone else
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็งใŒ่ชฐใ‹ใ‚’่€ƒใˆใ‚‹ใ“ใจใŒใงใใ€ใใฎๅพŒใ‚ใชใŸใฏๆดปๅ‹•ใ‚„ๅ ดๆ‰€ใ‚’ๆŒใฃใฆใ„ใพใ™ ใ€‚ ใ—ใŸใŒใฃใฆใ€ไธ€่ˆฌ็š„ใซใ€ไป–ใฎ่ชฐใ‹ใŒ
47:09
will take you dancing. They will come to your house and you'll get in the car and you will
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ใ‚ใชใŸใ‚’ใƒ€ใƒณใ‚นใซ้€ฃใ‚Œใฆ่กŒใใพใ™ใ€‚ ๅฝผใ‚‰ใฏใ‚ใชใŸใฎๅฎถใซๆฅใฆใ€ ใ‚ใชใŸใฏ่ปŠใซไน—ใ‚Šใ€
47:16
go together to a club and go dancing, right? But my leasing, I can take myself dancing.
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ไธ€็ท’ใซใ‚ฏใƒฉใƒ–ใซ่กŒใฃใฆ่ธŠใ‚Šใซ่กŒใใพใ™ใ‚ˆใญ๏ผŸ ใ—ใ‹ใ—ใ€็งใฎใƒชใƒผใ‚นใ€็งใฏ่ธŠใ‚‹ใ“ใจใŒใงใใพใ™ใ€‚
47:27
You don't have to use this in a romantic.
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ใ“ใ‚Œใ‚’ใƒญใƒžใƒณใƒใƒƒใ‚ฏใซไฝฟใ†ๅฟ…่ฆใฏใ‚ใ‚Šใพใ›ใ‚“ใ€‚
47:29
Text, of course, for example, I took my mom. So I went, I got my mom and then together,
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ใ‚‚ใกใ‚ใ‚“ใ€ใƒ†ใ‚ญใ‚นใƒˆใ€ใŸใจใˆใฐใ€็งใฏๆฏใ‚’้€ฃใ‚Œใฆ่กŒใใพใ—ใŸใ€‚ ใใ‚Œใง็งใฏ่กŒใใ€ๆฏใ‚’้€ฃใ‚Œใฆ่กŒใใ€ไธ€็ท’ใซ
47:40
we went to the doctor's appointment. I took my mom to her, doctors appointment, we waited
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ๅŒป่€…ใฎไบˆ็ด„ใซ่กŒใใพใ—ใŸใ€‚ ็งใฏๆฏใ‚’ๅฝผๅฅณใซ้€ฃใ‚Œใฆ่กŒใ ใ€ๅŒปๅธซใฎไบˆ็ด„ใ‚’ๅ–ใ‚Šใ€ไฝ•ๆ™‚้–“ใ‚‚้•ทใ„้–“ๅพ…ใกใพใ—ใŸ
47:48
for hours for a long, period of time. So generally we use this when we want to express some frustration.
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ใ€‚ ใใฎใŸใ‚ใ€้€šๅธธใ€ ใƒ•ใƒฉใ‚นใƒˆใƒฌใƒผใ‚ทใƒงใƒณใ‚’่กจ็พใ—ใŸใ„ใจใใซใ“ใ‚Œใ‚’ไฝฟ็”จใ—ใพใ™ใ€‚
47:54
Oh, I was stuck in traffic for hours.
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ใ‚ใ‚ใ€็งใฏไฝ•ๆ™‚้–“ใ‚‚ๆธ‹ๆปžใซๅทปใ่พผใพใ‚Œใพใ—ใŸใ€‚
47:58
Okay, let's continue on and I can hold my own hand. So of course, let's say this is
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ใ‚ชใƒผใ‚ฑใƒผใ€็ถšใ‘ใพใ—ใ‚‡ใ†ใ€‚็งใฏ ่‡ชๅˆ†ใฎๆ‰‹ใ‚’ๆกใ‚‹ใ“ใจใŒใงใใพใ™ใ€‚ ใ‚‚ใกใ‚ใ‚“ใ€ใ“ใ‚ŒใŒ
48:07
your boyfriend or your husband. It's very common to hold hands to hold hands and she's
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ใ‚ใชใŸใฎใƒœใƒผใ‚คใƒ•ใƒฌใƒณใƒ‰ใพใŸใฏใ‚ใชใŸใฎๅคซใงใ‚ใ‚‹ใจใ—ใพใ—ใ‚‡ใ†. ๆ‰‹ใ‚’็น‹ใใŸใ‚ใซๆ‰‹ใ‚’็น‹ใใฎใฏใ”ใๆ™ฎ้€šใฎใ“ใจใงใ€ๅฝผๅฅณใฏ
48:14
just joking and saying, I don't need you. I can hold my own hand which I think is quite
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ๅ†—่ซ‡ใงใ€Œใ‚ใชใŸใฏใ„ใ‚‰ใชใ„ใ€ใจ่จ€ใฃใฆใ„ใ‚‹ใ ใ‘ใงใ™ใ€‚ ็งใฏ่‡ชๅˆ†ใฎๆ‰‹ใ‚’ๆกใ‚‹ใ“ใจใŒใงใใพใ™ใ€‚ใ“ใ‚Œใฏใ‹ใชใ‚Š้ข็™ฝใ„ใจๆ€ใ„ใพใ™
48:22
funny. I can love me better than you can notice our sentence structure.
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ใ€‚ ใ‚ใชใŸใŒ็งใŸใกใฎๆ–‡ใฎๆง‹้€ ใซๆฐ—ใฅใใ‚ˆใ‚Šใ‚‚ใ€็งใฏ็งใ‚’ใ‚‚ใฃใจๆ„›ใ™ใ‚‹ใ“ใจใŒใงใใพใ™ .
48:29
Here. This is a comparative sentence, I can. And then a certain activity and then we have
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ใ“ใ“ใ€‚ ใ“ใ‚Œใฏๆฏ”่ผƒๆ–‡ใงใ™ใ€ใงใใพใ™ใ€‚ ใใ—ใฆใ€็‰นๅฎšใฎๆดปๅ‹•ใŒใ‚ใ‚‹ใจใ€
48:37
our comparative adjective better. Then someone can let's review these two sentences here.
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ๆฏ”่ผƒๅฝขๅฎน่ฉžใŒใ‚ˆใ‚Š่‰ฏใใชใ‚Šใพใ™ใ€‚ ใใ‚Œใงใฏใ€่ชฐใ‹ใŒ ใ“ใ“ใงใ“ใ‚Œใ‚‰ 2 ใคใฎๆ–‡ใ‚’ๅพฉ็ฟ’ใ—ใพใ—ใ‚‡ใ†ใ€‚
48:46
Miley can sing better than I can. That's true. Or I can say Miley can sing better than me.
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ใƒžใ‚คใƒชใƒผใฏ็งใ‚ˆใ‚ŠไธŠๆ‰‹ใซๆญŒใˆใ‚‹ใ€‚ ใใ‚Œใฏๆœฌๅฝ“ใ ใ€‚ ใพใŸใฏใ€ใƒžใ‚คใƒชใƒผใฎๆ–นใŒ็งใ‚ˆใ‚ŠๆญŒใŒใ†ใพใ„ใจ่จ€ใˆใพใ™ใ€‚ ใ“ใฎ 2 ใคใฎๆ–‡ใฎ
48:57
Notice the difference between
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้•ใ„ใซๆณจๆ„ใ—ใฆใใ ใ•ใ„
48:59
These two sentences in this one, I have. I and then can because I'm using a verb, you
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ใ€‚ I and then can ๅ‹•่ฉžใ‚’ไฝฟ็”จใ—ใฆใ„ใ‚‹ใŸใ‚ใ€
49:09
need a subject before the verb I can. Now Miley uses this word, can a lot in her chorus,
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ๅ‹•่ฉž I can ใฎๅ‰ใซไธป่ชžใŒๅฟ…่ฆใงใ™ใ€‚ ไปŠใ€ ใƒžใ‚คใƒชใƒผใฏใ“ใฎ่จ€่‘‰ใ‚’ๅฝผๅฅณใฎใ‚ณใƒผใƒฉใ‚นใงใŸใใ•ใ‚“ไฝฟใ†ใ“ใจใŒใงใใพใ™
49:18
which is probably why she ended it on can rather than just seeing better than you, better
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49:25
than you better than you can.
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.
49:29
You can also just say better than someone and in this case you want a pronoun, Miley
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่ชฐใ‹ใ‚ˆใ‚Šใ‚‚ไธŠๆ‰‹ใซ่จ€ใ†ใ“ใจใ‚‚ใงใใพใ™ใ€‚ ใ“ใฎๅ ดๅˆใ€ไปฃๅ่ฉžใŒๅฟ…่ฆใงใ™ใ€‚ใƒžใ‚คใƒชใƒผใฏ
49:37
can sing better than me and the next part just repeats can love me better over and over
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็งใ‚ˆใ‚Šใ‚‚ไธŠๆ‰‹ใซๆญŒใ†ใ“ใจใŒใงใใ€ๆฌกใฎ้ƒจๅˆ† ใ ใ‘ใŒ็นฐใ‚Š่ฟ”ใ•ใ‚Œใ‚‹ใ ใ‘ใงใ€ๆญŒใฎไธญใงไฝ•ๅบฆใ‚‚ไฝ•ๅบฆใ‚‚็งใ‚’ใ‚ˆใ‚Šใ‚ˆใๆ„›ใ™ใ‚‹ใ“ใจใŒใงใใพใ™
49:45
again in the song. Now the next part paint my nails. So that's when you put nail polish,
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. ๆฌกใฏ็ˆชใ‚’ๅก—ใ‚Šใพใ™ ใ€‚ ใ ใ‹ใ‚‰ใ€ใƒžใƒ‹ใ‚ญใƒฅใ‚ขใ‚’ๅก—ใ‚‹ใจใใ€
49:54
you paint your nails with nail polish, paint my nails.
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็ˆชใซใƒžใƒ‹ใ‚ญใƒฅใ‚ขใ‚’ๅก—ใ‚‹ใจใใ€ ็งใฎ็ˆชใ‚’ๅก—ใ‚‹ใจใใงใ™ใ€‚
49:59
Al's cherry red. The color match the roses that you left so match. Well what is being
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ใ‚ขใƒซใฎใƒใ‚งใƒชใƒผใƒฌใƒƒใƒ‰ใ€‚ ใ‚ใชใŸใŒๆฎ‹ใ—ใฆใใ‚ŒใŸใƒใƒฉใจ่‰ฒใŒใจใฆใ‚‚ใƒžใƒƒใƒใ—ใฆใ„ใพใ™ใ€‚ ใ•ใฆใ€
50:08
matched here? When you match you have two or more things that are coming together. So
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ใ“ใ“ใงไฝ•ใŒไธ€่‡ดใ—ใฆใ„ใพใ™ใ‹๏ผŸ ไธ€่‡ดใ™ใ‚‹ใจใ€2 ใค ไปฅไธŠใฎใ‚‚ใฎใŒไธ€็ท’ใซใชใ‚Šใพใ™ใ€‚
50:16
we have cherry red, which is a bright red, and then we have roses which are also red.
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้ฎฎใ‚„ใ‹ใช่ตคใงใ‚ใ‚‹ใƒใ‚งใƒชใƒผใƒฌใƒƒใƒ‰ ใจใ€ใ‚„ใฏใ‚Š่ตคใ„ใƒใƒฉใŒใ‚ใ‚Šใพใ™ใ€‚
50:25
So I can say, oh look my nail polish man.
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ใ ใ‹ใ‚‰็งใฏ่จ€ใ†ใ“ใจใŒใงใใพใ™ใ€ใ‚ใ‚ใ€็งใฎใƒžใƒ‹ใ‚ญใƒฅใ‚ขใฎ็”ทใ‚’่ฆ‹ใฆใใ ใ•ใ„ใ€‚
50:30
Matches the Roses, the sentence structure is X matches why our verb is match and it
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ใƒใƒฉใซใƒžใƒƒใƒใ—ใ€ๆ–‡ใฎๆง‹้€ ใฏ X ใซใƒžใƒƒใƒใ—ใ€ใชใœ็งใŸใกใฎๅ‹•่ฉžใŒใƒžใƒƒใƒใ—ใ€ใใ‚Œใฏ
50:37
just means X, the nail polish combines well with Y combines, well in the sense that it
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ๅ˜ใซ X ใ‚’ๆ„ๅ‘ณใ—ใ€ใƒžใƒ‹ใ‚ญใƒฅใ‚ขใฏ Y ใซไผผใฆใ„ใ‚‹ใจใ„ใ†ๆ„ๅ‘ณใงใ€Y ใฎ็ต„ใฟๅˆใ‚ใ›ใจใ†ใพใ็ต„ใฟๅˆใ‚ใ•ใ‚Œใพใ™
50:46
is similar to.
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.
50:49
Similar to. So if I'm wearing this sweater I might say hmm. What lipstick will match
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ใซไผผใฆใ„ใ‚‹ใ€‚ ใ‚‚ใ—็งใŒใ“ใฎใ‚ปใƒผใ‚ฟใƒผใ‚’็€ใฆใ„ใŸใ‚‰ใ€ ใ†ใƒผใ‚“ใจ่จ€ใ†ใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“. ใ“ใฎใ‚ปใƒผใ‚ฟใƒผใซๅˆใ†ใƒชใƒƒใƒ—ใ‚นใƒ†ใ‚ฃใƒƒใ‚ฏ
50:58
this sweater or what jewelry will match this sweater what combines? Well with this sweater
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ใ‚„ใ€ใ“ใฎ ใ‚ปใƒผใ‚ฟใƒผใซๅˆใ†ใ‚ธใƒฅใ‚จใƒชใƒผใฏไฝ•ใงใ™ใ‹? ใ“ใฎใ‚ปใƒผใ‚ฟใƒผใ‚’ไฝฟใˆใฐใ€
51:06
and you can do that for paint. When you're painting your room. Hmm. Does the paint match
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ใƒšใ‚คใƒณใƒˆใงใใ‚Œใ‚’่กŒใ†ใ“ใจใŒใงใใพใ™. ้ƒจๅฑ‹ใฎ็ตตใ‚’ๆใ„ใฆใ„ใ‚‹ใจใใ€‚ ใตใƒผใ‚€ใ€‚ ๅก—่ฃ…ใฏๆค…ๅญใซๅˆใฃใฆใ„ใพใ™ใ‹
51:12
the chair? Does the pillow match the chair, for example. OK, let's
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๏ผŸ ใŸใจใˆใฐใ€ๆž•ใฏๆค…ๅญใซๅˆใฃใฆใ„ใพใ™ใ‹ ใ€‚ ใงใฏใ€
51:19
Continue on. No Remorse, no regret. These are two great words, especially in the context
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็ถšใ‘ใพใ—ใ‚‡ใ†ใ€‚ ๆ‚”ใ„ใชใใ€ๆ‚”ใ„ใชใใ€‚ ใ“ใ‚Œใ‚‰ใฏใ€ ็‰นใซๅˆฅใ‚ŒใฎๆญŒใฎๆ–‡่„ˆใงใฏใ€2 ใคใฎ็ด ๆ™ดใ‚‰ใ—ใ„่จ€่‘‰ใงใ™
51:25
of a breakup song. Remorse is a deep feeling of sadness for a wrongdoing. So let's say
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ใ€‚ ๅ็œใจใฏใ€ ไธๆญฃ่กŒ็‚บใซๅฏพใ™ใ‚‹ๆทฑใ„ๆ‚ฒใ—ใฟใงใ™ใ€‚ ใใ‚Œใงใ€
51:36
Miley cheated on her boyfriend and that's why they broke up. It's considered wrong to
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ใƒžใ‚คใƒชใƒผใŒใƒœใƒผใ‚คใƒ•ใƒฌใƒณใƒ‰ใ‚’ใ ใพใ—ใฆใ€ใใ‚ŒใŒ ๅฝผใ‚‰ใŒๅˆฅใ‚ŒใŸ็†็”ฑใ ใจใ—ใพใ—ใ‚‡ใ†ใ€‚ ่ชฐใ‹ใ‚’ใ ใพใ™ใฎใฏ้–“้•ใฃใฆใ„ใ‚‹ใจ่€ƒใˆใ‚‰ใ‚Œใฆใ„ใพใ™ใ‚ˆ
51:45
cheat on someone, right? So that's all wrong, a wrongdoing.
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ใญ๏ผŸ ใ ใ‹ใ‚‰ใ€ใใ‚Œใฏใ™ในใฆ้–“้•ใฃใฆใ„ใ‚‹ใ€ ไธๆญฃ่กŒ็‚บใงใ™ใ€‚
51:49
Is something an action that is considered Wrong by Society or by your own personal values.
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็คพไผšใพใŸใฏใ‚ใชใŸ่‡ช่บซใฎๅ€‹ไบบ็š„ใชไพกๅ€ค่ฆณใซใ‚ˆใฃใฆ้–“้•ใฃใฆใ„ใ‚‹ใจ่ฆ‹ใชใ•ใ‚Œใ‚‹่กŒๅ‹•ใงใ™ใ€‚
51:57
So, if Miley cheated on her boyfriend, she might feel remorse, which is a really deep
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ใ ใ‹ใ‚‰ใ€ใ‚‚ใ—ใƒžใ‚คใƒชใƒผใŒๅฝผๆฐใ‚’ใ ใพใ—ใฆใ—ใพใฃใŸใ‚‰ใ€ๅฝผๅฅณใฏ ๅพŒๆ‚”ใ‚’ๆ„Ÿใ˜ใ‚‹ใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ใ€‚ใใ‚Œใฏๆœฌๅฝ“ใซๆทฑใ„
52:05
feeling of sadness. Now, regret is very similar to remorse. To be honest, it's a feeling of
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ๆ‚ฒใ—ใฟใงใ™. ใ•ใฆใ€ๅพŒๆ‚”ใฏๅ็œใจ้žๅธธใซใ‚ˆใไผผใฆใ„ใพใ™ ใ€‚ ๆญฃ็›ดใชใจใ“ใ‚ใ€
52:12
sadness, over something that has happened. So very similar. Both of them are negative
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ไฝ•ใ‹ใŒ่ตทใ“ใฃใŸใ“ใจใซๅฏพใ™ใ‚‹ๆ‚ฒใ—ใฟใงใ™ใ€‚ ใจใฆใ‚‚ไผผใฆใ„ใพใ™ใ€‚ ใฉใกใ‚‰ใ‚‚่ฒ ใฎ
52:17
emotions. I
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ๆ„Ÿๆƒ…ใงใ™ใ€‚
52:19
I would say remorse. It's a deeper feeling. It's a more painful feeling and also there's
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็งใฏๅพŒๆ‚”ใจ่จ€ใ†ใงใ—ใ‚‡ใ†ใ€‚ ใ‚ˆใ‚Šๆทฑใ„ๆ„Ÿ่ฆšใงใ™ใ€‚ ใใ‚Œใฏใ‚ˆใ‚Šใคใ‚‰ใ„ๆฐ—ๆŒใกใงใ‚ใ‚Šใ€
52:26
always a wrongdoing associated with it. Whereas regret you didn't necessarily do something
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ใใ‚Œใซ้–ข้€ฃใ™ใ‚‹ไธๆญฃ่กŒ็‚บใŒๅธธใซใ‚ใ‚Šใพใ™. ๆฎ‹ๅฟตใชใŒใ‚‰ใ€ๅฟ…ใšใ—ใ‚‚
52:34
wrong. Maybe you regret not applying for a job but it isn't wrong to not apply for that
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้–“้•ใฃใŸใ“ใจใ‚’ใ—ใŸใ‚ใ‘ใงใฏใ‚ใ‚Šใพใ›ใ‚“ใ€‚ ไป•ไบ‹ใซๅฟœๅ‹Ÿใ—ใชใ‹ใฃใŸใ“ใจใ‚’ๅพŒๆ‚”ใ—ใฆใ„ใ‚‹ใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ ใŒใ€ใใฎไป•ไบ‹ใซๅฟœๅ‹Ÿใ—ใชใ„ใฎใฏ
52:43
job is just a decision that you made. So there are very similar but just
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ใ‚ใชใŸใŒไธ‹ใ—ใŸๆฑบๅฎšใซใ™ใŽใพใ›ใ‚“ใ€‚ ใ—ใŸใŒใฃใฆใ€ ้žๅธธใซไผผใฆใ„ใพใ™ใŒใ€
52:48
Used in different context. So no remorse. She doesn't feel a deep feeling of sadness
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็•ฐใชใ‚‹ใ‚ณใƒณใƒ†ใ‚ญใ‚นใƒˆใงไฝฟ็”จใ•ใ‚Œใฆใ„ใ‚‹ใ ใ‘ใงใ™ใ€‚ ใ ใ‹ใ‚‰ๅพŒๆ‚”ใฏใ‚ใ‚Šใพใ›ใ‚“ใ€‚ ๅฝผๅฅณใฏไธๆญฃ่กŒ็‚บใซๅฏพใ—ใฆๆทฑใ„ๆ‚ฒใ—ใฟใ‚’ๆ„Ÿใ˜ใš
52:57
for a wrongdoing and no regret. She doesn't regret ending the relationship. She doesn't
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ใ€ๅพŒๆ‚”ใ—ใฆใ„ใพใ›ใ‚“ใ€‚ ๅฝผๅฅณใฏ ้–ขไฟ‚ใ‚’็ต‚ใ‚ใ‚‰ใ›ใŸใ“ใจใ‚’ๅพŒๆ‚”ใ—ใฆใ„ใพใ›ใ‚“ใ€‚ ๅฝผๅฅณใฏใ€ใ‚‚ใ†ใใฎไบบใ‚’ๆ„›ใ—ใฆ
53:03
regret telling the person that she doesn't love them anymore. No, regret, I forgive every
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ใ„ใชใ„ใจใใฎไบบใซ่จ€ใฃใŸใ“ใจใ‚’ๅพŒๆ‚”ใ—ใฆใ„ใพใ›ใ‚“ ใ€‚ ใ„ใ„ใˆใ€็”ณใ—่จณใ‚ใ‚Šใพใ›ใ‚“ใŒใ€ใ™ในใฆใฎ่จ€่‘‰ใ‚’่จฑใ—ใพใ™
53:10
word. You said, when you forgive someone, it means you're no longer mad at them.
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ใ€‚ ใ‚ใชใŸใฏใ€่ชฐใ‹ใ‚’่จฑใ™ใจใ„ใ†ใ“ใจใฏใ€ ใ‚‚ใ†ใใฎไบบใซ่…นใ‚’็ซ‹ใฆใฆใ„ใชใ„ใจใ„ใ†ใ“ใจใ ใจ่จ€ใ„ใพใ—ใŸใ€‚
53:18
Now we got into the course again and it's the same as before before she said I didn't
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ไปŠใ€็งใŸใกใฏๅ†ใณใ‚ณใƒผใ‚นใซๅ…ฅใ‚Šใพใ—ใŸ. ไปฅๅ‰ใจๅŒใ˜ใงใ™.ๅฝผๅฅณใฏ็งใŒ
53:27
want to lie and now she's saying I didn't want to fight when two people fight it's when
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ๅ˜˜ใ‚’ใคใใŸใใชใ„ใจ่จ€ใ„ใพใ—ใŸ.ใใ—ใฆไปŠใ€ๅฝผๅฅณใฏ็งใŒ ๆˆฆใ„ใŸใใชใ„ใจ่จ€ใฃใฆใ„ใพใ™.2ไบบใŒๆˆฆใ†ใจใ. -
53:33
they're in an argument or a disagreement ba-ba-ba-ba-ba-ba. That's you know they're fighting oh my parents
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ใƒใƒใƒใƒใƒใ€‚ ไธก่ฆชใŒ
53:41
are fighting again or my two friends are fighting.
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ใพใŸๅ–งๅ˜ฉใ—ใฆใ„ใ‚‹ใจใ‹ใ€ๅ‹้”ไบŒไบบใŒๅ–งๅ˜ฉใ—ใฆใ„ใ‚‹ใจใ‹ใ€‚
53:47
Again, you don't just have to fight with a romantic relationship. You can fight with
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็นฐใ‚Š่ฟ”ใ—ใพใ™ใŒใ€ๆ‹ๆ„›้–ขไฟ‚ใ ใ‘ใงๆˆฆใ†ๅฟ…่ฆใฏใ‚ใ‚Šใพใ›ใ‚“ ใ€‚ ๅ…„ๅผŸใจๆˆฆใ†ใ“ใจใ‚‚
53:53
your sibling, you can fight with your friend. So when you get into a disagreement and you're
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ใ€ๅ‹้”ใจๆˆฆใ†ใ“ใจใ‚‚ใงใใพใ™ใ€‚ ใงใ™ใ‹ใ‚‰ใ€ๆ„่ฆ‹ใฎ็›ธ้•ใŒ็”Ÿใ˜ใ€
53:59
mad at each other, you can say, we're fighting. Here are two examples sentences, my sister,
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ใŠไบ’ใ„ใซ่…นใ‚’็ซ‹ใฆใฆใ„ใ‚‹ๅ ดๅˆใ€็งใŸใกใฏใ‚ฑใƒณใ‚ซใ‚’ใ—ใฆใ„ใ‚‹ใ€ใจ่จ€ใ†ใ“ใจใŒใงใใพใ™ใ€‚ ใ“ใ“ใซ 2 ใคใฎไพ‹ๆ–‡ใŒใ‚ใ‚Šใพใ™ใ€‚ๅฆน
54:06
and I fight a lot, very common for siblings to fight my husband, and I rarely fight. So,
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ใจ็งใฏใ‚ˆใๅ–งๅ˜ฉใ—ใพใ™ใ€‚ๅ…„ๅผŸใŒ ๅคซใจๅ–งๅ˜ฉใ™ใ‚‹ใฎใฏใ‚ˆใใ‚ใ‚‹ใ“ใจใงใ™ใŒใ€็งใฏใ‚ใฃใŸใซๅ–งๅ˜ฉใ—ใพใ›ใ‚“ใ€‚ ใ—ใŸใŒใฃใฆใ€
54:14
fight is the only word that's different here.
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ใ“ใ“ใง็•ฐใชใ‚‹ใฎใฏๆˆฆใ„ใ ใ‘ใงใ™ใ€‚
54:17
And then it goes right into the chorus which we already reviewed. So now, and we reviewed
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ใใ—ใฆใ€ใ™ใงใซ็ขบ่ชใ—ใŸใ‚ณใƒผใƒฉใ‚นใซๅ…ฅใ‚Šใพใ™ ใ€‚ ใ•ใฆใ€
54:26
this already, and this is the chorus again, and this is the chorus again. So that is the
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ใ“ใ‚Œใฏใ™ใงใซ่ฆ‹็›ดใ—ใพใ—ใŸใŒใ€ใ“ใ‚Œใฏๅ†ใณๅˆๅ”ฑใงใ‚ใ‚Šใ€ ใ“ใ‚Œใฏๅ†ใณๅˆๅ”ฑใงใ™ใ€‚ ใใ‚Œใง
54:40
end of the song. So now you know all the lyrics from the song. So again, click on this
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ๆ›ฒใฏ็ต‚ใ‚ใ‚Šใงใ™ใ€‚ ใ“ใ‚Œใงใ€ๆ›ฒใฎใ™ในใฆใฎๆญŒ่ฉžใŒใ‚ใ‹ใ‚Šใพใ™ ใ€‚ ใ‚‚ใ†ไธ€ๅบฆใ€ใ“ใฎใƒชใƒณใ‚ฏใ‚’ใ‚ฏใƒชใƒƒใ‚ฏใ—ใฆใใ ใ•ใ„ใ€‚
54:47
This link, it will be in the description below and I want you to listen to Miley Cyrus's
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ไธ‹ใฎ่ชฌๆ˜Žใซใ‚ใ‚‹ใฎใงใ€ ใƒžใ‚คใƒชใƒผใƒปใ‚ตใ‚คใƒฉใ‚นใฎๆ›ฒใ‚’่ดใ„ใฆใปใ—ใ„ใงใ™ใ€‚
54:54
song and you can follow along with the lyrics as well. Let's start by reviewing the name
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ๆญŒ่ฉžใ‚‚ไธ€็ท’ใซใŸใฉใ‚‹ใ“ใจใŒใงใใพใ™ ใ€‚ ใ‚ขใƒณใƒใƒ’ใƒผใƒญใƒผใ‚ขใƒณใƒใƒ’ใƒผใƒญใƒผใงใ‚ใ‚‹ๆ›ฒใฎๅๅ‰ใ‚’็ขบ่ชใ™ใ‚‹ใ“ใจใ‹ใ‚‰ๅง‹ใ‚ใพใ—ใ‚‡ใ†
55:03
of the song, which is antihero antihero. And as a hero is, someone who does not have traditional
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ใ€‚ ใใ—ใฆ ่‹ฑ้›„ใจใ—ใฆใ€ไผ็ตฑ็š„ใช่‹ฑ้›„็š„่ณ‡่ณชใ‚’ๆŒใŸใชใ„ไบบ
55:12
heroic qualities. So notice here heroic this
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ใ€‚ ใ ใ‹ใ‚‰ใ€ใ“ใ“ใง่‹ฑ้›„็š„ใงใ‚ใ‚‹ใ“ใจใซๆณจๆ„ใ—ใฆใใ ใ•ใ„ ใ“ใ‚Œใฏใ€
55:17
Is an adjective to describe the qualities. You can also describe a person as heroic,
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่ณ‡่ณชใ‚’่ชฌๆ˜Žใ™ใ‚‹ๅฝขๅฎน่ฉžใงใ™. ไบบใ‚’่‹ฑ้›„็š„ใงใ‚ใ‚‹ใจ่กจ็พใ™ใ‚‹ใ“ใจใ‚‚ใงใใพใ™ใ€‚
55:25
so you could say, firefighters people, who fight fires firefighters are very heroic,
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ใคใพใ‚Šใ€ๆถˆ้˜ฒๅฃซใ€ ๆถˆ้˜ฒๅฃซใฏ้žๅธธใซ่‹ฑ้›„็š„ใงใ‚ใ‚‹
55:34
so we're using it as an adjective. So Anti Hero is someone who does not have these traditional
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ใŸใ‚ใ€ๅฝขๅฎน่ฉžใจใ—ใฆไฝฟ็”จใ—ใฆใ„ใพใ™ใ€‚ ใคใพใ‚Šใ€ใ‚ขใƒณใƒ ใƒ’ใƒผใƒญใƒผใฏใ€
55:42
heroic qualities, like courage. But even though they don't have those
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ๅ‹‡ๆฐ—ใฎใ‚ˆใ†ใชไผ็ตฑ็š„ใช่‹ฑ้›„็š„ใช่ณ‡่ณชใ‚’ๆŒใฃใฆใ„ใชใ„ไบบใงใ™. ใ—ใ‹ใ—ใ€ ๅฝผใ‚‰ใฏใใ‚Œใ‚‰ใฎ่ณ‡่ณชใ‚’ๆŒใฃใฆใ„ใพใ›ใ‚“ใŒ
55:47
Qualities. There's still admired. Now you probably hear about anti-heroes more in movies,
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. ใพใ ใพใ ๆ†งใ‚ŒใŒใ‚ใ‚Šใพใ™ใ€‚ ไปŠใงใฏใ€ ๆ˜ ็”ปใ‚„ๆผ”ๅŠ‡ใงใ‚ขใƒณใƒใƒ’ใƒผใƒญใƒผใซใคใ„ใฆใ‚ˆใ่€ณใซใ™ใ‚‹ใ‚ˆใ†ใซใชใ‚Šใพใ—ใŸ
55:56
plays books. In this case song, lyrics thinking of movies. The first movie that came to my
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ใ€‚ ใ“ใฎๅ ดๅˆใฎๆ›ฒใ€ๆ˜ ็”ปใ‚’ใ‚คใƒกใƒผใ‚ธใ—ใŸๆญŒ่ฉž ใ€‚ ๆœ€ๅˆใซ้ ญใซๆตฎใ‹ใ‚“ใ ๆ˜ ็”ปใฏ
56:02
mind is the movie, Deadpool. If you haven't seen the movie Deadpool, I highly recommend
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ใƒ‡ใƒƒใƒ‰ใƒ—ใƒผใƒซใจใ„ใ†ๆ˜ ็”ปใงใ™ใ€‚ ๆ˜ ็”ปใ€Œใƒ‡ใƒƒใƒ‰ใƒ—ใƒผใƒซใ€ใ‚’ใพใ ่ฆ‹ใฆใ„ใชใ„ๆ–นใซใฏใ€ใจใฆใ‚‚้ข็™ฝใ„ใฎใงใŠๅ‹งใ‚ใ—ใพใ™
56:10
it because it's hilarious. And this character is a classic example of an antihero.
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ใ€‚ ใใ—ใฆใ€ใ“ใฎใ‚ญใƒฃใƒฉใ‚ฏใ‚ฟใƒผใฏ ใ‚ขใƒณใƒใƒ’ใƒผใƒญใƒผใฎๅ…ธๅž‹็š„ใชไพ‹ใงใ™ใ€‚
56:17
So now let's continue on with the rest of the lyrics. Now remember this is a song so
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ใใ‚Œใงใฏใ€ๆฎ‹ใ‚Šใฎ ๆญŒ่ฉžใ‚’็ถšใ‘ใพใ—ใ‚‡ใ†ใ€‚ ใ“ใ‚ŒใฏๆญŒใชใฎใงใ€
56:23
it's not going to sound the same just reading it but I am not going to sing this for you.
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่ชญใ‚“ใ ใ ใ‘ใงใฏๅŒใ˜ใ‚ˆใ†ใซ่žใ“ใˆใชใ„ใ“ใจใ‚’่ฆšใˆใฆใŠใ„ใฆใใ ใ•ใ„ใ€‚ ใ—ใ‹ใ—ใ€็งใฏใ‚ใชใŸใฎใŸใ‚ใซใ“ใ‚Œใ‚’ๆญŒใ†ใคใ‚‚ใ‚Šใฏใ‚ใ‚Šใพใ›ใ‚“ใ€‚
56:30
But I have selected some of the most common expressions and idioms that I think you might
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ใ—ใ‹ใ—ใ€็งใฏใ‚ใชใŸใŒ็Ÿฅใ‚‰ใชใ„ใ‹ใ‚‚ใ—ใ‚Œใชใ„ใจๆ€ใ‚ใ‚Œใ‚‹ๆœ€ใ‚‚ไธ€่ˆฌ็š„ใช่กจ็พใจใ‚คใƒ‡ใ‚ฃใ‚ชใƒ ใ‚’ใ„ใใคใ‹้ธๆŠžใ—ใพใ—ใŸ
56:39
not know and will be useful for you to have in your vocabulary. So we're just going to
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ใ€‚ ใ—ใŸใŒใฃใฆใ€
56:44
focus on these specific expressions.
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ใ“ใ‚Œใ‚‰ใฎ็‰นๅฎšใฎ่กจ็พใซ็„ฆ็‚นใ‚’ๅฝ“ใฆใพใ™ใ€‚
56:47
That I've highlighted and after I explained everything, I've included the link to where
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ๅผท่ชฟใ—ใŸใ“ใจใจใ€ใ™ในใฆใ‚’่ชฌๆ˜Žใ—ใŸๅพŒ ใ€ๆ›ฒใ‚’่žใใ“ใจใŒใงใใ‚‹ๅ ดๆ‰€ใธใฎใƒชใƒณใ‚ฏใ‚’ๅซใ‚ใพใ—ใŸใŒใ€
56:53
you can listen to the song but with the lyrics as well. So you can follow along with the
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ๆญŒ่ฉžใ‚‚ๅซใพใ‚Œใฆใ„ใพใ™ . ใ“ใ‚ŒใงๆญŒ่ฉžใ‚’่ฟฝใ†ใ“ใจใŒใงใใพใ™
57:02
lyrics. So you can click this link after you've watched the lesson, Okay? So
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ใ€‚ ใƒฌใƒƒใ‚นใƒณใ‚’่ฆ–่ดใ—ใŸๅพŒใ€ใ“ใฎใƒชใƒณใ‚ฏใ‚’ใ‚ฏใƒชใƒƒใ‚ฏใ—ใฆใใ ใ•ใ„ใ€‚ ใคใพใ‚Šใ€
57:11
This line is when mine depression works, the graveyard shift. So here, what I have highlighted
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ใ“ใฎ่กŒใฏๅœฐ้›ทใŒๆฉŸ่ƒฝใ™ใ‚‹ใจใใ€ ๅข“ๅœฐใŒใ‚ทใƒ•ใƒˆใ™ใ‚‹ใจใใงใ™ใ€‚ ใ“ใ“ใง็งใŒๅผท่ชฟใ—ใŸใ“ใจใฏ
57:20
to work, the graveyard shift, the graveyard shift. This is actually a time period, and
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ใ€ๅข“ๅœฐใฎใ‚ทใƒ•ใƒˆใ€ๅข“ๅœฐใฎ ใ‚ทใƒ•ใƒˆใงใ™ใ€‚ ใ“ใ‚ŒใฏๅฎŸ้š›ใซใฏๆ™‚้–“ๅธฏใงใ‚ใ‚Šใ€ๅคœ
57:28
it's a time period at work that begins late at night. So usually around midnight and ends
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้…ใใซๅง‹ใพใ‚‹ไป•ไบ‹ใฎๆ™‚้–“ๅธฏใงใ™ ใ€‚ ใใฎใŸใ‚ใ€้€šๅธธใฏ็œŸๅคœไธญ้ ƒใซ็ต‚ไบ†ใ—ใ€ๆ—ฉๆœใซ็ต‚ไบ†ใ—ใพใ™
57:37
early in the morning. So you might work from 12:00.
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ใ€‚ ใ ใ‹ใ‚‰ใ€12ๆ™‚ใ‹ใ‚‰ไป•ไบ‹ใ‚’ใ™ใ‚‹ใ‹ใ‚‚ใ—ใ‚Œใพใ›ใ‚“ ใ€‚
57:41
Midnight to 6 a.m. And there are many people who would have to work the graveyard shift,
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็œŸๅคœไธญใ‹ใ‚‰ๅˆๅ‰ 6 ๆ™‚ใพใงใ€‚
57:49
such as doctors, nurses, police. And firefighters my earlier example, and of course, many others
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ๅŒปๅธซใ€็œ‹่ญทๅธซใ€่ญฆๅฏŸใชใฉใ€ๅข“ๅœฐใฎใ‚ทใƒ•ใƒˆใงๅƒใ‹ใชใ‘ใ‚Œใฐใชใ‚‰ใชใ„ไบบใŒใŸใใ•ใ‚“ใ„ใพใ™ใ€‚ ใใ—ใฆใ€ๆถˆ้˜ฒๅฃซใฏ ็งใฎๆœ€ๅˆใฎไพ‹ใงใ‚ใ‚Šใ€ใ‚‚ใกใ‚ใ‚“ไป–ใฎๅคšใใฎไพ‹ใ‚‚
57:58
as well. What about you, have you ever worked? The graveyard shift, share in the comments
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ๅŒๆง˜ใงใ™. ใ‚ใชใŸใฏใฉใ†ใงใ™ใ‹ใ€ๅƒใ„ใŸใ“ใจใฏใ‚ใ‚Šใพใ™ใ‹๏ผŸ ๅข“ๅœฐใฎๅค‰ๅŒ–ใซใคใ„ใฆใฏใ€ไปฅไธ‹ใฎใ‚ณใƒกใƒณใƒˆใงๅ…ฑๆœ‰ใ—ใฆใใ ใ•ใ„
58:04
below. As an example sentence, you could say, I'm exhausted.
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ใ€‚ ไพ‹ๆ–‡ใจใ—ใฆใ€ ็งใฏ็–ฒใ‚Œๆžœใฆใฆใ„ใ‚‹ใจ่จ€ใˆใพใ™ใ€‚ ไธ€้€ฑ้–“ไธญใ€
58:11
Costed from working, the graveyard shift, all week. So, that's what it means. Now, she's
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ไป•ไบ‹ใ€ๅข“ๅœฐใฎใ‚ทใƒ•ใƒˆใ‹ใ‚‰่ฒป็”จใŒใ‹ใ‹ใ‚Šใพใ—ใŸ ใ€‚ ใ ใ‹ใ‚‰ใ€ใใ‚Œใฏใใ‚ŒใŒๆ„ๅ‘ณใ™ใ‚‹ใ‚‚ใฎใงใ™ใ€‚ ไปŠใ€ๅฝผๅฅณใฏ
58:18
saying my depression. So, she's saying, her depression starts affecting her around midnight,
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็งใฎใ†ใค็—…ใ‚’่จ€ใฃใฆใ„ใพใ™ใ€‚ ใใ‚Œใงใ€ๅฝผๅฅณใฏใ€ ใ†ใค็—…ใŒ็œŸๅคœไธญ้ ƒใซๅฝฑ้Ÿฟใ‚’ๅŠใผใ—ๅง‹ใ‚ใ€
58:26
and it lasts all night into the morning. So that's a very negative thing because obviously,
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ไธ€ๆ™ฉไธญๆœใพใง็ถšใใจ่จ€ใฃใฆใ„ใพใ™. ใงใ™ใ‹ใ‚‰ใ€ ใใ‚Œใฏ้žๅธธใซๅฆๅฎš็š„ใชใ“ใจใงใ™ใ€‚ใชใœใชใ‚‰ใ€ๆ˜Žใ‚‰ใ‹ใซใ€
58:32
you're not going to sleep very well, if your depression works, the grave night shift, right?
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ใ‚ใชใŸใฏใ‚ใพใ‚Šใ‚ˆใ็œ ใ‚Œใชใ„ใ‹ใ‚‰ใงใ™ใ€‚ใ‚‚ใ—ใ‚ใชใŸใฎ ใ†ใค็—…ใŒใ†ใพใใ„ใฃใŸใ‚‰ใ€ๆทฑๅˆปใชๅคœๅ‹คใงใ™ใ‚ˆใญ?
58:39
So, let's go to our next sentence. She says, all of the people, I've ghosted stand there
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ใใ‚Œใงใฏใ€ๆฌกใฎๆ–‡ใซ่กŒใใพใ—ใ‚‡ใ†ใ€‚ ๅฝผๅฅณใฏใ€ ็งใŒใ‚ดใƒผใ‚นใƒˆๅŒ–ใ—ใŸใ™ในใฆใฎไบบใŒ้ƒจๅฑ‹ใซ็ซ‹ใฃใฆใ„ใ‚‹ใจ่จ€ใ„ใพใ™
58:47
in the room. Now, I just want to point out as we're going through this song. Just remember,
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ใ€‚ ใ•ใฆใ€ ใ“ใฎๆ›ฒใ‚’่ดใ„ใฆใ„ใ‚‹ใจใใซๆŒ‡ๆ‘˜ใ—ใŸใ„ใ“ใจใŒใ‚ใ‚Šใพใ™ใ€‚ ่ฆšใˆใฆใŠใ„ใฆใใ ใ•ใ„ใ€
58:53
this is a song, Taylor Swift wrote it. And the song is kind of like a dream. She had
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ใ“ใ‚Œใฏใƒ†ใ‚คใƒฉใƒผใƒปใ‚นใ‚ฆใ‚ฃใƒ•ใƒˆใŒๆ›ธใ„ใŸๆ›ฒใงใ™ใ€‚ ใใ—ใฆใ€ ๆญŒใฏๅคขใฎใ‚ˆใ†ใชใ‚‚ใฎใงใ™ใ€‚ ๅฝผๅฅณใฏๆญŒ่ฉžใ‚’ๆŒใฃใฆใ„ใพใ—ใŸใŒ
59:00
the lyrics, don't really make. A lot of sense in terms of telling a story. It's like if
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ใ€ๅฎŸ้š›ใซใฏไฝœใ‚Œใพใ›ใ‚“ใ€‚ ็‰ฉ่ชžใ‚’่ชžใ‚‹ใจใ„ใ†ๆ„ๅ‘ณใงใฏ้žๅธธใซ็†ใซใ‹ใชใฃใฆใ„ใ‚‹ใ€‚
59:08
you try to tell
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59:10
One about your dream and it probably wouldn't make a lot of sense. So just keep that in
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ใƒฏใƒณใซ่‡ชๅˆ†ใฎๅคขใ‚’่ฉฑใใ†ใจใ—ใฆใ‚‚ใ€ ใ‚ใพใ‚Šๆ„ๅ‘ณใŒใชใ„ใ‚ˆใ†ใชใ‚‚ใฎใงใ™ใ€‚
59:17
mind as we're reviewing the lyrics, all of the people, I've ghosted, have you heard this
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ๆญŒ่ฉžใ‚’็ขบ่ชใ—ใฆใ„ใ‚‹ใจใใซ่ฆšใˆใฆใŠใ„ใฆใใ ใ•ใ„ใ€‚ ็งใŒใ‚ดใƒผใ‚นใƒˆๅŒ–ใ—ใŸใ™ในใฆใฎไบบใฏใ€่ชฐใ‹ใ‚’ใ‚ดใƒผใ‚นใƒˆๅŒ–ใ™ใ‚‹ใ“ใฎ่กจ็พใ‚’่žใ„ใŸใ“ใจใŒใ‚ใ‚Šใพใ™ใ‹
59:23
expression to ghost someone? I've been ghosted. I ghosted him. I ghosted, her, this is a new
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? ็งใฏๅนฝ้œŠใซใชใ‚Šใพใ—ใŸใ€‚ ็งใฏๅฝผใ‚’ๅนฝ้œŠใซใ—ใŸใ€‚ I Ghosted, her, ใ“ใ‚Œใฏๆ–ฐใ—ใ„
59:32
expression that has only been used, probably for the last 5 to 10 years, when you go,
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่กจ็พใงใ€ใŠใใ‚‰ใ ้ŽๅŽป 5 ๏ฝž 10 ๅนด้–“ใ€ใ‚ใชใŸใŒ่กŒใฃใŸใจใใซใฎใฟไฝฟ็”จใ•ใ‚Œใฆใ„ใพใ—ใŸ
59:40
Oh, someone you suddenly disappear from that person's life. But you don't tell the person
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ใ€‚ ใ—ใ‹ใ—ใ€ใ‚ใชใŸใฏใใฎไบบใซ
59:49
that you're ending the relationship, and the relationship could be a romantic relationship,
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ใ‚ใชใŸใŒ้–ขไฟ‚ใ‚’็ต‚ใ‚ใ‚‰ใ›ใฆใ„ใ‚‹ใ“ใจใ‚’ไผใˆใพใ›ใ‚“ใ€‚ใใฎ ้–ขไฟ‚ใฏใƒญใƒžใƒณใƒใƒƒใ‚ฏใช้–ขไฟ‚ใงใ‚ใ‚‹ๅฏ่ƒฝๆ€งใŒใ‚ใ‚Šใพใ™
59:56
but it could also be a friendship as well. So, let's say you started a new friendship
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ใŒใ€ๅ‹ๆƒ…ใงใ‚ใ‚‹ๅฏ่ƒฝๆ€งใ‚‚ใ‚ใ‚Šใพใ™. ใใ‚Œใงใ€ใ‚ใชใŸใŒ่ชฐใ‹ใจๆ–ฐใ—ใ„ๅ‹ๆƒ…ใ‚’ๅง‹ใ‚ใฆใ€ใ‚ใชใŸใŒ
60:04
with someone and you hung out, three or four times you went to the movies.
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ใŸใ‚€ใ‚ใ—ใŸใจใ—ใพใ—ใ‚‡ใ†ใ€ ใ‚ใชใŸใฏๆ˜ ็”ปใซ3ใ€4ๅ›ž่กŒใใพใ—ใŸ.
60:10
He's, you got coffee, you went out for dinner together and then all of a sudden that person
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ๅฝผใฏใ€ใ‚ใชใŸใฏใ‚ณใƒผใƒ’ใƒผใ‚’้ฃฒใฟใ€ไธ€็ท’ใซๅค•้ฃŸใซๅ‡บใ‹ใ‘ใพใ—ใŸใŒใ€ ็ช็„ถใใฎไบบใฏ
60:17
doesn't talk to you anymore. You send them a message. Hey do you want to get together
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ใ‚ใชใŸใจ่ฉฑใ‚’ใ—ใชใใชใ‚Šใพใ—ใŸใ€‚ ใ‚ใชใŸใฏๅฝผใ‚‰ใซใƒกใƒƒใ‚ปใƒผใ‚ธใ‚’้€ใ‚Šใพใ™ ใ€‚ ใญใˆใ€
60:22
this weekend? No reply, you send them another message. Hey, did you get my last message?
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ไปŠ้€ฑๆœซ้›†ใพใ‚Šใพใ›ใ‚“ใ‹๏ผŸ ่ฟ”ไฟกใŒใชใ„ๅ ดๅˆใฏใ€ๅˆฅใฎใƒกใƒƒใ‚ปใƒผใ‚ธใ‚’้€ไฟกใ—ใพใ™ ใ€‚ ใญใˆใ€ๆœ€ๅพŒใฎใƒกใƒƒใ‚ปใƒผใ‚ธใฏๅฑŠใ„ใŸ๏ผŸ
60:30
No reply that person. Just ghosted. You so I wrote the definition here for you and let
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ใใฎไบบใฏ่ฟ”ไบ‹ใ‚’ใ—ใชใ„ใ€‚ ใกใ‚‡ใ†ใฉๅนฝ้œŠใ€‚ ใ‚ใชใŸใฎใŸใ‚ใซ ใ“ใ“ใซๅฎš็พฉใ‚’ๆ›ธใ„ใŸใฎใงใ€
60:39
me give you another example.
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ๅˆฅใฎไพ‹ใ‚’ๆŒ™ใ’ใพใ—ใ‚‡ใ†ใ€‚
60:40
Example, sentence, we went out on three dates but then she ghosted me. She just stopped
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ไพ‹ใ€ๆ–‡ใ€็งใŸใกใฏ3ๅ›žใƒ‡ใƒผใƒˆใซๅ‡บใ‹ใ‘ใพใ—ใŸใŒใ€ ใใฎๅพŒๅฝผๅฅณใฏ็งใ‚’ๅนฝ้œŠใซใ—ใพใ—ใŸ. ๅฝผๅฅณใฏ
60:47
replying to my messages. Stop sending me messages and she didn't tell me or explain why the
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็งใฎใƒกใƒƒใ‚ปใƒผใ‚ธใซ่ฟ”ไฟกใ™ใ‚‹ใฎใ‚’ใ‚„ใ‚ใพใ—ใŸใ€‚ ็งใซใƒกใƒƒใ‚ปใƒผใ‚ธใ‚’้€ใ‚‹ใฎใ‚’ใ‚„ใ‚ใฆใใ ใ•ใ„
60:55
next sentence is I should not be left to my own devices. This is an idiom to leave, someone
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ใ€‚ ใ“ใ‚Œใฏใ€่ชฐใ‹ใ‚’
61:07
to their own devices.
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่‡ชๅˆ†ใฎใƒ‡ใƒใ‚คใ‚นใซๆฎ‹ใ™ใ‚คใƒ‡ใ‚ฃใ‚ชใƒ ใงใ™ใ€‚
61:10
Notice the plural its devices plural devices and this is to allow someone to make their
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่ค‡ๆ•ฐใฎใƒ‡ใƒใ‚คใ‚นใซ่ค‡ๆ•ฐใฎใƒ‡ใƒใ‚คใ‚นใŒใ‚ใ‚‹ใ“ใจใซๆณจๆ„ใ—ใฆใใ ใ•ใ„ใ€‚ ใ“ใ‚Œใฏใ€่ชฐใ‹ใŒ
61:19
own decisions about what to do. So by saying I should not be left to my own devices. Taylor
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ไฝ•ใ‚’ใ™ในใใ‹ใซใคใ„ใฆ่‡ชๅˆ†ใงๆฑบๅฎšใงใใ‚‹ใ‚ˆใ†ใซใ™ใ‚‹ใŸใ‚ใงใ™ใ€‚ ใงใ™ใ‹ใ‚‰ใ€ ็งใฏ่‡ชๅˆ†ใฎใƒ‡ใƒใ‚คใ‚นใซไปปใ›ใ‚‹ในใใงใฏใชใ„ใจ่จ€ใ†ใ“ใจใง. ใƒ†ใ‚คใƒฉใƒผใƒป
61:28
Swift is saying that she should not be allowed to make her own decisions about what to do.
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ใ‚นใ‚ฆใ‚ฃใƒ•ใƒˆใฏใ€ไฝ•ใ‚’ใ™ในใใ‹ใซใคใ„ใฆ่‡ชๅˆ†ใงๆฑบๅฎšใ™ใ‚‹ใ“ใจใฏ่จฑใ•ใ‚Œใ‚‹ในใใงใฏใชใ„ใจ่จ€ใฃใฆใ„ใพใ™ .
61:39
Here is another example
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ใ“ใ‚Œใฏๅˆฅใฎไพ‹ใงใ™
61:40
Example sentence, my boss never leaves me to my own devices, so my boss doesn't allow
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ไพ‹ๆ–‡, ็งใฎไธŠๅธใฏ็งใ‚’ ่‡ชๅˆ†ใฎใƒ‡ใƒใ‚คใ‚นใซไปปใ›ใ‚‹ใ“ใจใฏๆฑบใ—ใฆใชใ„ใฎใงใ€็งใฎไธŠๅธใฏ
61:48
me to make my own decisions. Of course, in this context, is about a workplace decisions,
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็งใŒ่‡ชๅˆ†ใงๆฑบๅฎšใ™ใ‚‹ใ“ใจใ‚’่จฑๅฏใ—ใพใ›ใ‚“. ใ‚‚ใกใ‚ใ‚“ใ€ ใ“ใฎๆ–‡่„ˆใงใฏใ€่ทๅ ดใฎๆฑบๅฎšใซใคใ„ใฆใงใ™ใ‚ˆ
61:55
right? So it's a very common expression, more so used in a business context, but as you
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ใญ? ้žๅธธใซไธ€่ˆฌ็š„ใช่กจ็พใงใ€ ใƒ“ใ‚ธใƒใ‚นใฎๆ–‡่„ˆใงไฝฟ็”จใ•ใ‚Œใพใ™ใŒใ€ใ”่ฆงใฎใจใŠใ‚Š
62:02
can see, with Taylor Swift, you can use it in a general context as well. Let's continue
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ใ€ใƒ†ใ‚คใƒฉใƒผใƒปใ‚นใ‚ฆใ‚ฃใƒ•ใƒˆใงใฏ ไธ€่ˆฌ็š„ใชๆ–‡่„ˆใงใ‚‚ไฝฟ็”จใงใใพใ™. ๆญŒ่ฉžใ‚’็ถšใ‘ใพใ—ใ‚‡ใ†
62:07
on with our lyrics. They come with
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ใ€‚ ๅฝผใ‚‰ใฏใ€
62:10
Races and vices well that rhymes prices vases. What does vice mean? Well, a vice is a noun
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่Šฑ็“ถใฎไพกๆ ผใ‚’้Ÿปใ‚’่ธใ‚€ไบบ็จฎใจๆ‚ชๅพณใ‚’ใ†ใพใๅ‚™ใˆใฆใ„ใพใ™ใ€‚ ๆ‚ชๅพณ ใจใฏใฉใ†ใ„ใ†ๆ„ๅ‘ณใงใ™ใ‹? ใ•ใฆใ€ๅ‰ฏใฏๅ่ฉžใงใ‚ใ‚Š
62:21
and it simply means a bad habit. So remember her line before is that she shouldn't be left
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ใ€ๅ˜ใซๆ‚ชใ„็ฟ’ๆ…ฃใ‚’ๆ„ๅ‘ณใ—ใพใ™. ใใฎใŸใ‚ใ€ ๅฝผๅฅณใŒ่‡ชๅˆ†ใฎใƒ‡ใƒใ‚คใ‚นใซไปปใ›ใ‚‹ในใใงใฏใชใ„ใจใ„ใ†ๅ‰ใฎๅฝผๅฅณใฎใ‚ปใƒชใƒ•ใ‚’่ฆšใˆใฆใŠใ„ใฆใใ ใ•ใ„
62:27
to her own devices. She shouldn't be able to make her own decisions if she does. Well
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. ใ‚‚ใ— ใใ†ใชใ‚‰ใ€ๅฝผๅฅณใฏ่‡ชๅˆ†ใงๆฑบๅฎšใ‚’ไธ‹ใ™ใ“ใจใŒใงใใชใ„ใฏใšใงใ™ใ€‚
62:34
then she has a lot of bad habits that will influence her decision. So that
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ใใ‚Œใชใ‚‰ใ€ๅฝผๅฅณใซใฏๅฝผๅฅณใฎๆฑบๆ–ญใซๅฝฑ้Ÿฟใ‚’ไธŽใˆใ‚‹ๆ‚ชใ„็ฟ’ๆ…ฃใŒใŸใใ•ใ‚“ใ‚ใ‚Šใพใ™ ใ€‚ ใใ‚ŒใŒใ€
62:40
that could be a reason why she shouldn't be left to her own devices. Now, we use those
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ๅฝผๅฅณใŒ่‡ชๅˆ†ใฎใƒ‡ใƒใ‚คใ‚นใซไปปใ›ใ‚‹ในใใงใฏใชใ„็†็”ฑใซใชใ‚‹ๅฏ่ƒฝๆ€งใŒใ‚ใ‚Šใพใ™ . ็พๅœจใ€็งใŸใกใฏใ“ใ‚Œใ‚‰ใ‚’ๆ‚ชใ„็ฟ’ๆ…ฃใงใ‹ใชใ‚Šๅคšใไฝฟ็”จใ—ใฆใ„ใพใ™ใŒ
62:46
quite a lot with bad habits, that aren't that bad of Habits Like Chocolate. A lot of people
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ใ€ Habits Like Chocolate ใปใฉๆ‚ชใใฏใ‚ใ‚Šใพใ›ใ‚“ใ€‚ ๅคšใใฎไบบใฏ
62:53
will say, chocolate is my main Vice in life, which is saying, you know, you shouldn't eat
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ใ€ใƒใƒงใ‚ณใƒฌใƒผใƒˆใฏ็งใฎไบบ็”Ÿใฎไธปใชๅ‰ฏ็”ฃ็‰ฉใ ใจ ่จ€ใ„ใพใ™ใ€‚ใคใพใ‚Šใ€ใƒใƒงใ‚ณใƒฌใƒผใƒˆใ‚’้ฃŸใน้ŽใŽใฆใฏใ„ใ‘ใพใ›ใ‚“
63:01
so much chocolate, but you do anyway, it's a bad habit of yours. So you can use this
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ใ€‚ ใ—ใŸใŒใฃใฆใ€
63:06
with more serious vices like drugs and alcohol.
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่–ฌ็‰ฉใ‚„ใ‚ขใƒซใ‚ณใƒผใƒซใชใฉใฎใ‚ˆใ‚Šๆทฑๅˆปใชๆ‚ชๅพณใซๅฏพใ—ใฆใ“ใ‚Œใ‚’ไฝฟ็”จใงใใพใ™ใ€‚
63:10
But we also use it with more light vices, like chocolate or McDonald's, or things like
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ใ—ใ‹ใ—ใ€ใƒใƒงใ‚ณใƒฌใƒผใƒˆใ‚„ใƒžใ‚ฏใƒ‰ใƒŠใƒซใƒ‰ใชใฉใ€ใ‚ˆใ‚Š่ปฝใ„ๆ‚ชๅพณใงใใ‚Œใ‚’ไฝฟ็”จใ™ใ‚‹ใ“ใจใ‚‚ใ‚ใ‚Šใพใ™
63:18
that, maybe listening to Too Much. Taylor Swift is your Vice because you should be working
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ใ€‚ ใƒ†ใ‚คใƒฉใƒผใƒป ใ‚นใ‚ฆใ‚ฃใƒ•ใƒˆใฏใ‚ใชใŸใฎใƒใ‚คใ‚นใงใ™ใ€‚
63:24
and not listening to Taylor Swift. Okay. Let's continue on. So remember, we're skipping quite
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ใƒ†ใ‚คใƒฉใƒผใƒปใ‚นใ‚ฆใ‚ฃใƒ•ใƒˆใฎ่ฉฑใ‚’่žใใฎใงใฏใชใใ€ไป•ไบ‹ใ‚’ใ—ใชใ‘ใ‚Œใฐใชใ‚‰ใชใ„ใ‹ใ‚‰ใงใ™ใ€‚ ใ‚ใ‹ใฃใŸใ€‚ ็ถšใ‘ใพใ—ใ‚‡ใ†ใ€‚ ่ฆšใˆใฆใŠใ„ใฆใใ ใ•ใ„ใ€็งใŸใกใฏใ‚ใชใŸใŒ็†่งฃใงใใชใ„ใจๆ€ใ†
63:33
a lot because we're just focusing on specific words that I don't think you'll understand.
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็‰นๅฎšใฎๅ˜่ชžใซ็„ฆ็‚นใ‚’ๅˆใ‚ใ›ใฆใ„ใ‚‹ใ ใ‘ใชใฎใงใ€ใ‹ใชใ‚Šใ‚นใ‚ญใƒƒใƒ—ใ—ใฆใ„ใพใ™ .
63:39
And because you got tired of my scheming now, what does it mean to scheme when you scheme?
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ใใ—ใฆใ€ใ‚ใชใŸใฏใ‚‚ใ†็งใฎ็ญ–็•ฅใซใ†ใ‚“ใ–ใ‚Šใ—ใฆใ„ใ‚‹ใฎใซใ€ ็ญ–็•ฅใ‚’ใŸใใ‚‰ใ‚“ใงใ„ใ‚‹ใจใฏใฉใ†ใ„ใ†ๆ„ๅ‘ณใงใ™ใ‹?
63:49
It's when you make plans? But those plans are secret and the purpose of those plans
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่จˆ็”ปใ‚’็ซ‹ใฆใ‚‹ใจใใงใ™ใ‹๏ผŸ ใ—ใ‹ใ—ใ€ใใ‚Œใ‚‰ใฎ่จˆ็”ปใฏ ็ง˜ๅฏ†ใงใ‚ใ‚Šใ€ใใ‚Œใ‚‰ใฎ่จˆ็”ปใฎ็›ฎ็š„ใฏ
63:56
is to deceive others deceive. Simply means. You want them to believe or do something that
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ไป–ไบบใ‚’ใ ใพใ™ใ“ใจใงใ™. ๅ˜ใซๆ„ๅ‘ณใ—ใพใ™ใ€‚
64:04
isn't true, or isn't good for them. So, it's a negative thing to scheme.
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็œŸๅฎŸใงใฏใชใ„ใ€ใพใŸใฏๅฝผใ‚‰ใซใจใฃใฆ่‰ฏใใชใ„ใ“ใจใ‚’ไฟกใ˜ใ•ใ›ใŸใ‚Šใ€ๅฎŸ่กŒใ•ใ›ใŸใ‚Šใ—ใŸใ„ใจๆ€ใฃใฆใ„ใพใ™ใ€‚ ใ ใ‹ใ‚‰ใ€ ่จˆ็”ปใ™ใ‚‹ใ“ใจใฏๅฆๅฎš็š„ใชใ“ใจใงใ™ใ€‚
64:10
Hmm, to scheme. How can we trick someone? How can we do something that will benefit
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ใ†ใƒผใ‚“ใ€่จˆ็”ปใ™ใ‚‹ใ€‚ ใฉใ†ใ™ใ‚Œใฐ่ชฐใ‹ใ‚’ใ ใพใ™ใ“ใจใŒใงใใพใ™ใ‹? ใฉใ†ใ™ใ‚Œใฐ
64:16
us, but not them. Here's an example for you. My kids have been scheming to avoid chores.
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็งใŸใกใซๅˆฉ็›Šใ‚’ใ‚‚ใŸใ‚‰ใ™ใŒใ€ๅฝผใ‚‰ใซใฏๅˆฉ็›Šใ‚’ใ‚‚ใŸใ‚‰ใ•ใชใ„ใงใ—ใ‚‡ใ†ใ‹ใ€‚ ใ“ใ‚ŒใŒใ‚ใชใŸใฎใŸใ‚ใฎไพ‹ใงใ™ใ€‚ ็งใฎๅญไพ›ใŸใกใฏ้›‘็”จใ‚’้ฟใ‘ใ‚‹ใŸใ‚ใซ่จˆ็”ปใ‚’็ซ‹ใฆใฆใใพใ—ใŸใ€‚
64:25
So imagine your kids are like, how can we tell Mom that? We don't need to clean the
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ใใ‚Œใงใ€ใ‚ใชใŸใฎๅญไพ›ใŒใฉใฎใ‚ˆใ†ใซ่ฆ‹ใˆใ‚‹ใ‹ๆƒณๅƒใ—ใฆใฟใฆใใ ใ•ใ„ ใ€‚ ใƒใ‚นใƒซใƒผใƒ ใ‚’ๆŽƒ้™คใ™ใ‚‹ๅฟ…่ฆใฏใ‚ใ‚Šใพใ›ใ‚“ใ€‚
64:31
bathroom, or how can we get Dad to do the dishes for us? That's scheming and then they
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ใพใŸใฏใ€ใฉใ†ใ™ใ‚ŒใฐใŠ็ˆถใ•ใ‚“ใซ็šฟๆด—ใ„ใ‚’ใ—ใฆใ‚‚ใ‚‰ใ†ใ“ใจใŒใงใใพใ™ใ‹ ? ใใ‚Œใฏ้™ฐ่ฌ€ใงใ‚ใ‚Šใ€ๅฝผใ‚‰ใฏ
64:38
talk back and forth to each.
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ใใ‚Œใžใ‚Œใซ่ฉฑใ—ใ‹ใ‘ใพใ™ใ€‚
64:39
Each other. We can tell them, we have homework to do but then they don't actually have homework.
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ใŠไบ’ใ„ใ€‚ ใ‚„ใ‚‹ในใๅฎฟ้กŒใŒใ‚ใ‚‹ใจๅฝผใ‚‰ใซ่จ€ใ†ใ“ใจใฏใงใใพใ™ ใŒใ€ๅฝผใ‚‰ใฏๅฎŸ้š›ใซใฏๅฎฟ้กŒใ‚’ๆŒใฃใฆใ„ใพใ›ใ‚“ใ€‚
64:45
It's just the scheme, right? So of course this is more of a light-hearted example but
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ใใ‚ŒใฏใŸใ ใฎใ‚นใ‚ญใƒผใƒ ใงใ™ใ‚ˆใญ๏ผŸ ใ‚‚ใกใ‚ใ‚“ใ€ ใ“ใ‚Œใฏๆฐ—ๆฅฝใชไพ‹ใงใ™ใŒใ€
64:51
it can be used in a more negative way as well you can scheme to try to cheat or steal for
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ใ‚ˆใ‚Šๅฆๅฎš็š„ใชๆ–นๆณ•ใงไฝฟ็”จใ™ใ‚‹ใ“ใจใ‚‚ใงใใพใ™ใ€‚ ใŸใจใˆใฐใ€ใƒใƒผใƒˆใ‚„็›—ใฟใ‚’่จˆ็”ปใ™ใ‚‹ใ“ใจใ‚‚ใงใใพใ™
64:58
example. So cuz you got tired of my scheming so someone whoever the you is was tired of
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ใ€‚ ใ ใ‹ใ‚‰ใ€ใ‚ใชใŸใฏ็งใฎ้™ฐ่ฌ€ใซใ†ใ‚“ใ–ใ‚Šใ—ใฆใ„ใŸ ใฎใงใ€ใ‚ใชใŸใŒ่ชฐใงใ‚ใ‚ใ†ใจ่ชฐใ‹ใŒ
65:07
Taylor Swift. Always
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ใƒ†ใ‚คใƒฉใƒผใƒปใ‚นใ‚ฆใ‚ฃใƒ•ใƒˆใซใ†ใ‚“ใ–ใ‚Šใ—ใฆใ„ใŸ. ๅธธใซ
65:10
These plans to deceive that person scheming and it makes sense that the person would get
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ใ“ใ‚Œใ‚‰ใฎ่จˆ็”ปใฏใใฎไบบใ‚’ใ ใพใ™่จˆ็”ปใงใ‚ใ‚Šใ€ ใใฎไบบใŒ
65:16
tired of it, not want her to do that. Okay? Then the chorus, the chorus is pretty simple.
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ใใ‚Œใซใ†ใ‚“ใ–ใ‚Šใ—ใ€ๅฝผๅฅณใซใใ†ใ—ใฆใปใ—ใใชใ„ใฎใฏ็†ใซใ‹ใชใฃใฆใ„ใพใ™. ใ‚ใ‹ใฃใŸ๏ผŸ ใใ‚Œใ‹ใ‚‰ใ‚ณใƒผใƒฉใ‚นใ€ใ‚ณใƒผใƒฉใ‚นใฏใจใฆใ‚‚ใ‚ทใƒณใƒ—ใƒซใงใ™ใ€‚
65:23
There's just one word that I'll point out, I'll stare directly at the Sun but never in
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1 ใคใ ใ‘ๆŒ‡ๆ‘˜ใ—ใฆใŠใใŸใ„ใ“ใจใŒใ‚ใ‚Šใพใ™ใ€‚ ็งใฏๅคช้™ฝใ‚’็›ดๆŽฅ่ฆ‹ใคใ‚ใพใ™ใŒใ€
65:31
the mirror. So to stare, this is the same as look. So right now I'm looking here but
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้กใฏๆฑบใ—ใฆ่ฆ‹ใพใ›ใ‚“ใ€‚ ใ˜ใฃใจ่ฆ‹ใคใ‚ใ‚‹ใ“ใจใฏใ€่ฆ‹ใ‚‹ใ“ใจใจๅŒใ˜ใงใ™ ใ€‚ ใ ใ‹ใ‚‰ไปŠใ€็งใฏใ“ใ“ใ‚’่ฆ‹ใฆใ„ใพใ™ใŒ
65:39
notice when I look
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65:40
look, you know, sometimes my eyes will move a little bit or I'll blink my eyes but when
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ใ€็งใŒ่ฆ‹ใฆใ„ใ‚‹ใจๆฐ—ใฅใใจใ€ๆ™‚ใ€…็งใฎ ็›ฎใŒๅฐ‘ใ—ๅ‹•ใ„ใŸใ‚Šใ€ใพใฐใŸใใ—ใŸใ‚Šใ™ใ‚‹ใ“ใจใŒใ‚ใ‚Šใพใ™ใŒใ€ใ‚ใชใŸใŒ่ฆ‹ใคใ‚ใ‚‹ใจใ€
65:45
you stare
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65:48
it's really intense and I look directly at you and I don't blink, I'm just staring. So
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ใใ‚Œใฏๆœฌๅฝ“ใซๅผท็ƒˆใงใ€็งใฏใ‚ใชใŸใ‚’็›ดๆŽฅ่ฆ‹ใพใ™. t ใพใฐใŸใใ€็งใฏใŸใ ่ฆ‹ใคใ‚ใฆใ„ใพใ™ใ€‚ ใ—ใŸใŒใฃใฆใ€่ชฐใ‹ใ‚’ใ˜ใฃใจ
65:56
it can be very intimidating when you stare at someone and it's considered rude or impolite
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่ฆ‹ใคใ‚ใ‚‹ใจ้žๅธธใซๅจๅœง็š„ใซใชใ‚‹ๅฏ่ƒฝๆ€งใŒใ‚ใ‚Šใ€
66:04
in North American culture at least to stare but in this example staring directly at the
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ๅŒ—็ฑณใฎๆ–‡ๅŒ–ใงใฏใ€ๅฐ‘ใชใใจใ‚‚ใ˜ใฃใจ่ฆ‹ใคใ‚ใ‚‹ใ“ใจใฏๅคฑ็คผใพใŸใฏ็„ก็คผใจ่ฆ‹ใชใ•ใ‚Œใพใ™ ใŒใ€ใ“ใฎไพ‹ใงใฏใ€ๅคช้™ฝใ‚’็›ดๆŽฅ่ฆ‹ใคใ‚ใ‚‹ใ“ใจใฏใ€
66:12
sun which is actually something you should not do because it can hurt your eyes. You
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็›ฎใ‚’ๅ‚ทใคใ‘ใ‚‹ๅฏ่ƒฝๆ€งใŒใ‚ใ‚‹ใŸใ‚ใ€ๅฎŸ้š›ใซใฏใ™ในใใงใฏใ‚ใ‚Šใพใ›ใ‚“ใ€‚
66:17
Shouldn't stare at the Sun. So let me leave that as your example sentence, you shouldn't
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ๅคช้™ฝใ‚’่ฆ‹ใคใ‚ใฆใฏใ„ใ‘ใพใ›ใ‚“ใ€‚ ใงใ™ใ‹ใ‚‰ใ€ ใ‚ใชใŸใฎไพ‹ๆ–‡ใจใ—ใฆใ€ๅคช้™ฝใ‚’่ฆ‹ใคใ‚ใฆใฏใ„ใ‘ใพใ›ใ‚“ใ€‚็›ฎใ‚’
66:25
stare at the sun because you could hurt your eyes. So don't take that advice from Taylor
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ๅ‚ทใคใ‘ใ‚‹ๅฏ่ƒฝๆ€งใŒใ‚ใ‚‹ใ‹ใ‚‰ใงใ™ ใ€‚ ใ ใ‹ใ‚‰ใ€ใƒ†ใ‚คใƒฉใƒผใƒปใ‚นใ‚ฆใ‚ฃใƒ•ใƒˆใ‹ใ‚‰ใฎใ‚ขใƒ‰ใƒใ‚คใ‚นใ‚’ๅ—ใ‘ๅ…ฅใ‚Œใชใ„ใงใใ ใ•ใ„
66:35
Swift but she never stairs in the mirror so she doesn't look at herself for a long period
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66:44
of time. Intensely,
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ใ€‚ ๆฟ€ใ—ใใ€
66:47
In the mirror. So I left the definition of stare for you as well. Now, let's continue
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้กใฎไธญใ€‚ ใ ใ‹ใ‚‰็งใฏใ‚ใชใŸใฎใŸใ‚ใซๅ‡่ฆ–ใฎๅฎš็พฉใ‚‚ๆฎ‹ใ—ใพใ—ใŸ . ใงใฏใ€็ถšใ‘ใพใ—ใ‚‡ใ†
66:52
on. It must be exhausting, always rooting for the anti-hero, you know what anti-hero
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ใ€‚ ใใ‚Œใฏ็–ฒใ‚Œๆžœใฆใฆใ„ใ‚‹ใซ้•ใ„ใชใ„ใ€ๅธธใซใ‚ขใƒณใƒใƒ’ใƒผใƒญใƒผใ‚’ๅฟœๆดใ—ใฆใ„ใ‚‹ ใ€ใ‚ใชใŸใฏใ‚ขใƒณใƒใƒ’ใƒผใƒญใƒผใŒไฝ•ใงใ‚ใ‚‹ใ‹ใ‚’็Ÿฅใฃใฆใ„ใ‚‹
66:59
is. So, let's talk about the verb to root and notice you root for someone, or you can
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. ใใ‚Œใงใฏใ€ใƒซใƒผใƒˆๅŒ–ใ™ใ‚‹ๅ‹•่ฉžใซใคใ„ใฆ่ฉฑใ—ใฆใ€ ่ชฐใ‹ใ‚’ใƒซใƒผใƒˆๅŒ–ใ™ใ‚‹ใ“ใจใซๆณจๆ„ใ—ใฆใใ ใ•ใ„ใ€‚ใพใŸใฏใ€
67:09
root for something as well. Here's the definition, when you root for someone, you want that,
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ไฝ•ใ‹ใ‚’ใƒซใƒผใƒˆๅŒ–ใ™ใ‚‹ใ“ใจใ‚‚ใงใใพใ™ใ€‚ ๅฎš็พฉใฏๆฌกใฎใจใŠใ‚Šใงใ™ใ€‚ ่ชฐใ‹ใ‚’ๅฟœๆดใ™ใ‚‹ใจใใฏใ€ๆ˜‡้€ฒใ‚„ไป•ไบ‹ใจใ„ใ†ๆ„ๅ‘ณใง็‰นๅฎšใฎ
67:17
Then or team to win or to achieve something specific in the sense of a promotion or a
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ไฝ•ใ‹ใซๅ‹ใคใ‹ใ€ใƒใƒผใƒ ใŒ้”ๆˆใ™ใ‚‹ใ“ใจใ‚’ๆœ›ใฟใพใ™
67:27
job. They win that promotion, they win that job. So you can think of it really as winning
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ใ€‚ ๅฝผใ‚‰ใฏใใฎๆ˜‡้€ฒใซๅ‹ใกใ€ใใฎไป•ไบ‹ใซๅ‹ใกใพใ™ ใ€‚ ใงใ™ใ‹ใ‚‰ใ€็งใŸใกใฏ
67:33
we do use this a lot in sports so let's say it was the World Cup and we had France and
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ใ“ใ‚Œใ‚’ใ‚นใƒใƒผใƒ„ใงใ‚ˆใไฝฟ็”จใ™ใ‚‹ๅ‹ๅˆฉใจ่€ƒใˆใ‚‹ใ“ใจใŒใงใใพใ™ใ€‚ใŸใจใˆใฐใ€ ใใ‚ŒใŒใƒฏใƒผใƒซใƒ‰ ใ‚ซใƒƒใƒ—ใงใ€ใƒ•ใƒฉใƒณใ‚นใจ
67:41
Argentina in the playoffs, right? So you would ask someone who are you rooting for
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ใ‚ขใƒซใ‚ผใƒณใƒใƒณใŒใƒ—ใƒฌใƒผใ‚ชใƒ•ใซ้€ฒๅ‡บใ—ใŸใจใ—ใพใ—ใ‚‡ใ†ใ€‚ ่ชฐใ‚’ๅฟœๆดใ—ใฆใ„ใ‚‹ใฎ
67:47
Or who are you rooting for? Which team are you? Rooting for. You're asking them. Who
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ใ‹ใ€่ชฐใ‚’ๅฟœๆดใ—ใฆใ„ใ‚‹ใฎใ‹ใ‚’ๅฐ‹ใญใพใ™ใ‹๏ผŸ ใ‚ใชใŸใฏใฉใฎใƒใƒผใƒ ใงใ™ใ‹ ๏ผŸ ๅฟœๆดใ—ใฆใ„ใพใ™ใ€‚ ใ‚ใชใŸใฏๅฝผใ‚‰ใซๅฐ‹ใญใฆใ„ใพใ™ใ€‚ ่ชฐใซ
67:54
do you want to win? Are you rooting for France? Or are you rooting for Argentina? Why are
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ๅ‹ใกใŸใ„ใงใ™ใ‹๏ผŸ ใƒ•ใƒฉใƒณใ‚นใ‚’ๅฟœๆดใ—ใฆใ„ใพใ™ใ‹๏ผŸ ใใ‚Œใจใ‚‚ใ‚ขใƒซใ‚ผใƒณใƒใƒณใ‚’ๅฟœๆดใ—ใฆใ„ใพใ™ใ‹๏ผŸ ใชใœ
68:00
you rooting for France? And then you can explain why. Now, see him. Let's say there's two people
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ใƒ•ใƒฉใƒณใ‚นใ‚’ๅฟœๆดใ—ใฆใ„ใ‚‹ใฎใงใ™ใ‹๏ผŸ ใใ—ใฆใ€ใใฎ็†็”ฑใ‚’่ชฌๆ˜Žใงใใพใ™ ใ€‚ ใ•ใ‚ใ€ๅฝผใซไผšใ„ใพใ—ใ‚‡ใ†ใ€‚ ใƒ•ใƒฌใƒƒใƒ‰ใจใƒŠใƒณใ‚ทใƒผใฎ 2 ไบบใŒๆ˜‡้€ฒใ‚’ๅธŒๆœ›ใ—ใฆใ„ใ‚‹ใจใ—ใพใ™ใ€‚
68:10
up for a job promotion, Fred, and Nancy, are you rooting for fried? Or are you rooting
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ใ‚ใชใŸใฏใƒ•ใƒฉใ‚คใƒ‰ใ‚’ๅฟœๆดใ—ใฆใ„ใพใ™ใ‹? ใใ‚Œใจใ‚‚ใƒŠใƒณใ‚ทใƒผใ‚’ๅฟœๆดใ—ใฆใ„ใพใ™ใ‹
68:16
for Nancy?
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๏ผŸ
68:18
Or it could be in a political context. You have two candidates. Are you rooting for candidate
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ใพใŸใฏใ€ๆ”ฟๆฒป็š„ใชๆ–‡่„ˆใงใ‚ใ‚‹ๅฏ่ƒฝๆ€งใŒใ‚ใ‚Šใพใ™ใ€‚ ๅ€™่ฃœใŒ 2 ใคใ‚ใ‚Šใพใ™ใ€‚ ๅ€™่ฃœ่€… X ใ‚’ๅฟœๆดใ—ใฆใ„ใพใ™ใ‹ใ€
68:23
X or candidate why? So, let me just leave that example sentence with sports, because
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ใใ‚Œใจใ‚‚ใชใœๅ€™่ฃœ่€…ใ‚’ๅฟœๆดใ—ใฆใ„ใพใ™ใ‹? ใงใ™ใ‹ใ‚‰ใ€ ใใฎไพ‹ๆ–‡ใ‚’ใ‚นใƒใƒผใƒ„ใซๅฝ“ใฆใฏใ‚ใฆใŠใใพใ™ใ€‚
68:30
that is probably the most common time you'll use it. Are you rooting for friends or Argentina?
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ใŠใใ‚‰ใใ‚นใƒใƒผใƒ„ใŒๆœ€ใ‚‚ไธ€่ˆฌ็š„ใซ ไฝฟใ‚ใ‚Œใ‚‹ๅ ด้ขใ ใ‹ใ‚‰ใงใ™ใ€‚ ๅ‹้”ใ‚„ใ‚ขใƒซใ‚ผใƒณใƒใƒณใ‚’ๅฟœๆดใ—ใฆใ„ใพใ™ใ‹?
68:43
And then whoever you're rooting for is the person or
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ใใ—ใฆใ€ใ‚ใชใŸใŒๅฟœๆดใ—ใฆใ„ใ‚‹ ไบบใ‚„
68:47
Team, you want to win, okay, it must be exhausting. Always rooting for the anti-hero. So you want
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ใƒใƒผใƒ ใŒ่ชฐใงใ‚ใ‚Œใ€ใ‚ใชใŸใฏๅ‹ใกใŸใ„ใจๆ€ใฃใฆใ„ใพใ™ใ€‚ ๅธธใซใ‚ขใƒณใƒใƒ’ใƒผใƒญใƒผใ‚’ๅฟœๆดใ—ใฆใ„ใพใ™ใ€‚
68:56
the entity hero to win? Remember, I highly recommend you listen to the song with the
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ใ‚จใƒณใƒ†ใ‚ฃใƒ†ใ‚ฃใฎใƒ’ใƒผใƒญใƒผใซๅ‹ใฃใฆใ‚‚ใ‚‰ใ„ใŸใ„ใงใ™ใ‹๏ผŸ ่ฆšใˆใฆใŠใ„ใฆใใ ใ•ใ„ใ€ ๆญŒ่ฉžใจไธ€็ท’ใซๆญŒใ‚’่žใใ“ใจใ‚’ๅผทใใŠๅ‹งใ‚ใ—ใพใ™ใ€‚
69:04
lyrics and then you can see all this new vocabulary and and you can listen to the song. Did you
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ใใ†ใ™ใ‚Œใฐใ€ใ“ใฎๆ–ฐใ—ใ„่ชžๅฝ™ใ‚’ใ™ในใฆ่ฆ‹ใ‚‹ใ“ใจใŒใงใ ใ€ๆญŒใ‚’่žใใ“ใจใŒใงใใพใ™. ใƒใƒฃใƒผใƒˆใซ
69:11
know that this is the most popular song according to the chart?
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ใ‚ˆใ‚‹ใจใ€ใ“ใ‚ŒใŒๆœ€ใ‚‚ไบบๆฐ—ใฎใ‚ใ‚‹ๆ›ฒใงใ‚ใ‚‹ใ“ใจใ‚’ใ”ๅญ˜็Ÿฅใงใ™ใ‹ ?
69:17
Right now at the time of this recording, that's why I chose it, okay? And remember I said
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ไปŠใ“ใฎใƒฌใ‚ณใƒผใƒ‡ใ‚ฃใƒณใ‚ฐใฎๆ™‚ใ ใ‹ใ‚‰ ้ธใ‚“ใ ใ‚“ใ ใ‚ˆใญ๏ผŸ ใใ—ใฆใ€
69:24
it seems like the lyrics don't really make. A lot of sense, they don't tell a story, it's
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ๆญŒ่ฉžใŒๆœฌๅฝ“ใซใ†ใพใใ„ใ‹ใชใ„ใ‚ˆใ†ใ ใจ่จ€ใฃใŸใ“ใจใ‚’ๆ€ใ„ๅ‡บใ—ใฆใใ ใ•ใ„ใ€‚ ๅคšใใฎๆ„ๅ‘ณใŒใ‚ใ‚Šใพใ™ใ€‚ๅฝผใ‚‰ใฏ็‰ฉ่ชžใ‚’่ชžใ‚‹ใฎใงใฏใชใใ€ใใ‚Œ
69:31
more. Like she's talking about her dream. Sometimes I feel like everybody is a sexy
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ไปฅไธŠใฎใ‚‚ใฎใงใ™ใ€‚ ๅคขใ‚’่ชžใ‚‹ใ‹ใฎใ‚ˆใ†ใซใ€‚ ใฟใ‚“ใชใŒใ‚ปใ‚ฏใ‚ทใƒผใช่ตคใกใ‚ƒใ‚“ใฎใ‚ˆใ†ใซๆ„Ÿใ˜ใ‚‹ใ“ใจใŒใ‚ใ‚Šใพใ™
69:37
baby. Like, that's something you might have dreamt about last night, right? So that's
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ใ€‚ ใพใ‚‹ใงใ€ใใ‚Œใฏใ‚ใชใŸใŒ ๆ˜จๅคœๅคข่ฆ‹ใฆใ„ใŸใ“ใจใงใ™ใ‚ˆใญ๏ผŸ
69:43
why I'm not going through it, word for word and I'm focusing on
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ใ ใ‹ใ‚‰ใ“ใใ€็งใฏใใ‚Œใ‚’ไธ€่ชžไธ€ๅฅ้€š้Žใ™ใ‚‹ใฎใงใฏใชใใ€
69:47
Specific words, did you hear my covert narcissism? I disguise as altruism. I'll explain. Some
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็‰นๅฎšใฎ่จ€่‘‰ใซ็„ฆ็‚นใ‚’ๅฝ“ใฆใฆใ„ใพใ™ใ€‚็งใฎ็ง˜ๅฏ†ใฎใƒŠใƒซใ‚ทใ‚ทใ‚บใƒ ใ‚’่žใ„ใŸใ“ใจใŒใ‚ใ‚Šใพใ™ใ‹? ็งใฏๅˆฉไป–ไธป็พฉใซๅค‰่ฃ…ใ—ใพใ™ใ€‚ ่ชฌๆ˜Žใ—ใพใ™ใ€‚ ้š ๅฏ†ใซใคใ„ใฆ
69:57
other words here because you might be wondering about covert, covert simply means secret,
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็–‘ๅ•ใซๆ€ใ‚ใ‚Œใ‚‹ใ‹ใ‚‚ใ—ใ‚Œใชใ„ใฎใงใ€ใ“ใ“ใซไป–ใฎ่จ€่‘‰ใ‚’ใ„ใใคใ‹
70:05
secret or hidden. This is used a lot in a military context there on a covert Mission.
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ใ€‚ ใ“ใ‚Œใฏใ€็ง˜ๅฏ†ใฎใƒŸใƒƒใ‚ทใƒงใƒณใงใฎ่ปไบ‹็š„ใชๆ–‡่„ˆใงใ‚ˆใไฝฟ็”จใ•ใ‚Œใพใ™ ใ€‚
70:15
So it's a mission that secret The General.
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ใจใ„ใ†ใ‚ใ‘ใงใ€ใ‚ผใƒใƒฉใƒซใ‚’็ง˜ๅฏ†ใซใ™ใ‚‹ใฎใฏใƒŸใƒƒใ‚ทใƒงใƒณใงใ™ใ€‚
70:17
Like has no knowledge of it. They're on a covert Mission. They're working on a covert
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ใƒฉใ‚คใ‚ฏใฏใใ‚Œใซใคใ„ใฆใฎ็Ÿฅ่ญ˜ใŒใ‚ใ‚Šใพใ›ใ‚“ใ€‚ ๅฝผใ‚‰ใฏ ็ง˜ๅฏ†ใฎไปปๅ‹™ใซๅฐฑใ„ใฆใ„ใพใ™ใ€‚ ใŸใจใˆใฐใ€ๅฝผใ‚‰ใฏ็ง˜ๅฏ†ใฎใƒ—ใƒญใ‚ธใ‚งใ‚ฏใƒˆใซๅ–ใ‚Š็ต„ใ‚“ใงใ„ใพใ™
70:23
project, for example. So is used more in military, but it could also be used at work. You could
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ใ€‚ ใใฎใŸใ‚ใ€่ปไบ‹ใงใ‚ˆใ‚Šๅคšใไฝฟ็”จใ•ใ‚Œใพใ™ ใŒใ€ไป•ไบ‹ใงใ‚‚ไฝฟ็”จใงใใพใ™ใ€‚ ็คพๅ†…
70:29
be working on a covert project within your company. Now, let's talk about narcissism
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ใง็ง˜ๅฏ†ใฎใƒ—ใƒญใ‚ธใ‚งใ‚ฏใƒˆใซๅ–ใ‚Š็ต„ใ‚“ใงใ„ใ‚‹ๅฏ่ƒฝๆ€งใŒใ‚ใ‚Šใพใ™ ใ€‚ ใ•ใฆใ€ใƒŠใƒซใ‚ทใ‚ทใ‚บใƒ ใจๅˆฉไป–ไธป็พฉใซใคใ„ใฆ่ฉฑใ—ใพใ—ใ‚‡ใ†
70:36
and altruism narcissism is having too much self interest interest in your own appearance,
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ใƒŠใƒซใ‚ทใ‚ทใ‚บใƒ ใฏใ€ ่‡ชๅˆ†ใฎๅค–่ฆ‹ใซใ‚ใพใ‚Šใซใ‚‚ๅˆฉๅทฑ็š„ใช้–ขๅฟƒใ‚’ๆŒใฃใฆใ„ใ‚‹ใ‹ใ€
70:46
or it could also be
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70:47
Your abilities as well. And covert narcissism is. I'm trying to hide it. I'm trying to keep
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ใใ‚Œใจใ‚‚ใ‚ใชใŸใฎ่ƒฝๅŠ›ใงใ‚ใ‚‹ๅฏ่ƒฝๆ€งใŒใ‚ใ‚Šใพใ™. ใใ—ใฆ้š ใ‚ŒใƒŠใƒซใ‚ทใ‚ทใ‚บใƒ  ใงใ™ใ€‚ ็งใฏใใ‚Œใ‚’้š ใใ†ใจใ—ใฆใ„ใพใ™ใ€‚ ็งใฏใ€ใ“ใฎ้–ขๅฟƒใ‚’่‡ชๅˆ†่‡ช่บซใซ็•™ใ‚ใ‚ˆใ†ใจใ—ใฆใ„ใพใ™
70:55
this interest in myself, secret or hidden from others. Altruism on the other hand is
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ใ€‚็ง˜ๅฏ†ใซใ™ใ‚‹ใ‹ใ€ ไป–ใฎไบบใ‹ใ‚‰้š ใ—ใพใ™ใ€‚ ไธ€ๆ–นใ€ๅˆฉไป–ไธป็พฉใฏใƒŠใƒซใ‚ทใ‚ทใ‚บใƒ ใจใฏ
71:03
more of the opposite of narcissism because altruistic people are more concerned about
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ๆญฃๅๅฏพใงใ™ใ€‚ใชใœใชใ‚‰ใ€ ๅˆฉไป–ไธป็พฉ่€…ใฏ
71:09
others, not themselves and it's that willingness to do things for others, even if it means
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่‡ชๅˆ†่‡ช่บซใงใฏใชใใ€ไป–ไบบใฎใ“ใจใ‚’ใ‚ˆใ‚Šๆฐ—ใซใ‹ใ‘ใ€ ใŸใจใˆใใ‚ŒใŒ็Š ็‰ฒใ‚’ๆ„ๅ‘ณใ™ใ‚‹ใจใ—ใฆใ‚‚ใ€ไป–ไบบใฎใŸใ‚ใซไฝ•ใ‹ใ‚’ใ—ใŸใ„ใจใ„ใ†ๆ„ๆฌฒใŒใ‚ใ‚‹ใ‹ใ‚‰ใงใ™
71:16
sacrificing.
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ใ€‚
71:18
Your own needs. That's altruism. Now, let's talk about disguise when you disguise something,
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ใ‚ใชใŸ่‡ช่บซใฎใƒ‹ใƒผใ‚บใ€‚ ใใ‚ŒใŒๅˆฉไป–ไธป็พฉใงใ™ใ€‚ ใงใฏใ€ ไฝ•ใ‹ใ‚’ๅฝ่ฃ…ใ™ใ‚‹ใจใใ€
71:25
you trying to hide it and in this case, it's a feeling or an emotion. But we also try.
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ใใ‚Œใ‚’้š ใใ†ใจใ™ใ‚‹ใจใใฎๅฝ่ฃ…ใซใคใ„ใฆ่ฉฑใ—ใพใ—ใ‚‡ใ†ใ€‚ใ“ใฎๅ ดๅˆใ€ใใ‚Œใฏ ๆ„Ÿๆƒ…ใพใŸใฏๆ„Ÿๆƒ…ใงใ™ใ€‚ ใ—ใ‹ใ—ใ€็งใŸใกใ‚‚่ฉฆใฟใพใ™ใ€‚
71:33
You can try to disguise yourself. I could try to disguise Myself by wearing, oh, a black
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ใ‚ใชใŸใฏๅค‰่ฃ…ใ™ใ‚‹ใ“ใจใŒใงใใพใ™ใ€‚ ้ป’ใ„ใ‹ใคใ‚‰ใ‚’ใ‹ใถใฃใฆใ€่‡ชๅˆ†ใ‚’ๅฝ่ฃ…ใ™ใ‚‹ใ“ใจใ‚‚ใงใใพใ—ใŸ
71:41
wig. So I could have black hair. Instead of my normal hair, I could wear glasses.
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ใ€‚ ใ ใ‹ใ‚‰็งใฏ้ป’้ซชใซใชใ‚‹ใ“ใจใŒใงใใพใ—ใŸใ€‚ ๆ™ฎ้€šใฎ้ซชใฎไปฃใ‚ใ‚Šใซใ€็œผ้กใ‚’ใ‹ใ‘ใ‚‹ใ“ใจใŒใงใใพใ—ใŸใ€‚
71:47
Yes and I could wear different clothing so I don't look like myself. Nobody would recognize
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ใฏใ„ใ€็งใฏๅˆฅใฎๆœใ‚’็€ใ‚‹ใ“ใจใŒใงใใŸใฎใงใ€ ็งใฏ่‡ชๅˆ†ใฎใ‚ˆใ†ใซ่ฆ‹ใˆใพใ›ใ‚“. ่ชฐใ‚‚็งใ‚’่ช่ญ˜ใ—ใพใ›ใ‚“
71:57
me. If they saw me on the street, for example, you so you can disguise yourself but in this
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ใ€‚ ใŸใจใˆใฐใ€ๅฝผใ‚‰ใŒ้€šใ‚Šใง็งใ‚’่ฆ‹ใŸๅ ดๅˆใ€ ใ‚ใชใŸใฏๅค‰่ฃ…ใ™ใ‚‹ใ“ใจใŒใงใใพใ™ใŒใ€ใ“ใฎ
72:03
case she's talking about disguising, an emotion. So trying to hide that emotion with another
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ๅ ดๅˆใ€ๅฝผๅฅณใฏๅค‰่ฃ…ใซใคใ„ใฆ่ฉฑใ—ใฆใ„ใ‚‹ใ€ๆ„Ÿๆƒ…. ใ ใ‹ใ‚‰ใ€ใใฎๆ„Ÿๆƒ…ใ‚’ๅˆฅใฎๆ„Ÿๆƒ…ใง้š ใใ†ใจใ™ใ‚‹
72:10
emotion. So she's trying to hide her narcissism which is interest in herself her
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ใ€‚ ใ ใ‹ใ‚‰ๅฝผๅฅณใฏใ€่‡ชๅˆ†่‡ช่บซใธใฎ้–ขๅฟƒใงใ‚ใ‚‹ใƒŠใƒซใ‚ทใ‚ทใ‚บใƒ ใ‚’้š ใใ†ใจใ—ใฆใ„ใพใ™ใ€‚ ๅฝผๅฅณใฎ
72:17
It narcissism as altruism interest in other people. So it's a very interesting lyric to
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ใƒŠใƒซใ‚ทใ‚ทใ‚บใƒ ใฏใ€ไป–ใฎไบบใธใฎๅˆฉไป–็š„้–ขๅฟƒใงใ™ ใ€‚ ใ ใ‹ใ‚‰ๆญฃ็›ด่จ€ใฃใฆใจใฆใ‚‚้ข็™ฝใ„ๆญŒ่ฉžใงใ™
72:26
be honest. It's very well written. Let's continue on. Okay our chorus again. So remember we
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ใ€‚ ใจใฆใ‚‚ใ‚ˆใๆ›ธใ‹ใ‚Œใฆใ„ใพใ™ใ€‚ ็ถšใ‘ใพใ—ใ‚‡ใ† ใ€‚ ใงใฏใพใŸๅˆๅ”ฑใงใ™ใ€‚
72:36
saw stare and routing and we already discussed that. Now let's take a look at daughter-in-law
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ๅ‡่ฆ–ใจใƒซใƒผใƒ†ใ‚ฃใƒณใ‚ฐใ‚’่ฆ‹ใŸใ“ใจใ‚’ๆ€ใ„ๅ‡บใ—ใฆใใ ใ•ใ„ใ€‚ใใ‚Œใซใคใ„ใฆใฏใ™ใงใซ่ชฌๆ˜Žใ—ใพใ—ใŸ ใ€‚ ใ“ใ“ใงใ€ใ‚‚ใ†ไธ€ๅบฆๅซใ‚’่ฆ‹ใฆใฟใพใ—ใ‚‡ใ†
72:43
again. This is what caused me to say. This is more like her talking
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ใ€‚ ใ“ใ‚ŒใŒ็งใŒ่จ€ใ†ใ‚ˆใ†ใซใชใฃใŸ็†็”ฑใงใ™ใ€‚
72:47
Thing about her dream because when I first saw this, I was really confused because Taylor
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ใƒ†ใ‚คใƒฉใƒผใƒปใ‚นใ‚ฆใ‚ฃใƒ•ใƒˆใฏ็พฉ็†ใฎๅจ˜ใ‚’ๆŒใคใ“ใจใŒใงใใชใ„ใฎใงใ€ใ“ใ‚Œใ‚’ๆœ€ๅˆใซ่ฆ‹ใŸใจใใ€็งใฏๆœฌๅฝ“ใซๆททไนฑใ—ใพใ—ใŸ
72:53
Swift cannot have a daughter-in-law. She's too young to have a daughter-in-law because
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. ็พฉ็†ใฎๅจ˜ใฏ
73:00
a daughter-in-law is the woman who is married to your son or daughter. So if Taylor Swift
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ใ‚ใชใŸใฎๆฏๅญใพใŸใฏๅจ˜ใจ็ตๅฉšใ—ใฆใ„ใ‚‹ๅฅณๆ€งใงใ‚ใ‚‹ใŸใ‚ใ€ๅฝผๅฅณใฏ่‹ฅใ™ใŽใฆ็พฉ็†ใฎๅจ˜ใ‚’ๆŒใคใ“ใจใฏใงใใพใ›ใ‚“. ใ—ใŸใŒใฃใฆใ€ใƒ†ใ‚คใƒฉใƒผใƒปใ‚นใ‚ฆใ‚ฃใƒ•ใƒˆใซ
73:08
had a daughter-in-law Taylor Swift would have to have a child, a son or a daughter, but
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็พฉ็†ใฎๅจ˜ใŒใ„ใŸๅ ดๅˆใ€ใƒ†ใ‚คใƒฉใƒผใƒปใ‚นใ‚ฆใ‚ฃใƒ•ใƒˆใซใฏ ๅญไพ›ใ€ๆฏๅญใ€ใพใŸใฏๅจ˜ใŒๅฟ…่ฆใงใ™ใŒใ€
73:15
that child would have to
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ใใฎๅญไพ›ใฏ
73:17
You old enough to be married. And then the person her child, Mary's is either her daughter-in-law
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ใ‚ใชใŸใจ็ตๅฉšใ™ใ‚‹ใฎใซๅๅˆ†ใชๅนด้ฝขใงใชใ‘ใ‚Œใฐใชใ‚Šใพใ›ใ‚“. ใใ—ใฆใ€ ๅฝผๅฅณใฎๅญไพ›ใงใ‚ใ‚‹ใƒกใ‚ขใƒชใƒผใฎไบบ็‰ฉใฏใ€ๅฅณๆ€งใซใจใฃใฆใฏ็พฉ็†ใฎๅจ˜ใงใ‚ใ‚Š
73:27
for a woman or son-in-law for a man. Now obviously that's not possible, but if you're in your
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ใ€็”ทๆ€งใซใจใฃใฆใฏ็พฉ็†ใฎๆฏๅญใงใ™ใ€‚ ๆ˜Žใ‚‰ใ‹ใซ ใใ‚Œใฏไธๅฏ่ƒฝใงใ™ใŒใ€
73:34
mid-to-late 40s or 50s 60s, then you could definitely have a daughter-in-law but you
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40 ไปฃๅŠใฐใ‹ใ‚‰ๅพŒๅŠใพใŸใฏ 50 ไปฃ 60 ไปฃใฎๅ ดๅˆใฏใ€ ้–“้•ใ„ใชใ็พฉ็†ใฎๅจ˜ใŒใ„ใ‚‹ๅฏ่ƒฝๆ€งใŒใ‚ใ‚Šใพใ™ใŒใ€
73:45
possibly have a mother
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ๆฏ่ฆชใฎ ER ใŒใ‚ใ‚Šใ€็พฉ็†ใฎๆฏใŒใ„ใ‚‹ๅฏ่ƒฝๆ€งใŒใ‚ใ‚Šใพใ™ใ€‚
73:47
ER and law a mother-in-law is the mother of your husband or wife. So, in the song she
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ใ‚ใชใŸใฎๅคซใพใŸใฏๅฆปใฎๆฏ่ฆชใ€‚ ใ ใ‹ใ‚‰ใ€ๅฝผๅฅณใŒ่จ€ใฃใฆใ„ใ‚‹ๆญŒใฎไธญใง
73:57
says, I have this dream. My daughter-in-law kills me for the money. She thinks I left
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ใ€็งใซใฏใ“ใฎๅคขใŒใ‚ใ‚Šใพใ™ใ€‚ ็งใฎ็พฉ็†ใฎๅจ˜ใฏ ใŠ้‡‘ใฎใŸใ‚ใซ็งใ‚’ๆฎบใ—ใพใ™. ๅฝผๅฅณใฏ็งใŒ้บ่จ€ๆ›ธใซๆฎ‹ใ—ใŸใจๆ€ใฃใฆใ„ใพใ™
74:05
them in the will, okay. That sounds like a common dream that one could have. Now the
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ใ€ใ‚ใ‹ใ‚Šใพใ—ใŸใ€‚ ใใ‚Œใฏใ€ ไบบใŒๆŒใคใ“ใจใŒใงใใ‚‹ไธ€่ˆฌ็š„ใชๅคขใฎใ‚ˆใ†ใซ่žใ“ใˆใพใ™ใ€‚ ไปŠใ€
74:13
will a, will is a legal document.
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ๆ„ๅฟ—ใฏๆณ•ๅพ‹ๆ–‡ๆ›ธใงใ™ใ€‚
74:18
And it outlines how your assets. Now, your assets could be your money, your house, your
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ใใ—ใฆใ€ใใ‚Œใฏใ‚ใชใŸใฎ่ณ‡็”ฃใฎๆฆ‚่ฆใ‚’็คบใ—ใฆใ„ใพใ™ใ€‚ ไปŠใ€ใ‚ใชใŸใฎ ่ณ‡็”ฃใฏใ‚ใชใŸใฎใŠ้‡‘ใ€ใ‚ใชใŸใฎๅฎถใ€ใ‚ใชใŸใฎ
74:23
car, or any other possessions will be distributed, which means given to other people after you
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่ปŠใ€ใพใŸใฏไป–ใฎๆ‰€ๆœ‰็‰ฉใงใ‚ใ‚‹ๅฏ่ƒฝ ๆ€งใŒใ‚ใ‚Šใพใ™
74:33
die. Now, I wonder what this is in your native language. Do you use the terminology will
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. ใ•ใฆใ€ใ“ใ‚Œใฏใ‚ใชใŸใฎๆฏๅ›ฝ่ชžใงไฝ•ใจ่จ€ใ†ใฎใงใ—ใ‚‡ใ† ใ€‚
74:41
just translated in your native language? I wonder, let me know in the comments. I'm curious
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ๆฏๅ›ฝ่ชžใซ็ฟป่จณใ•ใ‚ŒใŸ็”จ่ชžใ‚’ไฝฟ็”จใ—ใพใ™ใ‹? ใ‚ณใƒกใƒณใƒˆใงๆ•™ใˆใฆใใ ใ•ใ„ใ€‚ ็งใฏ
74:47
about that.
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ใใ‚Œใซใคใ„ใฆ่ˆˆๅ‘ณใŒใ‚ใ‚Šใพใ™ใ€‚
74:48
Okay, she thinks she the daughter-in-law thinks I left them in the will. That's funny.
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ใ‚ใ‹ใ‚Šใพใ—ใŸใ€ๅฝผๅฅณใฏ็พฉ็†ใฎๅจ˜ใŒ ็งใŒๅฝผใ‚‰ใ‚’้บ่จ€ใงๆฎ‹ใ—ใŸใจๆ€ใฃใฆใ„ใ‚‹ใจๆ€ใฃใฆใ„ใพใ™ใ€‚ ใใ‚Œใฏ้ข็™ฝใ„ใ€‚
74:56
All right, so it's the chorus again. And oh that's it. So now I want you to click this
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ใ‚ˆใ—ใ€ใพใŸๅˆๅ”ฑใ ใ€‚ ใใ—ใฆใ€ใ‚ใ‚ใ€ใใ‚Œใ ใ‘ใงใ™ ใ€‚ ใใ‚Œใงใฏใ€ใ“ใฎใƒ“ใƒ‡ใ‚ชใฎ่ชฌๆ˜Žใซใ‚ใ‚‹ใ“ใฎใƒชใƒณใ‚ฏใ‚’ใ‚ฏใƒชใƒƒใ‚ฏใ—ใฆใใ ใ•ใ„
75:05
link which you can find in the description of this video. Click this link and watch the
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ใ€‚ ใ“ใฎใƒชใƒณใ‚ฏใ‚’ใ‚ฏใƒชใƒƒใ‚ฏใ—ใฆใ€
75:12
song with the lyrics and I hope you enjoy it. And did you enjoy this lesson? This is
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ๆญŒ่ฉžไป˜ใใฎๆ›ฒใ‚’ใ”่ฆงใใ ใ•ใ„ใ€‚ใŠๆฅฝใ—ใฟใ„ใŸใ ใ‘ใ‚Œใฐๅนธใ„ใงใ™ ใ€‚ ใใ—ใฆใ€ใ“ใฎใƒฌใƒƒใ‚นใƒณใฏๆฅฝใ—ใ‹ใฃใŸใงใ™ใ‹๏ผŸ ใ“ใ‚Œใฏใ€
75:18
the first lesson I've ever done reviewing a song and the lyrics of a song. So did you
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ๆ›ฒใจๆ›ฒใฎๆญŒ่ฉžใ‚’ๅพฉ็ฟ’ใ™ใ‚‹ๅˆใ‚ใฆใฎใƒฌใƒƒใ‚นใƒณใงใ™ใ€‚ ใใ‚Œใงใ€ใ‚ใชใŸใฏ
75:25
like this? Would you like
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ใ“ใ‚ŒใŒๅฅฝใใงใ—ใŸใ‹๏ผŸ
75:26
me to review more song, lyrics, let me know in the comments below. Amazing job, reviewing
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ใ‚‚ใฃใจๆญŒใ‚„ๆญŒ่ฉžใ‚’่ฆ‹็›ดใ—ใฆใปใ—ใ„ใฎใงใ™ใŒใ€ ไธ‹ใฎใ‚ณใƒกใƒณใƒˆๆฌ„ใงๆ•™ใˆใฆใใ ใ•ใ„ใ€‚ ใ™ใฐใ‚‰ใ—ใ„ไป•ไบ‹ใงใ™ใ€‚ไปŠใ€4 ๆ›ฒใ™ในใฆใ‚’ใƒฌใƒ“ใƒฅใƒผใ—ใฆใ„ใพใ™
75:32
all four songs now. Keep expanding your vocabulary with this lesson. I know you'll love it and
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ใ€‚ ใ“ใฎใƒฌใƒƒใ‚นใƒณใง่ชžๅฝ™ใ‚’ๅข—ใ‚„ใ—็ถšใ‘ใฆใใ ใ•ใ„ ใ€‚ ใใฃใจๆฐ—ใซๅ…ฅใฃใฆใ„ใŸใ ใ‘ใ‚‹ใจๆ€ใ„ใพใ™ใ€‚
75:39
make sure you get your free speaking guide where I share six tips on how to speak English,
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่‹ฑ่ชžใ‚’ๆตๆšขใซใ€่‡ชไฟกใ‚’ๆŒใฃใฆ่ฉฑใ™ใŸใ‚ใฎ 6 ใคใฎใƒ’ใƒณใƒˆใ‚’็ดนไป‹ใ™ใ‚‹็„กๆ–™ใฎใ‚นใƒ”ใƒผใ‚ญใƒณใ‚ฐ ใ‚ฌใ‚คใƒ‰ใ‚’ใœใฒๅ…ฅๆ‰‹ใ—ใฆใใ ใ•ใ„ใ€‚
75:43
fluently, and confidently, you can get it on my website right here. So get started with
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ใ“ใกใ‚‰ใฎใ‚ฆใ‚งใƒ–ใ‚ตใ‚คใƒˆใ‹ใ‚‰ๅ…ฅๆ‰‹ใงใใพใ™ใ€‚ ใใ‚Œใงใฏใ€
75:48
your next lesson.
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ๆฌกใฎใƒฌใƒƒใ‚นใƒณใ‚’ๅง‹ใ‚ใฆใใ ใ•ใ„ใ€‚
ใ“ใฎใ‚ฆใ‚งใƒ–ใ‚ตใ‚คใƒˆใซใคใ„ใฆ

ใ“ใฎใ‚ตใ‚คใƒˆใงใฏ่‹ฑ่ชžๅญฆ็ฟ’ใซๅฝน็ซ‹ใคYouTubeๅ‹•็”ปใ‚’็ดนไป‹ใ—ใพใ™ใ€‚ไธ–็•Œไธญใฎไธ€ๆต่ฌ›ๅธซใซใ‚ˆใ‚‹่‹ฑ่ชžใƒฌใƒƒใ‚นใƒณใ‚’่ฆ‹ใ‚‹ใ“ใจใŒใงใใพใ™ใ€‚ๅ„ใƒ“ใƒ‡ใ‚ชใฎใƒšใƒผใ‚ธใซ่กจ็คบใ•ใ‚Œใ‚‹่‹ฑ่ชžๅญ—ๅน•ใ‚’ใƒ€ใƒ–ใƒซใ‚ฏใƒชใƒƒใ‚ฏใ™ใ‚‹ใจใ€ใใ“ใ‹ใ‚‰ใƒ“ใƒ‡ใ‚ชใ‚’ๅ†็”Ÿใ™ใ‚‹ใ“ใจใŒใงใใพใ™ใ€‚ๅญ—ๅน•ใฏใƒ“ใƒ‡ใ‚ชใฎๅ†็”ŸใจๅŒๆœŸใ—ใฆใ‚นใ‚ฏใƒญใƒผใƒซใ—ใพใ™ใ€‚ใ”ๆ„่ฆ‹ใƒปใ”่ฆๆœ›ใŒใ”ใ–ใ„ใพใ—ใŸใ‚‰ใ€ใ“ใกใ‚‰ใฎใŠๅ•ใ„ๅˆใ‚ใ›ใƒ•ใ‚ฉใƒผใƒ ใ‚ˆใ‚Šใ”้€ฃ็ตกใใ ใ•ใ„ใ€‚

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